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***Official 8th Annual HTF October Scary Movie Challenge*** - Page 16

post #451 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

As always, I'm not a critic- I just know what I like but I'm not very good at articulating it.

10/24/07
89. Dawn Of The Dead (1978)
One of the best horror movies ever made. The end.

I'm trying to watch the first season of The Wire on On Demand (it's only up until October 29) so I've had to slow up my horror watching. I'll turn it back up by the end of the month though.

My full list is in post #389.
post #452 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Radioman: sorry to hear about the loss of your dog - I lost mine about six months ago and still miss the little shit. Fortunately she had a good, long run at 15 1/2 years.


Ebola Syndrome (1996)

Viewed 10/23/2007 (first viewing)

Demented account of a serial murderer and rapist who becomes infected
with the Ebola virus. Immune to the infection, but able to carry and
transmit the virus to others, he does just that with wild abandon.
You also get cannibalism, crotch-stabbings, live frogs being pulled
apart, masturbation with pieces of meat and more! Twisted epic that
most should stay away from.

out of



Fido (2007)

Viewed 10/24/2007 (first viewing)

A comet blankets the Earth with a strange radiation that causes the dead to rise up and eat the living. So far so good. The living then decide the best option is to make the undead their servants! Retro zombie comedy about a little boy and his living dead pal Fido isn't quite the laughfest I thought it would be, but it is a nifty little satire that doesn't spare the gore.

out of


From Beyond (1986)

Viewed 10/24/2007

Revisited Stuart Gordon's second Lovecraft outing. Unfortunately, despite the interesting concepts and gore, this one just doesn't have the magic of Re-Animator.

out of
post #453 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

AUTOPSY ROOM FOUR 4/5 : Another from the "Nightmares & Dreamscapes" series. This one tells a story in the first person of a dead man going through an autopsy. A bit of a feel good ending doesn't hamper the claustrophobic feeling this one gives.

30 DAYS OF NIGHT 3/5 : A film I wanted to like a lot more. It suffers a bit from the shaky camera in the vampire attacks and a weak opening. It's such a neat premise for a vampire story, that it's a bit of a shame. The later half doesn't quite make up for these issues, and I'm a bit biased. The vampires all do that screeching shit every time they open their pie holes and holy crap am I sick of that bit of nonsense. Otherwise, there's lots to like in this. the vampires are more animal then Euro-trash, theres some damned good gore, and it never really falls into the stereotypes of the genre. Too much...

DOCTOR GORE 2/5 : A Frankenstein type thing. A dude is collecting parts from hot woman in order to build his dream wife. pretty dull, with some okay but unexceptional gore.

tally

http://www.hometheaterforum.com/htf/...70&postcount=7
post #454 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Russell, you're about to break 100 already. That's pretty impressive!
post #455 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

it's pretty sad Travis! I never thought I'd beat my tally from last year which was 83 or something. I'll beat a hundred for sure this weekend.
post #456 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

10/21/07: KINGDOM OF THE SPIDERS (John “Bud” Cardos, 1977)

This is certainly among the better of the monster animal cycle of the 1970s – its title probably derives from H.G. Wells’ story “Empire Of The Ants”, coincidentally brought to the screen that same year (and which I just watched last week). This viewing came by way of Goodtimes’ open-matte DVD release – touted as being a “25th Anniversary Special Edition” but is, actually, an utterly bare-bones affair!

Anyway, the film’s the main thing and it’s a solid, old-fashioned (meaning enjoyable and unpretentious) genre entry – even if the casting of William Shatner in the central role lends it definite camp value! As was the case with many similar films of its era, the atomic implications redolent during the subgenre’s 1950s heyday are largely jettisoned here in favor of an ecological concern which, if allowed to go out of hand and not looked after promptly, could bring an imbalance to our current system of life – with effects that would be just as devastating as any nuclear blast!

