Re: A few words about...™ Patton -- in Blu-Ray
Mr. Scott has read my post correctly.
I'm not suggesting that Blu is a poor system.
I'm a HUGE fan and supporter of Blu.
Attempt to take it away from me at your peril.
But it really doesn't matter what Blu's capabilities are if those capabilities are not in some way overseen by someone who can guide the copyright holders through the occasionally very confusing web of channels toward the creation of a stellar piece of software.
And that guidance cannot come by pandering to the lowest common denominator of viewer, that wants everything to look like a freshly waxed floor.
Instead, educate these viewers, and allow them to understand what good is.
While the BD of Patton has far superior colors, blacks, shadow details and low noise attainable by the system, the filtering of detail, which may be the single most important factor brought to us by Blu-Ray, does create a situation in which the affected sub-master could have been used to create a really beautiful standard def disc --
and left it at that.
I'm not quite certain where I'm going with this, but it may be toward some sort of THX or TAP intervention, via which a respected entity with no agendas beyond quality can be brought in to recognize the problems, and suggest solutions toward the creation of software that will show off the benefits of the Blu-Ray system, as opposed to cripple them as the system is attempting to make it to the big leagues.
Above all, we need to set standards. At this time, there are none.
This is a period in which a few missteps can turn off a potential audience very easily. I'm reminded of Technicolor, bringing back their proprietary dye transfer system in the late '90s, only to not have their marketing ducks in order, and allowing Gone with the Wind to go through their system, when it should have been rejected as produced, and thereby (as a veritable poster child for the system) cut off its revival at the knees, before it could get out of the gate.
The point that I'm attempting to make is that for Blu-Ray to succeed, everyone involved, at every level must put the absolute best product forward, and that may come down to the rejection of software that simply doesn't send out the proper marketing messages.
I would hate to see Blu-Ray fail because of some ill-produced software, especially for titles that should have shined and been the ones to force potential adopters over the edge because they finally realized that they now NEEDED Blu-Ray.
Patton should have been one of those titles that created Blu-Ray hardware sales, and pulled other Blu-Ray software titles up by their bootstraps.
It isn't.
When a potential customer goes to a store and picks up a Blu-Ray disc, or buys on-line, they should be able to know -- SIMPLY BECAUSE IT IS BLU-RAY -- that they are purchasing a piece of software that represents the highest attainable representation of that film, play, opera, music video -- whatever -- WITHOUT THE NEED TO GO TO SITES LIKE HTF OR HIGH DEF DIGEST to read reviews telling them if the product is decent quality.
I'll now stand down from my soap box.
RAH