post #61 of 212
6/20/08 at 8:17pm
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Originally Posted by gobrigavitch
That's not true. Film grain is not part of a movie. Movies shot in Digital (ie Star Wars prequels) don't have film grain. They are a byproduct of film and have nothing to do with movies. I foresee film slowly being phased out of movie production so eventually any grain will have to be added artificially. Will it then be part of movies?
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Originally Posted by Jesper Hall
I seem to remember an interview with Charles Lauzirika from perhaps five years ago, where he said, that he was going to work on completely new supplements for alle the Bond films.
Lauzirika was the one who made the supplement on the original "Die Another Day"-disc, and his stuff was the stuff missing from the later Ultimate Edition. It makes sense that they would hold his stuff back until the later release. According to the press release it doesn't seem to be this release though. I love the idea of Bond on Bluray, and why not release the Ultimate Editions now and then again with completely new extras in a few years. That makes me think, that at some point (maybe the 50'th anniversary in 2012) we'll get the "Lauzirika"-versions on Bluray. |
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Originally Posted by Charles de Lauzirika
I'd love to read that interview where I supposedly said this. It ain't true, in any case.
As much as I adore the Bond films and would loved to have been involved in the whole series of special editions, John Cork did a wonderful job on all the pre-"GoldenEye" discs he worked on with David Naylor and Bruce Scivally. No need for me to re-do that which is already stellar work. If I have one regret, it's that my Lazenby-esque one-time stint as a Bond DVD producer came one film too early. |
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Originally Posted by StevenA
By that logic, if you happened to find the color green to be aesthetically unappealing, I imagine you would support the removal of the color green from all films released on Blu-Ray.
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Originally Posted by Mark Oates
Quick afterthought - are we all talking about the same thing? Are grainy films (which bother Joe), the same as films with proper film grain? Does Joe hate old movies, because they have higher levels of grain than, say, something shot on HDvideo?
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| I would be very dissapointed if they tried to make The Adventures of Robin Hood look like The Matrix. |
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Originally Posted by Joe Karlosi
Err.... No.
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Originally Posted by Robert Crawford
So much for you saying goodbye to this thread.
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Originally Posted by AlexCosmo
The titles are grainier because they are one generation away from the rest of the movie. (Because the film had titles put over it). Grain varies WILDLY in all films from all eras. So what's wrong with simply allowing the movie to look like it looked, whatever that might be?
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Originally Posted by troy evans
It is very cool that Bond is now coming to Blu-ray. However, I won't touch these early releases until after Bond 22 hits Blu. If I'm buying all these damn movies again then I need an almighty complete Blu-ray collection. If I don't get it, then I'll buy Quantum on Blu and be done. I have Casino on Blu and as stated a few posts back the current sd dvd releases are packed to the brim with features and all kindsa shit. Not to mention, they look very nice. Don't get me wrong, I want to upgrade all my Bond films to Blu. I just need it to be all together. Not broke down into seperate titles that will run me hunderds of dollars before it's done. Maybe that's just me.
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| Good example. I have the SD of ADVENTURES OF ROBIN HOOD and it looks excellent to my eyes, one of the most appealing images ever. Smooth, clear, sharp... Not the "grainy" look I'm referring to at all. So then - is it actually the inherent film grain I'm objecting to...? |
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Originally Posted by Joe Karlosi
Err.... No.
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Originally Posted by StevenA
Your preference just happens to be for grain-free images. It may as well be for low-contrast images, or highly saturated images, or images with no green, to quote my earlier analogy. Films should not be manipulated to match any one of those preferences if it means altering the image in a way that dishonors the original work.
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| If you have a specific aesthetic preference for how a film should look, the answer is to shoot your own film on whatever format satisfies that preference. Films made by others should remain as they are. |
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Originally Posted by Joe Karlosi
...but the way a finished DVD appears is quite often better looking than it once was, and in some ways altered, enhanced, boosted, etc.
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Originally Posted by TravisR
Has making it look better ever removed detail from the picture? That's what is happening when they remove all the grain and why everyone has (or should have) a problem with it.
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Originally Posted by Joe Karlosi
My favorite films are older movies, say from the 1930s through the 1970s. Depending on the DVD title and how it's authored, I guess, some strike me as "grainy" while others don't.