Interestingly, however, the narrative seems to be as much inspired by the recent success of JAWS (1975). The small town held in thrall by the spider ‘invasion’ is about to enter its most productive season; so the Mayor contrives to deal with the situation as quickly and with as little fuss as possible by having the crops in the entire area sprayed with insecticide. In the process, he completely disregards the warnings of an entomological expert called upon the scene who claims that, by doing so, he’ll effectively be accentuating the problem and not solve it! Having made the latter a woman (and sexy B-movie starlet Tiffany Bolling at that!), it comes as no surprise at all that romance soon blossoms between her and town doctor Shatner (after overcoming the equally predictable initial animosity). These, however, are reasonably fleshed-out characters – so that one genuinely cares about their plight (in this respect, a love triangle element involving the widow of Shatner’s brother and played by the actor’s current spouse is subtly incorporated here). Woody Strode appears as the farmer whose property is first hit by the ‘plague’.

Given the obvious low-budget afforded the production, visual and make-up effects are no more than modest – yet these extend to the corpses of the various human and animal victims, a plane explosion, and the mayhem caused by the spiders in the village center. The downbeat climax, then, sees the very last few survivors barricaded in the local tavern – capped by a great closing shot (which is alone worth the price of admission!). Unfortunately, the rental copy I watched was scratched – which resulted in minor freezing issues towards the end.


10/22/07: FADE TO BLACK (Vernon Zimmerman, 1980)

This one presents an interesting and original idea for a slasher: a disturbed film buff kills people who have wronged him while dressed up as his favorite movie characters! It even has a Hollywood backdrop: in fact, I visited some of the places where it’s set – such as Hollywood Boulevard (the violent climax itself takes place atop Grauman’s Chinese Theater) and Venice Beach – when I was there in late 2005/early 2006.

Still, despite some undeniably good moments, I don’t feel that the film extracts the full potential offered by this fascinating premise: to begin with, some of the references it makes are simply too obscure to be picked up by casual audiences (99 RIVER STREET [1953]) – while to others is attributed a significance beyond their worth (Hopalong Cassidy, THE PRINCE AND THE SHOWGIRL [1957]). The film is buoyed, however, by Dennis Christopher’s striking leading performance – who gets to ‘play’ popular roles, interspersed with genuine excerpted footage, from the horror (Dracula and The Mummy), gangster (James Cagney from WHITE HEAT [1949]) and Western (William “Stage” Boyd as the afore-mentioned cowboy hero) genres during his various stalk-and-kill maraudings; he even replicates the famous wheelchair-down-the-stairs murder of an old woman perpetrated by a cackling Richard Widmark in KISS OF DEATH (1947).

Also notable are Tim Thomerson (later of TRANCERS [1985]) and Linda Kerridge: the former appears as the Professor of criminal psychology who reveals himself sympathetic to Christopher’s plight (he’s assisted by a female rookie, but eventually gets overruled by the stuffy Precinct Captain); Kerridge’s uncanny resemblance to Marilyn Monroe, then, makes her the perfect ‘idol’ to drive Christopher in his warped crime-spree (among whose victims is a young Mickey Rourke). Finally, the film is equally enjoyable as a time-capsule – for the singular opportunity it offers of seeing various current releases on the marquee (ALL THAT JAZZ [1979], KRAMER VS. KRAMER [1979], COAL MINER’S DAUGHTER [1980], HIDE IN PLAIN SIGHT [1980], SERIAL [1980]).


10/22/07: HAMMER HOUSE OF HORROR: CHARLIE BOY (Roger Young, 1980) (TV)

This is another solid HHOH entry – dealing with a favorite theme (voodoo) and especially reminiscent of the famous Zuni doll segment from the made-for-TV anthology TRILOGY OF TERROR (1975); the “Charlie Boy” of the title is a similarly creepy (and powerful) fetish doll – though, rather than come to life and cause mayhem, it wills a number of people to their death after a knife has been stuck, almost in jest, into the puppet! A number of subplots, then, are added to the fray revolving around a family inheritance – a long-serving housekeeper is overlooked, the heir suddenly deciding to invest his money into something more secure than a film company (which he had promised a partner/relation he would do in case the estate reverted to him) – and a strange incident involving a facially-scarred road-hog. Most of the cast are unfamiliar but reasonably adequate; it was, however, a joy to watch Marius Goring (a stalwart of Powell & Pressburger films) as an antique dealer. The downbeat finale is typical of the cynical era in which this was made. By the way, director Young had helmed the unusual Hammer outing VAMPIRE CIRCUS (1972).


10/22/07: THE MIND SNATCHERS (Bernard Girard, 1972)

Interesting but hardly original drama with sci-fi leanings – though not quite the “horror”/”chiller” described by the ads! – involving the brain-washing of violence-prone subjects by the system (which must have seemed particularly trenchant at the time of the Vietnam war).

