I just purchased this film in a 20 dollar two pack with "The Quick and The Dead" starring Sharon Stone. I can't remember ever seeing this, so for all intents and purposes this was my first viewing of the film. This film was a pleasant surprise. Judging by the cover art, I was expecting a cheesy 'B' western, but I couldn't have been more wrong. This film was a tightly plotted, fantastically shot gem. There are a lot of modern cinematographers and directors who could take some lessons from this film on how to frame and shoot an action scene. The Hacienda attack in this film is just one example. At no time did a viewer ever lose the sense of where everyone was in geographic space and yet the violence of the scene was only on a bit smaller scale than that in "The Wild Bunch". I actually think the violence in the attack, bloodless as it was, may have been better done than in "TWB" attack purely on the basis that it didn't seem as over-the-top.
I also thought it was unusual sound choice when
Warning: Spoiler! (Click to show)
Cardinale's character's scream was drowned out by the water tower explosion. By doing that, the point was really driven home on just how loud, violent and disruptive the explosion really was. In most movies, the sound of her screaming would have been front and centre, especially nowadays.
Anyway, that was just a small detail that struck me.
The dialogue and interplay between Lee Marvin and Burt Lancaster was also a high point, as was the "philisophical" dialogue between Lancaster and Palance, who (I am ashamed to say) I didn't even recognize until I read the end credits. Watching actors like Marvin, Palance and Lancaster work together is a treat. The understated dynamic going on between these guys just doesn't show up very often between actors in the films of today.
There were so many well constructed and shot scenes in this film that I can't begin to name them all, but one other scene that particularly struck me was the train escape. That was just a beautifully shot sequence. If that scene were shot today it would consist of nothing but shaky cam and quick cuts of hooves, arms, legs, horse's heads and men's faces.
Amongst other good lines, the ones that I really got a chuckle out of were the last two lines between Bellamy's Grant and Marvin's Fardan. That exchange, IMO, was just classic.
The PQ on the blu-ray was outstanding. It is hard to believe that a film shot in 1966 could be made to look as good as it did. You almost could have sworn it was shot yesterday. The only thing that really gave it away as an older film was the sound. The sound was good, but it definitely didn't have the dynamic range of modern tracks and parts of it did have a bit of a sharp, "tinny" sound; however, it more than adequately did the job.
All-in-all, this was a most impressive package in picture, sound and story quality.