Re: Inglorious Bastards (Tarantino)
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Originally Posted by JonZ
Shaw Bros studios made some really great movies. Shaolin Martial Arts directly influenced the training sequences in KB. That film features both the board punching training as well as the hurt hand not able to hold chopsticks scene as well. Its one of my alltime favorite films. The film splits martial arts fans. People see it as a bore or a martials arts masterpiece.
Quite a few Shaw films are in my top 100 including Tiger Killer,Avenging Eagle,36th Chamber of Shaolin, Disciples of Shaolin, One Armed Swordsman(truly one of the most important HK films ever made) and The Duel.
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I haven't seen "Shaolin Martial Arts", but have some of the others you mentioned and they are good films. I was referring more to the current spate of colour costumed folks floating about/comedic films that seems to have strangled all the life out of the martial arts genre. All the stuff in KILL BILL, wether directly influeced from a particular film or not, are all part of that genre. If you've seen the film you mentioned, then you instantly recognize it, I saw it as a hilarious homage to every film that has the mean old guy who trains the upstart, like... nearly every 1970s Jackie Chan film.
Which is also why I mentioned Scorses. Your right, tmeatically, Scorsese and Tarantino are very different in what they explore in their films thematically. What they are both great at are adapting genre pictures for their own means. Any Scorses film feels like a Scorses film, regardless of if it's a gangster, domestic drama, horror thriller, or period piece. Tarantinno does this too. something that Scorses reffered to as "Filmaker as a Mavarick" in that personal Journey through American film documentary he did. A great director can take any film given him, and explore personal issues. Admittedly, I don't get alot of deep issues from a lot of Tarantinos stuff, as far as life messages, but in all that dialog, there are some incredibly true moments about purpose, things like that.
I think what turns some off Tarantino to is just him himself. On the Death Proof DVD, he talks about how he didn't just wanted to do a car chase movie, he wanted to do the greatest car chase movie ever, with the greatest car chase in it. That type of honest admitance turns people off. I find it funny, and for the most part, he's pretty much blown many of the movies he's referenced out of the water.
All this talk about Spaghetti Western influence in Bastards though kinda confuses me. KILL BILL played like a natural move in the Spaghetti western genre if you think about it. Kurosawa was influeced by John Ford, and made Samurai movies as substitute westerns, then Leone shows up, loving the Samurai movies and adapts them to what becomes Spaghetti Westerns, the genre dies and Tarantino shows up with KILL BILL and mashed the Samurais into texas, or where ever the bulk of it takes place. It has western themes of redemption, honor, and romance... pretty much works as a Spaghetti Western homage IMO.