At this juncture, however, the movie feels quite dated – if reasonably intelligent and compelling nonetheless. Being also relentlessly talky (not surprising, given its stage origins) and low-key in nature, there’s a conspicuous lack of cinematic inventiveness – which doesn’t really allow for a sensible comparison with Stanley Kubrick’s stylized treatment of the same theme in A CLOCKWORK ORANGE (1971)! Still, it has some undeniably powerful moments – and the small cast is impressive: Christopher Walken (relatively inexperienced for this type of demanding role, but quite good in his Method approach to it); Joss Ackland (as the requisite mad scientist); Ralph Meeker (as the equally inevitable, and callous, military overseer); and Ronny Cox (as a fellow inmate of Walken’s who, after much soul-searching, willingly submits to the dehumanizing experiment).

Incidentally, the play was filmed under its original title – THE HAPPINESS CAGE – but this got changed (in case it was mistaken for an ode to hippiedom) first to the sci-fi friendly and, in retrospect, more appropriate THE MIND SNATCHERS and eventually to the horror-oriented (and, consequently, wholly misleading) THE DEMON WITHIN!


10/23/07: THE DARK HALF (George A. Romero, 1993)

This pretty much emerges as an underrated Stephen King adaptation and, undoubtedly, one of Romero’s better films. Its doppelganger theme is, of course, an age-old concept with prototypes in both folklore (“The Student Of Prague”) and literature (“Dr. Jekyll & Mr. Hyde”); other than the myriad adaptation of these sources, similar films include Alberto De Martino’s sleazy BLOOD LINK (1982), David Cronenberg’s cerebral DEAD RINGERS (1988) and Brian De Palma’s contemporaneous RAISING CAIN (1992).

Here, with the emphasis on psychology (there’s a notable surreal dream sequence) and an agreeable pulp literary slant (shades of King’s own “The Shining”), it’s very effectively handled – accentuated by inspired elements of mysticism in the swallow motif (though the use of CGI is quite evident during the climax). Timothy Hutton is excellent in both roles (is that really him as George Stark?); in support are Amy Madigan (as his long-suffering wife), Michael Rooker (Hutton’s conflicted policeman friend), Julie Harris (a sympathetic colleague of schoolteacher Hutton) and Royal Dano (the guardian of the cemetery where George Stark is ‘buried’ until his tombstone is violated).

Coming from this director, the use of gore is balanced throughout – not as excessive as it could well have turned out but, then, neither is it held back when demanded by some particular scene (such as the gruesome operation which reveals Hutton as a veritable dual personality). Unfortunately, the old MGM DVD I watched included only a pan-and-scan edition of the film!


10/24/07: HAMMER HOUSE OF HORROR: THE SILENT SCREAM (Alan Gibson, 1980) (TV)

A very good episode with, for Hammer, an unusual sociological theme – revolving around an original (and fascinating) premise, where a system of ‘prison without bars’ is tried on an inveterate petty thief (played by a young Brian Cox). The identity of his deceptively sympathetic captor (the ever-reliable Hammer stalwart Peter Cushing in his final effort for the studio which made him famous) supplies a twist eventually which is, frankly, predictable…but, imbued with the star’s idiosyncratic pragmatism and authority, the characterization is completely believable – chilling in its implications, but still essentially human. The pet-shop-housing-a-private-zoo setting adds flavor – and excitement – to the already tense proceedings (aided immeasurably by having two such powerful, yet totally opposite, personalities at work); along the way, Cox’ wife and even a police sergeant become involved in the situation. Improbable though it may be, the final twist – in which Cox and wife discover they’ve merely exchanged one prison for another, with rescue a lot harder to come by this time around! – is a real beauty; this is actually followed by yet another involving Cushing’s own ironic fate. By the way, the title refers to the sound-proof, electrically-wired booth in which virtually all the characters end up at one time or another. Director Gibson had helmed the last two sorry entries in the Hammer Dracula series; he proves more adept at dealing with psychological - as opposed to supernatural - issues.


