Re: A few words about...™ Patton -- in Blu-Ray
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Originally Posted by Mike Williams
PaulDA, I'm well aware that my Blu-ray disc, in picture quality and audio quality, is exactly the same as Rachael's, but with setups, calibration, screen sizes, viewing distance, and brand of equipment involved, that doesn't make our viewing experiences equal. To say that close-ups of the Patton BD are not very detailed could be the fault of many other factors OTHER than the Blu-ray which is very sharp and detailed, indeed.
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I did not disagree with this--in fact, it is implied in my post.
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| And it also has nothing to do with Rachael having higher standards than I do, as she implied. |
My point was not whether one has "higher standards" (obviously not for me to decide or even debate) but simply pointing out that each has "different" expectations (as evidenced by multiple posts). That was the point behind relating my own experience with
Casablanca on HD DVD (and that is a transfer that has been, as far as I can tell, universally praised). Our expectations are all influenced by a multitude of factors. Casablanca was the third HD DVD I ever watched. It was the best reviewed, from a video standpoint, of the three, by far. My expectations were seriously high. Too much so, at the time. Since then, however, I've seen enough other HD DVDs (and rewatched Casablanca) to come to understand that it is among the better releases in HD DVD, but the effect of my initial expectations were such that I still don't see it as EXTRAORDINARILY superior to my SD copy.
When I get around to watching this BD (won't be for a while I don't have a player at the moment), I will not be able to escape the influence of the discussion here--the risks of seeking out information, I suppose. Perhaps I'll think it's great (I do find many complaints about titles I HAVE seen in HD DVD, for example, to be rather "nitpicky") or perhaps I will find it disappointing. Only a viewing will tell.
Ultimately, with any release on BD (or HD DVD), expectations rule the day. Some expect "hyper sharp and clean" and will be disappointed with "grain". Others demand "the original" as much as possible and when the release doesn't match their expectations, they are (sometimes severely) disappointed.
As for the studios, they have to weigh what they believe the biggest potential buying audience will want (anecdotally, that seems to be the "hyper clean" crowd), the cost of making the release from start to finish and critical response to previous, similar releases. The problem is all the more complex because these are reproductions of works of art (in the broad sense--Porky's II is not especially artistic, even if it is an art form). When it comes to a lot of "classics", many have never seen "the original". Add to that the things we're told to expect from HDM ("clean", "sharp" and, if in colour, "pop") and it is no wonder that some releases turn out as they do.