
I want to recommend CIMITERO SENZA CROCI
(Cemetery Without Crosses, aka
The Gun and the Rope) (France, 1969) directed by Robert Hossein and co-starring Hossien and Michele Mercier. Hossein was best known as an actor, but he had written and directed a number of French dramas in the 1960s. He also co-starred with Mercier in the popular
Angelique bodice-rippers, a series which had run their course before they collaborated on this spaghetti western.
An absolutely outstanding folk ballad of a western.
Terse, spartan, austere, as hardboiled as a noir, suspenseful, filled with elegiac imagery and ear-pleasing acoustic sounds.
The clear text is definite, the subtext is pregnant with repressed emotion, the plotting progresses logically but in unexpected ways, and the dialogue is worthy of David Mamet. Almost. This is a spaghetti western for people who don't like spaghetti westerns. That's because it's really French, being made by the French in Spain, and it plays out like any other character-driven French film.
Michele Mercier keeps her clothes on this time, and surprises us with an emotional range and conviction that Angelique never tapped into. She married the wrong man, who is hung before her eyes by a greedy rancher for stealing the gold the rancher got for running off their cattle. She offers the gold to the man (Hossein) she should have married to get revenge. He's a killer who still loves her, but he turns down the offer, refuses to help, and then goes after the rancher and his brood for reasons of his own. In the end, everybody pays. Mercier's grief and sadness drives the film like the mourning black that covers her up. As the story unfolds she turns from a victim into a black widow and back again. Wonderful performance I could watch all day. Whoever dubbed her into English has a lilting quality in her voice that pleases mine ears. Voices are important, and Hossein gets all the voices just right. The dubbing is so exact it makes other spaghetti westerns look slovenly in comparison.
The only flaw is a techno-pop tune and song heard at the beginning, the end, and four times in the middle. It is at odds with the mournful acoustic guitars applied throughout the rest of the film, and it violates the melancholy tone of the film. Big mistake. But the film is so engaging I can overlook it. Mostly.
CEMETERY WITHOUT CROSSES needs an official release, with a supplement explaining its background and perhaps a commentary channel to put into context with Hossein's other films. There is a political and social context that is consistent with the other films he wrote and directed. Hossein remains a sadly underestimated dramatist and film maker in his own country. Timeless Media Group offers a good widescreen transfer in the box-set THE BEST OF SPAGHETTI WESTERNS: IN THE TRADITION OF "THE GOOD THE BAD AND THE UGLY" currently dirt cheap on amazon:
http://www.amazon.com/gp/product/B004L5GYFU/ref=oh_o00_s00_i01_details
CEMETERY WITHOUT CROSSES is on disc 2 and is worth double the price of the set on its own.
Edited by Richard--W - 12/18/11 at 5:19am