10/24/07: HAMMER HOUSE OF HORROR: CHILDREN OF THE FULL MOON (Tom Clegg, 1980) (TV)

Curiously enough, this is only Hammer’s second foray into Wolf Man lore after THE CURSE OF THE WEREWOLF (1961); intriguingly, it’s mixed here with a VILLAGE OF THE DAMNED (1960)-like brood of evil children – while the sinister procreation plot is a clear nod to ROSEMARY’S BABY (1968). An unsettling mood pervades this particular episode (helped by its central location, an English country-house situated deep into the woods) – even if, when finally glimpsed, the werewolf make-up is kind of goofy! The bewildered hero is played by Christopher Cazenove, his business partner by Hammer veteran Robert Urquhart, while Diana Dors is the deceptively genial housekeeper of the eerie mansion – who, apart from looking after the children by day, has the task of initiating the werewolf’s female victims (the latest being Cazenove’s wife) into their new ‘role’. The final twist – concerning a woodsman Cazenove meets when he goes looking for his missing wife – is predictable, but nicely handled all the same. As has been the case with some other episodes in the series – which, I have to admit, has taken me by surprise overall – this presents a far more chilling, and subversive, concept (bestiality) than is usually associated with Hammer Films!
post #457 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

(23) Killer Klowns from Outer Space - /
A comet hits earth and turns out to be invading clowns who off humans in various amusing ways. I hadn't watched this one since I bought the DVD about 5 years ago. Still, one of the best horror satires, and it gets props for the great , creepy clowns.


Wow, only a few days left and 8 more for a paltry 31. Hopefully I'll make it. I have to decide on at least one Cronenberg. It isn't a scary movie challenge without Cronenberg.
post #458 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

I hear you john, I got in 2 Cronenbergs that I hadn't seen before this year. It made me want to track down a decent copy of "SCANNERS", been ages since I watched it.
post #459 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Quote:
Originally Posted by Michael Elliott
I'll second this. Good luck James.
Thank you. Slowly I'm recovering. I did manage to finish up The Incredible Shrinking Man. Followed by the way too short Frankenweanie. I watched that with my dog Scooter laying on my leg. She's a TV watcher too. The first dog I've had like that. I think that will be the one good experience I'll remember during all of this.

Quote:
Originally Posted by SteveGon
Radioman: sorry to hear about the loss of your dog - I lost mine about six months ago and still miss the little shit. Fortunately she had a good, long run at 15 1/2 years.
One day I know I'll be able to put it that way as well. Bear had a terrific long life too. She loved everything, swimming, walking, running or just laying beside my chair during all the movie watching. There was only one thing she wouldn't eat. Lettuce. She'd eat endless grass but not lettuce. She'd even eat raw carrots.
post #460 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

TALES FROM THE CRYPT PRESENTS:
DEMON KNIGHT


For some reason, I've always had a soft spot for this TFTC feature. It's cheaply made, and kind of baffling in spots, but I still get a kick out of the demon creatures and some of the FX. And how can you beat CCH Pounder getting her arm ripped off?

William Sadler plays Brayker, a man on the run trying to protect a the last of seven "keys" containing the blood of Christ from The Collector (Billy Zane) who wants to bring all seven together which will allow chaos and darkness to reign on earth. The two end up in a very rural, run down hotel where Brayker makes his last stand as the Collector calls forth an army of hellish demons to destroy Brayker and those at the hotel who, in the wrong place at the wrong time, become involved in this fight. Cast also includes Jada Pinkett, Dick Miller, Thomas Hayden Church, and Charles Fleischer.

Oddity: There's a post-credit sequence with the Crypt-Keeper announcing that he'll return to theaters soon with the next TFTC film, Dead Easy. The follow ups were called Bordello of Blood and Ritual. I wonder what happened to Dead Easy? EDIT: I guess that was the original title of Bordello....

THE CARNAGE SO FAR...
post #461 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

YOU KNOW THEY GOT A HELL OF A BAND 3.5/5: The last of the "Nightmares And Dreamscapes" so I thought I'd give it a single review since I wont get anymore in today I doubt. Anyways, this one was about a couple who take a wrong turn and wind up in a town full of dead rock stars. It stared Steven Webber, cause you can't do Stephen King on TV without Webber man. It was well done, the only issue is the impersonators of the rock stars didn't look all that close, so they missed out on the "That looks like..." type of thing.


