Re: Has anyone seen a movie that uses the "Real 3D" process?
Yes, RealD and DisneyD are the same (or whatever the Disney name is.)
Also one of the areas that single-projector systems have troubles with is light output. Assume, for the sake of argument, that the theater is properly calibrated for, what, 15 foot-lamberts of light.
When you take the two images in the space of one frame, and spread them out over the whole screen-area, you're probably loosing about 75% of the light. Maybe my geometry is wrong, and it's only half the light, but either way, you're loosing a lot. Okay, let's say you're loosing only half the light, so you've got 7.5 fL of light on the screen for each eye.
Except then you need to put the polarization in. Now the screen is being hit with 3.75 fL of light. But the picture still looks like crap. Why? Because even though it's a metalized screen (to preserve the polarization as asked about in Post #14) it's still reflecting both "eyes" into both "eyes."
Answer: polarized glasses on the viewer's head. Result: well, since the polarizations are supposed to be the same, you shouldn't loose too much to the appropriate eye. -99.5% to the wrong eye, -~15% to the correct eye. End result, 3.19 fL, down from the SMPTE spec of 15fL.
IMAX-3D gets around this by using two interlocked projectors. So they're only in the 6-7fL range. Actually, they may be running the screen hotter to begin with; I'm not sure if they follow the SMPTE spec.
Something that interests me, is someone is running around with a 2-projector 3D system that uses different color palettes. If Projector #1 is using colors X, Y, and Z for it's RGB triad, and Projector #2 is using A, B, and C for it's RGB triad, then the smaller subset of A/X, B/Y, and C/Z is the actual color-space you can display. The glasses are then narrow band-pass filters that pass either ABC or XYZ.
Not sure how well it works, but it certainly is a different solution to the problems. It gets away from polarized filters on the projectors, and it also gets away from having to use metalized screens. Heck, you could shoot it onto a fog-screen if you wanted to.
Leo