Maybe after all this time it's something else I'm objecting to (though I don't think it's "dirt", as some suggest). Take something like the MR. MOTO series on DVD. Some of them stand out (like MR. MOTO IN DANGER ISLAND, for one). This one's just much smoother, sharper, all around detailed... while others may look more "grainy" or "slightly snowy" (emphasis on SLIGHTLY). I have been revisting the Universal '40s Sherlock Holmes movies on MPI lately, and the quality may also vary from film to film. Now, all of these movies are films - and they consist of inherent film grain - yet not all of them look as sharp, smooth, clear. In particular, the titles of the Holmes films tend to appear slightly more "grainy", but when the actual story begins, the clarity improves greatly. In the case of the Universal Holmes movies, am I correct that the original titles were obtained from another source, which perhaps accounts for this inconsistency? I think there's a difference between proper inherent film grain and a movie presentation which presents a "grainy-looking image". Good example. I have the SD of ADVENTURES OF ROBIN HOOD and it looks excellent to my eyes, one of the most appealing images ever. Smooth, clear, sharp... Not the "grainy" look I'm referring to at all. So then - is it actually the inherent film grain I'm objecting to...? |
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Originally Posted by Joe Karlosi
I wasn't talking about "all" titles for "every" film; I specifically pointed out the Sherlock Holmes movies. With the Holmes' titles I'd thought that they had to get them from another source in some cases (16mm perhaps?).
If we allowed movies to simply look as they looked, we probably wouldn't have anything near as spruced up as SD and BD in the first place. |
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Originally Posted by Brandon Conway
The first 20 films (Dr. No to Die Another Day) are owned outright by MGM. Fox now distributes for MGM. The new films (Casino Royale, Quantum of Solace), are joint MGM/Sony projects, with Sony holding distribution rights.
Unless distribution rights change, or deals are struck between Fox and Sony (like they were when they sandwiched the Casino Royale release with the more recent box sets), the first 20 will always be sold separately than the two new films. |
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Originally Posted by Joe Karlosi
I think you may want to read later posts on THE ADVENTURES OF ROBIN HOOD. It may not be the inherent grain issue at all I'm objecting to. A person may still be pro-film grain and not enjoy a "grainy looking picture". I think there's a difference.
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Originally Posted by Joe Karlosi
...but the way a finished DVD appears is quite often better looking than it once was, and in some ways altered, enhanced, boosted, etc.
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Originally Posted by Joe Karlosi
Then they should be seen only on 35mm reels and not touched up in any manner for home video releases. The colors, for one thing, are almost always enhanced on DVD.
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Originally Posted by Joe Karlosi
But all I have ever witnessed is more detail on DVD, if anything.
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Originally Posted by StevenA
Your later posts do make the issue more complicated. Perhaps you're objecting to the excessive film grain on prints that are many generations from the original camera negative,
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| but I'm a little unclear as to what you mean by the look of natural film grain being distinct from a "grainy looking picture." |
| Again, we're back to a subjective aesthetic assessment as to what is "better." I don't think we should be trying to have films look "better" than they were originaly, unless that means more accurately represented. In the same way, the aim of high fidelity audio software and equipment should be to reproduce sound that is as close as possible to the original recording, not "enhanced" or "boosted" in any way. |
| I object to 5.1 remixes of mono soundtracks for the same reasons, even if I may find surround sound more "appealing" than mono. |
| I don't know what you mean by saying the colors are "almost always enhanced" on DVD. There's no question that a DVD, or a Blu-Ray disc for that matter, can never look identical to a 35mm print, but that's no reason not to strive for the most accurate represenation possible within the limitations of the format. |
| I believe you're experiencing an illusion. Where is this extra detail coming from? |
| If you were to project a good 35mm film print in your living room on to a screen the size of your TV, I guarantee you will perceive more detail than you would from a DVD of the same image. Even Blu-Ray will have a hard time matching a projected 35mm image for perceived detail on the same screen size (depending on the generation of the print and other factors.) |
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Originally Posted by Douglas Monce
Actually there has been some speculation that the Broccoli family bought back all the rights to the Bond films from UA in the mid 1980s when they weren't sure if UA would survive the Heaven's Gate train wreck.
My understanding is that the Broccoli's own the films outright and that MGM had a distribution deal. The right to produce a James Bond film, with the exception of the Thunderball story, has never left the hands of the Broccoli family and no studio can make one with out them. Doug |
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Originally Posted by Joe Karlosi
"Accurate", sure. But just using newer movies I'm seeing in theaters as examples, I still think when the DVD arrives, it presents an image superior to what was seen in the theater. Now, this could be because these days some of the projectionists aren't doing their jobs properly or that the bulb is not as bright as it should be. But there are also instances of noticeable dirt, scratches, or cue marks on films as seen in theaters... yet the DVD variant removes any of these pesky distractions. If you get right down to it, if we want our DVDs to appear faithful to how 35mm prints looked in theaters, they should probably leave all scratches, dust, and cue marks intact! |
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Originally Posted by Douglas Monce
On opening night you should see little to no dirt and dust. And frankly I haven't see cue marks on a print in years. They are almost unnecessary today with the use of platter systems. I'm not even sure they are still marking the prints with them.
In a quality theater with a good projectionist your viewing experience should exceed a blu-ray viewing by leaps and bounds. Of course if you goto the Dollar Theater where the print has 3 months of showings warn into it, you aren't going to have a "first run" experience. As to standard def DVD, it is NEVER going to even come close to the quality of even a Dollar Theater unless the projection is THAT bad. In that case you should ask for your money back! Doug |