So all in all, this is pretty damned good series. On the whole, much better then the MASTERS OF HORROR quality wise. You guys might want to track down or steal a copy.
post #462 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

061) 10/23/07 Prince of Darkness (1987)

Interesting premise with so-so results. A group of grad students, their professors, and a priest spend the night in an old church where the son of the satan is preparing to take human form and bring his dad back. At least, I think that's what's going on. Cast is OK but doesn't sell the film as it should. Some gory murders along the way seem to be there only to keep the audience awake.

062) 10/23/07 The Nameless (1999) 1/2

A grieving mother and ex-detective join forces when the woman's thought-to-be-dead daughter phones and says she's still alive. Great build-up and atmosphere, with winning performances by the leads, is let down by the denouement.

063) 10/24/07 Saw II (2005) 1/2

An unethical cop is forced to play a game with Jigsaw, who has kidnapped the officer's son and imprisoned him, along with several others, in booby-trapped house. Pretty good sequel to Saw has a different story to tell and some surprises in store. Tobin Bell makes John "Jigsaw" Kramer the most interesting screen villain since Hannibal Lecter.

064) 10/24/07 Saw III (2006)

Jigsaw and his protege force a doctor to perform emergency medical procedures, while a man comes face to face with those he blames for his son's killer getting a light jail sentence. More philosophical ramblings on life from Jigsaw, and more gruesome torture. But the ending seems more like a parody of the earlier Saw films, and the surprises aren't all that surprising this time out.
post #463 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

UPDATE:


SCARY MOVIE CHALLENGE 2007
01) The Phantom of the Opera (1925) ***
02) The Black Cat (1941) **1/2
03) Horror Island (1941) *1/2
04) Man Made Monster (1941) ***
05) Dracula (1931) ***
06) The Monster and the Girl (1941) *
07) The Lodger (1944) ***1/2
08) Hangover Square (1945) ***
09) The Undying Monster (1942) **1/2
10) Cat People (1942) ***
11) Cry of the Werewolf (1944) **
12) Night Monster (1942) **1/2
13) Captive Wild Woman (1943) **1/2
14) The Invisible Man Returns (1940) ***
15) The Invisible Man's Revenge (1944) **1/2
16) The Return of the Vampire (1943) ***
17) The Werewolf (1956) **1/2
18) Creature with the Atom Brain (1955) **1/2
19) The Giant Claw (1957) **
20) The Mummy (1932) **1/2
21) The Mummy's Hand (1940) ***
22) The Mummy's Tomb (1942) **1/2
23) The Mummy's Ghost (1944) ***
24) The Mummy's Curse (1944) **
25) Count Dracula (BBC 1977) ***
26) Frankenstein (1931) ****
27) The Old Dark House (1932) ***1/2
post #464 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

The Number 23 (2007)
Joel Schumacher

I thought this one might be a good one to watch with the wife. She doesn't enjoy my viewing habits this month very much, so I try and get some stuff we can watch together. I'm not going to lie, I went in expecting crap. It's not exactly crap, but it's not exactly great either. The Fingerling scenes tend to play pretty well, and some of the number 23 things are interesting. All in all, I'm still not exactly sure how I feel about the film. I won't buy it, but I may give her another viewing a few years down the line. For the record, my soul-stealing wife liked it. Luckily, she was born on the 22nd.



Turistas (2006)
John Stockwell

I decided to give this one a go after Rice made it an official "hotties in peril" entry. I have to admit, there were some pretty nice hotties in peril. After that, not a whole lot worth mentioning.



Running Tally

1. Freeze Frame
2. The Lost Boys
3. Bubba Ho-Tep
4. The Messengers this film is a turd
5. Cannibal Holocaust
6. When a Stranger Calls (2006)
7. The Covenant
8. Bug **Best New Discovery**
9. Tokyo Zombie
10. Black Sheep
11. Vacancy
12. Hot Wax Zombies on Wheels
13. Night of the Comet
14. Return to Halloweentown
15. Chaos
16. Mustang Sally's Horror House
17. The Hills Have Eyes II
18. The Thing From Another World
19. Behind the Mask: The Rise of Leslie Vernon
20. Dead and Breakfast
21. Planet Terror
22. Slither
23. Family
24. Pelts
25. Nailed
26. The Number 23
27. Turistas
post #465 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

As always, I'm not a critic- I just know what I like but I'm not very good at articulating it.

