post #31 of 84
1/20/08 at 10:54am
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| So if the film didn't actually use Vitaphone (or at least a Vitaphone style knock off like Cinephone) why did they advertise it as such? |
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Originally Posted by Michael Elliott
Getting something like THE LAST WARNING or ISLAND OF LOST SOULS out there is still more important than another version of DRACULA, FRANKENSTEIN, THE MUMMY or THE WOLF MAN. In my opinion of course.
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Originally Posted by John Morgan
When I heard that DRACULA was coming to DVD, I unloaded my laser disc. Maybe I am remembering with rose colored glasses, but I think the laser looked and sounded better than any of the DVD releases.
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| Lastly, this new find is said to include Edward Van Sloan's epilogue, which alone would make this version essential and thus render all the prior releases moot. |
| And I couldn't care less about the silent version you frequently mention. Without Bela's classic accent, there is no film. |
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Originally Posted by Joe Karlosi
I've agreed completely over at the Classic Horror Film Board regarding an upcoming SE for THE MUMMY, but according to this recent report (and nothing's confirmed as of yet), DRACULA would contain the missing Edward Van Sloan epilogue, so it's not just another typical rehash like FRANKENSTEIN or THE WOLF MAN would be (though if they could find the scene with Chaney wrestling a bear for the latter, it would be a different story).
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Originally Posted by Michael Elliott
We also know a poster there who claims to have seen a print of LONDON AFTER MIDNIGHT in 2000 but when he brought it to Warner's attention he said they didn't care about it.
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Originally Posted by Jack Theakston
Universal didn't make composite lavenders. Separate pix/track only. So this story seems rather unlikely.
DRACULA was filmed full frame (no soundtrack), but with viewfinders that were marked for 1.37 (and composed thusly). Universal went 1.37 in late 1929, after it was adopted by AMPAS, but before DRACULA was in production. Shooting it full-full frame might have been accomplished for two reasons: 1) For the silent version and sound-on-disc version, which had a full-frame (no track) aspect ratio. 2) Because not all of the cameras at Universal had been set with new apertures. They simply had new viewfinders marked accordingly and the left edge was not printed for the picture on the sound block. DRACULA was recorded with Western Electric SOUND ON FILM. Universal only did one or two sound-on-disc recordings in 1929 and that is IT (one of these was the reissue PHANTOM OF THE OPERA talkie sequences). The confusion lies in that DRACULA was available FOR sound on disc markets. |
At my request the folder (at least for the time being) has been stored away. Regrettably, the posting about the DRACULA elements had been premature. Until the matter is resolved, and to protect those who may have said more than they were supposed to, the topic is being put on a back burner. I take full responsibility for jumping the gun on the boards and I sincerely hope that no hard feelings will come from this. Like everyone else here the news I heard was a dream come true. I'm not saying what I posted was untrue but apparently it's unsubstantiated and until the responsible parties want to make the facts public we'll close this with the hope that perhaps someday we'll have an opportunity to bask in the glow of those remarkable long lost scenes we'd love to savor. And for the record, Borgo this wasn't a "... fabricated hoax", complete or otherwise. |
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Originally Posted by Michael Elliott
Now, if this rumor was about an uncut version of BRIDE OF FRANKENSTEIN then I'd be jumping up and down all day and night.
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Originally Posted by MielR
That's funny- in 2000 I came across the website of a person that claimed to have sold a print of L.A.M. (a 9.5mm French print) for half a million dollars. I contacted someone at AFI, who was very excited about the possibility of a surviving print. He contacted the website's owner, but it ended up being a hoax.
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Originally Posted by Mark Zimmer
It'd be nice if it were true; I think estimation of the picture would go up with good source materials. Wait & see I guess--though this doesn't seem to fall into the outlandish category of the spider pit or London After Midnight. There had to have been a lot of prints struck of Dracula on its original release and it wouldn't be all *that* surprising for one to be lurking out there somewhere.
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Originally Posted by Robert Harris
The discovery of a new Dracula element is, or was, not a hoax. A query was made to an LoC - National Archive archivist, who gave an apparent off-hand answer that something had been found, without going into detail.
After a conversation with someone from the archive, the facts are quite simple. An element was located almost a year ago, and as Universal has an ongoing restoration and preservation program, it was immediately dispatched to the studio. The studio has been creating new protection elements with redundancy. I'm told that the element is a full frame (FA) lavender positive from 1930 and has a lavender track positive to go along with it. It apparently contains no new or unknown material, but may be off a higher quality than previously held. RAH |
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Originally Posted by Joe Lugoff
I'm reminded that in an interview promoting "Sweeney Todd," Tim Burton was asked if he had seen Lon Chaney's "London After Midnight," and he replied, "Oh, sure!"
I have no idea if he was being sarcastic, lying or just confused. |
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Originally Posted by Robert Harris
1. The studios are constantly looking for elements for older titles, and always wish to upgrade.
2. When it comes to inventory, one of the classic examples is of the lost Chaney film "The Unknown" at the Cinematheque around 1968. It was in cans marked "l'inconnu"... or "Unknown." RAH |
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Originally Posted by Robert Harris
After a conversation with someone from the archive, the facts are quite simple. An element was located almost a year ago, and as Universal has an ongoing restoration and preservation program, it was immediately dispatched to the studio.
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