Re: Breaking News!! Warner is soon to be Blu-Ray Exclusive!
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| Except for Patrick referring to "bitstream" instead of PCM in the message you "corrected" he is absolutely correct in his statement that the only way one gets HD audio codecs from the PS3 is via HDMI. He didn't say anything about HDMI 1.3a, etc. which is overkill for use with the original PS3 at this moment because any HDMI-equipped AVR does the job. |
I thought Patrick stated that you needed a new 1.3 receiver that *could decode advanceded audio codecs* to get them off the PS3. I was correcting that by saying that *any* HDMI recevier would work... which includes the many non-1.3 receivers that have been on the market for some time and that can accept PCM over HDMI already.
If your point is that the PS3 doesn't have 5.1 or 7.1 analog out for lossless audio, that's certainly true.
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| I'm glad to see that you now own an HDMI 1.3a capable AVR and a PS3 for Blu-ray so that you can "get by" with today's HD Audio codecs. At least you are talking from experience in this case, unlike many other times that we've had discussions where it turns out that you don't have any personal experience with certain equipment. That's definitely a step in the right direction. And for the record I side with you in a preference for my players to do the decoding of HD audio rather than the receiver (although I'm now equipped for all options with my new Denon 3808ci, HDMI 1.3a fully capable pre/pro). Ironically, the only place that the PS3 has failed me up until this point (in all other Blu-ray aspects it's top shelf) is in the way it handles - or should I say doesn't handle DTS MA audio. Not only doesn't it decode it at this point, but without a way of passing bitstream information to the 3808ci I'm totally out of the loop with the increasing number of titles available with DTS MA. Hairspray was just the tip of the iceberg. Yes, I know that Sony has stated that a "future" firmware upgrade will address DTS MA on the PS3, but unless there are some licensing issues involved, I really don't understand why this hasn't been done because I'm fairly confident that the PS3 can handle it as well as a 2.0 profile, right? Even my Panasonic BD player can pass the DTS MA coded audio to a receiver - but it's not located in the room where my 3808 resides. |
It's been explained (repeatedly in the PS3 threads) that the actual HDMI 1.3 *chip* in the PS3 isn't capable of outputting the raw advanced audio bitreams, much to the dismay of you, me and other PS3 users. Apparently, there are two "versions" of the HDMI 1.3 chip and the PS3 got stuck with an early-version of the chipset that lacked the feature.
both 2.0 BD live and full DTS-HD MA decoding are coming within the first quarter of 08.
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And DaViD, while I have your attention here, I've been meaning to ask you something (not entirely) unrelated to the current discussion. You proudly display "Supporter of 1080p24 video and lossless 24 bit audio" in your signature. I assume this means that you are currently enjoying this form of video and audio in your home or some other personal location? I'm curious as to which equipment you are currently using. My JVC DLA-RS1 can display 1080p/24 and most of my equipment (except for DTS MA from Blu-ray on my PS3) can handle the highest quality audio codecs. What equipment are you experiencing 1080p24 and lossless 24 bit audio on? I have to admit that I have a big problem with people who comment on things based on what they've read or have been told about rather than on the one thing that I respect the most - their eyes and ears. I'm glad that you aren't one of those people, right? I have to assume that everything you say here is based on experience and is presented in a way that respects differing points of view. That's something that doesn't always happen on certain other web sites with self-proclaimed "insiders" who think that they are something special because they sometimes make lucky guesses. Their names need not be repeated here.
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The quick answer is my own gear is up-to-speed on the audio side but still playing catch-up on the video side (I basiclly barrow the 1080p PJs of two friends by using their systems for BD reviews... saving up for my own RS1!!!).
However... let me throw out a perspective on folks who want software that's *encoded* better than their own system can *decode*:
Do you have to have a 1080 display to know that 1080 is better than 480?
Did one need to have a 16x9 TV in 1997 to know that 33% more resolution with anamorphic encoding would have looked better on a 16x9 screen than 4x3 lbx?
Or did I need to have a progressive-scan dispay to know that proper 3-2 pulldown reversal and native component video would look better than NTSC composite?
Why does one have to own the gear to fully render their software before they can assert that there are benefits of software encoded with increased resolution and transparency beyond what their own system is capable of delivering?
Unlike some (apparently you

), my finances limit what I can afford and when I can afford it. I currently have one friend in town with the JVC HD2K 1080p projector which does 1080p60, and another neighbor next door with a new Epson machine that does native 1080p24. I view HD images on their systems regularly when I write Blu-ray Disc reviews so I can see how HD images appear in full resolution since my own projector is only 720p60. I'm saving for a JVC RS1 myself (the first digital projector I've seen that didn't remind me I was watching a digital projector... what an incredible machine... sigh...). But as I save the money for my own system improvements, what's important to me is that the software format we collect, which we'll have for the next 10 years (or longer on our shelves) be native 1080p24 so that it can take advantage of our display systems as they evolve.
Because of the derth of "audiophile" 1.3 HDMI gear I waited until Marantz released their 8002 receiver as I didn't want to take a step-back in sound quality overall from what I was getting with my B&K (the Marantz sounds much better than my B&K gear I'm delighted to confirm). I'm pleased to say that 24-bit lossless (in extracted PCM from the PS3) over HDMI to the Marantz is a revelation. In particular, I was astonished to hear the effect of the 96 kHz sampling on the 24/96 TrueHD track on the David Matthew's band BD. Astonishing. It was like the speakers *completely vanished*. I've never had that sense of the system being so invisible before. I'm hopeful that more music-BD discs will embrace not only 24-bit resolution, but 96 kHz sampling for their PCM and TrueHD (or DTS-HD MA) soundtracks.
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| I have a big problem with people who comment on things based on what they've read or have been told about rather than on the one thing that I respect the most - their eyes and ears |
Well, thank god that some people didn't have a problem back when folks like me and Healthnut set up a "high definition petition" for Toshiba and Sony asking for native 1080p24 encoding and lossless 7.1 24-bit audio even before consumer display and audio devices existed to provide this level of fidelity. WSR actually printed that petition, and it was one of the driving forces behind both formats incorporating 1080p24 and lossless 24-bit multi-channel audio specs.
Now that you're enjoying it, you've got those people who you've got a "big problem with" to thank for it.

And hopefully my part-time evening job will get that JVC RS1 in my system soon, so I can stop going to my friends' houses to screen discs to write my reviews.
