Wild East presses limited editions of only 1,000 and then the DVD becomes either unobtainable or insanely pricey real fast. At least three Wild East DVD's I bought as recently as last March have gone out of print. The transfers, generally, are very good to excellent, mostly excellent. Many spaghetti westerns were shot in Techniscope, so that's the quality you'll be seeing, from dye transfer negatives. Their new transfer of
Death Rides a Horse (1968) is widescreen, anamorphic, uncut, with the proper gamma and color saturation. Probably from the same source as the MGM release in the U.K. The best I've seen in the USA for a title that circulates in blown-out, cut-up, full-screen public-domain editions. Wild East's DVD is the only one to buy if you like this film, but be advised it will be sold out shortly:
http://184.172.176.43/~wildeast/
I've been gathering spaghetti westerns this past year and watching them, trying to get to know the genre better. I've watched nearly 50 films in the past year and I still have a long want list. Overall, I'm disappointed in the genre. Although American names and places are used, there is little discernment of what the American west was about, and not much attempt at dramaturgy beyond greed, rape, and revenge. These are the motivations. As basic drama, spaghetti westerns are not ambitious, although there is cleverness to the gamesmanship on display. 99% of the stories being told are simplistic, monothemic, redundant exercises in sadism. 45 minute plots stretched out to 90 minutes or longer. I usually stop the film midway through, and then come back to it after a break. I'm starting to enjoy spaghetti westerns as exercises in style and in a certain mentality. I do appreciate the raw visual aesthetic of the average spaghetti western.
I was hoping to find another Sergio Leone. Someone with his visual acuity, dramatic range, emotional power and sense of poetry. Leone was a true artist and a great filmmaker. But no one else even comes close. The most impressive film I've seen so far is Sergio Sollima's
Faccia a Faccia (
Face to Face, 1967). It is actually about something. It has good ideas, an original and engaging subtext, layered characters, a story that plays out in unpredictable ways, at least two superb performances, and a fine pictorial use of landscape and sky. I enjoyed the film so much I actually forgot it has no more discernment of the American west than the worst spaghetti western. But as cinema, I recommend it very highly. The Eureka! DVD from the U.K. is the only one to get. You will need a multi-region player to watch it:
http://www.amazon.co.uk/gp/product/B00450AFRO/ref=oss_product
My growing familiarity with the spaghetti western brings me back to the beginning: I prefer the American western. The best westerns have always been legitimate drama first, connected somehow to how the pioneers lived and to what they did, and action films second. The American western is a deeper, richer, more challenging and durable entity, infinitely more accomplished as story telling. The western is our invention and our signature contribution to cinema.
Spaghetti westerns are distinctly European in their outlook, but they can be fun.