10/25/07
90. Alien
I watched the theatrical cut since I like it a hair more than the re-cut. This is easily my favorite Ridley Scott movie. I love that there's only about 7 people in the entire movie because it adds to the isolation and claustrophobia. Excellent direction, lighting, cinematography, scares, special effects, sets and costumes. I'd watch Aliens but I don't consider it a horror movie (not to say that others can't watch it ).

91. The Devil's Rejects
Rob Zombie's second movie is a quantum leap over House Of 1,000 Corpses. A great throwback to 1970's style movies. Violent, shocking, ugly and funny. The only problem with this movie is that was so good that it got my hopes up too high for Zombie's Halloween remake.

My full list is in post #389.
post #466 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Scale: 1=awful 2=bad 3=average 4=good 5=excellent. 1st viewings in red.

The Fly (1986) I can't believe I've gone my whole life without seeing this movie. I think I can blame that on watching the sequel 1st as a child. Anyway, great flick, and probably the most accessible Cronenberg film. Oddly I can remember Rodger Ebert's orginal review ("Jeff Goldblum looks like a melted peanut-butter cup") despite not seeing the movie. An IMDB poster said it best "The final FLY reveal is most likely science-fictions best 'money shot' ever filmed".

The Fly 2 (1989) Suprisingly high budget sequel. Taken from a more teenage action/sci-fi angle than horror.
As a child the mutant dog scene traumatized me (and that was the only scene I remembered after 20 years). I guess VHS-quality picture helped mask the puppetry, because watching it now on DVD I wonder how I could have ever thought that was a real dog (being 9 likely didn't help....)

the butcher's bill...
1. Monster Squad
2. Call of the Cthulhu
3. Mimic
4. The Omen
5. The Descent
6. Manos: The Hands Of Fate
7. Isolation
8. Insatiable
9. The Changeling
10. Perfect Creature
11. The Ninth Gate
12. The Nightmare Before Christmas
13. Nekromantik
14. Nekromantik 2
15. Bride Of The Monster
16. Saw 3
17. Plan 9 From Outer Space
18. Primeval
19. Slither
20. Bug
21. 28 Weeks Later
22. Fright Night
23. Feast
24. Dead Silence
25. C.H.U.D.
26. The Abandoned
27. Unrest
28. The Gravedancers
29. The Hamiltons
30. The Tripper
31. Penny Dreadful
32. The Fly
33. The Fly 2
post #467 of 639
Thread Starter 

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Women's Camp 119 (1977)

Naziploitation from Italian director Bruno Mattai has the familiar story of the mean Nazis taking women hostage and doing all sorts of experiments on them, both physical ones as well as sexual ones. Mattai worked as a producer, editor, director, actor, writer and various other things during his career but it's clear he never learned how to cut an exploitation movie down. This film runs 100-minutes, which is at least thirty minutes too long as the film grows very tiresome very quickly. There's plenty of lesbian sex, torture and nudity but all of this grows boring after the first fifteen times. As is to be expected, the performances are all rather weak but Mattai does bring a few decent touching in the visual look of the film. Apparently this film was based on real characters as we're told what happened to them since the time of these events including one who lived in America up to the time this film was released.

Strike of the Tortured Angels (1982) BOMB

Women in Prison flick from Hong Kong by those who must have never seen a WIP flick before making this. It tells the story of various women who are suffering in prison but they team up to strike back. Okay, I'll let a horror movie slide without any nudity but not a WIP flick for Heaven's sake. How in the hell can someone make an exploitation film and then leave out all the nudity? There is a small amount but for the most part the director and screenwriters like to tease. You know, girls will get naked but the camera never hits them. Besides that this film contains some of the worst dialogue I've ever listened to and the performances are downright bad. Really, really worth film. Oh yeah, I almost forgot the Asian woman pretending to be black with blackface on and a bad Afro wig.

MOH: Dreams in the Witch-House (2005)

Stuart Gordon's episode deals with a college student who moves into an old house and soon starts suffering terrible nightmares dealing with a witch and a rat with a human head. There's a lot to enjoy in this film but in the end I was suffering from the been there done that routine. The stuff dealing with the witch really wasn't too interesting to me and I think the director failed to create any atmosphere or any creepy vibes. What does work is the final ten minutes, which I thought were terrific and had the balls to go in a way that most films wouldn't. Another strong aspect is the performance of Ezra Godden as the college student.

