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Another fantastic performance from Daniell Day-Lewis.
A relentlessly brutal film.
Loved it!
Another fantastic performance from Daniell Day-Lewis.
A relentlessly brutal film.
Loved it!
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Originally Posted by Michael Ruben
I was also troubled by the decision to have Paul Dano play both brothers, Paul and Eli Sunday. A lot of reviewers refer to them as "twin" brothers, but no one ever says that, and in fact it's been widely reported that another actor was originally cast as Eli. Introducing two characters played by the same actor with no explanation and no significant change in appearance creates narrative confusion at a point in the film when the plot is still getting established, and I think it was a mistake. (Which is not to say that casting Dano was a mistake; he nails the role.).
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Originally Posted by Michael Reuben
Still, for all my problems with it, it's a true original, unlike anything I've seen before, from Anderson or anyone else. Those don't come along often.
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| I was also troubled by the decision to have Paul Dano play both brothers, Paul and Eli Sunday. A lot of reviewers refer to them as "twin" brothers, but no one ever says that, and in fact it's been widely reported that another actor was originally cast as Eli. Introducing two characters played by the same actor with no explanation and no significant change in appearance creates narrative confusion at a point in the film when the plot is still getting established, and I think it was a mistake. (Which is not to say that casting Dano was a mistake; he nails the role.) |
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Originally Posted by Steve Y
My reaction to Paul/Eli was exactly the same as Kirk's, and I'm not usually thrown by these things. Upon leaving the theater I was convinced such a cheeky stroke must have been intentional, even if it was a relatively "last-minute" artistic decision due to some casting changes. In a movie where everything else is so carefully crafted, you can bet its ambiguity was not lost on the filmmaker(s).
I, like Michael, had issues with the film, though it has lingered in my memory - always a good sign. But I just can't pin it down. On the whole it was very compelling. But what exactly are we meant to digest? The "tapering of vision" in the last act makes sense when you realize that the film has really very little to say about greed, oil, or religion (nothing that hasn't been said a thousand times), and is really only interested in one man's doomed and blackened heart. Making that heart a metaphor for America is another matter. It's an intimate epic, and yet the object of the camera's intimacy keeps us at bay with rhetoric and violence, so we are left with a feeling.... is this all there is to Daniel Plainview? (Yes and No are my answers so far) I loved Johnny Greenwood's score, which forced you out of the reverie that such horse-clopping visuals might provoke in an audience. It seemed to drag the whole oily affair out of the earth and into a kind of doomsday. It was also nice to see a little-used Brahms concerto play such a prominent role in the storytelling. |
| Great to see another agree on the score. i simply can't believe anyone thinking it was nayhting other than amazing. |
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Originally Posted by Patrick Sun
There are 2 distinct brothers. Paul took off after getting his blood money from Daniel. Daniel alluded to this during the final scene.
Originally 2 actors were to play 2 Sunday brothers, but the actor who was to play Paul didn't work out, so PT Anderson decided to just make them twins, and Dano stepped up to the plate to play both roles. |
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Originally Posted by Patrick Sun
Paul willingly betrays his family - his blood, for money and ambition, and no appreciable remorse of the impact it would have on his family's future.
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Originally Posted by L. Anton Dencklau
I think someone drank Brett's milkshake.
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| No doubt. Wish I had a bowling pin right now. |
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Originally Posted by Eric Peterson
Out of curiosity, have you ever watched any of PTA's previous films? ...or any of Robert Altman's films per chance? I personally thought that this film was a borderline masterpiece and after I get a chance to watch it a few more times, it will probably move up. |
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Originally Posted by Dennis Castro
A relentlessly brutal film.
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Originally Posted by Brett_M
I guess I wanted a more conventional narrative (polt point 1, plot point 2, climax). A character study is not what I expected and not what I like generally.
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Originally Posted by Brett_M
...it's not something I'll watch again whereas Boogie Nights and Magnolia are films I can watch again and again (and do regularly each year).
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Originally Posted by Holadem
While I can understand that the title leads one to expect violence, this comment is puzzling coming from someone who has seen the film. What part of it was "relentlessly brutal"? The film was rather ordinary in that regard, yet I keep hearing this.
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