only if John rescored it.
SII was scored by Ken Thorne.
| Lester brought some positive attributes to II that resulted, yes, to a lot of people in a better rounded movie than the original |
i just tried to watch SII again last week, getting ready for X2.
imo, SII is a big steaming pile.
the unsatisfactory substitution of Lara for Jor-el is a major blow to the film, but only one of many, many elements that i find really weak (and crass).
and not all of it is Lesters fault.
i have a hard time swallowing a prison break by hot air balloon, especially the way its portrayed in this film.
and guess what? Lester didn't shoot that.
also, its kind of amusing to see how much the producers had it in for Kidder. in the Donner material, you can see her hair is quite stylized and she don't look all that bad.
for the Lester material though, they couldn't bother to style her hair at all-hell, they couldn't even bother to brush it (look at the scene in the Honeymoon haven during the 'reveal', and also some inserts in the daily planet scene before supes shows up for the big fight.
You can see how Donner treated her, as she is cradling Perry Whites head after he is knocked unconscious, and you can see Lesters work w/ her in close-up as she says "he'll be here, he'll be here...if its all possible he'll be here")
not too mention that they garb her in some of the most wretched fashions ever put on camera ( the Niagara Falls puke green and pink polyester ensemble is a particular eye sore).
story wise, even though its a fantasy, even the 'normal'characters act in childish and unbelievable ways.
the film completely falls apart if you try to bring any kind of critical faculty , over the ability of say...your average retarded 10 year old, to it.
honestly- there is a terrorist situation so "we bungled her on the first airplane out of here", yet after she goes to the trouble of this trans-atlantic flight she seems completely surprised that the terrorists have that destructive a bomb?
what the hell did she think she was going there for?
-and then the crack security in this kind of tense situation becomes easily distracted with a English/French dictionary- and although he does see her breech the barricade, being forty steps in front of him is just too much, so he doesn't bother going after her?
no, being wholly contrived is not a crime, but
how can anyone take any of the rest of the film, including the threat posed by the villans, even fleetingly seriously?
one more really lame bit within the first 10 minutes-
Clark walks blindly into the middle of the street only to get hit by a taxi, which sends the vehicles engine block into the front seat.
ok- not only has he made a public display of invulnerability in front of crack news reporter Lois (who merely chastises him for 'not looking both ways', but he leaves an out of commission taxi blocking a major lane of a major street.
and for some reason the taxi driver doesn't need any of clarks info for the insurance...hmmm.
this is a screenplay written at the level of a non-discriminating 7 year old.
honestly, this is Batman & Robin bad.
i was 14 when i first saw it, and even though it took me a while to admit it, i knew in my heart the film was crap even as it was unspooling.
it might not have hurt so much, if not for the fact that
1) the first film was executed with such a high degree of craft and wit
and
2)this damn film had one of the all-time great %$#*&! kick-ass premises-three anti-versions of Superman battling for world supremacy- w/ the head villan played by an all time freaking awesome Terence Stamp!
ARRRGGGHHH!
even if The Matrix Reloaded doesn't reach the rarefied heights of its predecessor, at least its fans won't know the soul crushing agony of waiting years to see something like... this.
yes, i am still a nerd.