Dr. Jekyll and Mr. Hyde (1912)

The Thanhouser Company released this version of the classic tale with James Cruze in the title role. This version runs around ten-minutes and is a bit weird but it works nonetheless. Cruze is very good as Jekyll but another actor plays Hyde in most of his scenes. Nothing too new is done with the story but this is still a nice version.

Dr. Jekyll and Mr. Hyde (1920) Lewis version

Third version of this classic tale from 1920 isn’t nearly as known as the Barrymore version nor is it sought after like the lost Murnau version. In this version Sheldon Lewis plays Dr. Jekyll who drinks a potion that turns him into the murderous Mr. Hyde. This is certainly a lot better than the Barrymore version and I’d argue that it’s one of the better versions all around. The film runs a very fast paced 47-minutes and best of all is that the majority of this running time deals with the murderous Jekyll. The violence is a lot stronger here than in any of the silent versions I’ve seen and the ending is nicely done until we get something else tacked on. Lewis is good, if over the top, as Jekyll but the transformation scenes are rather weak. Certainly worth searching for.

Dr. Jekyll and Mr. Hyde (1931)

Fredric March won an Oscar for his performance in this talkie version of the classic story. I'll say this at the start but I think March is one of the greatest actors in the history of cinema but I'd also say that I think this is the worst performance from him that I've seen. Even though it's his worst performance there's still some greatness that sneaks in at certain spots. I think March is very good coming off as a very threatening character when he is mentally abusing the Miriam Hopkins character. In pretty much all other times March comes off way too over the top, which leads to more laughs than scares. There are several sequences in the film where March's performance makes me laugh at laugh as if I were watching a comedy. This unevenness makes for a rather strange film that never works fully. I think Hopkins is the real standout here as she gives a wonderful performance as the tortured woman who caught Hyde's eye. The transformation sequences still look good but I think they made Jekyll a tad bit too ugly. Even with all the faults this remains an interesting film but I still prefer the 1913 and 1920 Barrymore versions.



2007 Scary Movie Totals:

1. Frankenstein (1910)
2. Dr. Chopper (2005)
3. Beast of Yucca Flats, The (1961)
4. Grizzly Rage (2007)
5. Earth Dies Screaming, The (1962)
6. Raven, The (1935)
7. Evil Breed: The Legend of Samhain (2003)
8. Murders in the Rue Morgue (1932)
9. Tomb, The (2003)
10. Sealed Room, The (1909)
11. Land of Death (2003)
12. Borderline Cult (2007)
13. Invisible Ghost (1941)
14. Corpse Vanishes, The (1942)
15. Giant Gila Monster, The (1959)
16. Man Made Monster (1941)
17. Maniac (1980)
18. Attack of the 50 Foot Woman (1958)
19. Ghost Wanted (1940)
20. Earth vs. the Spider (2001)
21. Murder By Numbers (2002)
22. My Son the Vampire (1952)
23. Return of the Vampire, The (1943)
24. Scooby-Doo and the Legend of the Vampire (2003)
25. Scooby-Doo and the Loch Ness Monster (2004)
26. All Work and No Play (1942)
27. Spook to Me (1945)
28. One Spooky Night (1955)
29. Pardon My Nightshirt (1956)
30. Ghost of Slumber Mountain, The (1917)
31. Scooby-Doo: Where's My Mummy (2005)
32. Adoration (1987)
33. Hollywood Babylon (2000)
34. Le Poeme (1986)
35. Maneater (2007)
36. Strangler of the Swamp (1946)
37. Tomb, The (2007)
38. Blue Demon (2004)
39. Corruption (1968)
40. House on Bare Mountain (1962)
41. Kiss Me Quick! (1964)
42. Vampyros Lesbos (1970)
43. Venom (2005)
44. Body Snatcher, The (1945)
45. She Creature (2001)
46. Vampire, The (1957)
47. Maniac (1934)
48. Zodiac Killer (2005)
49. Curse of the Zodiac (2007)
50. London After Midnight (1927)
51. Teenage Monster (1958)
52. Lycantropus (1996)
53. Sister Lulu (2001)
54. Chambre Jaune (2002)
55. Miss Greeny (1997)
56. Tea Break (2004)
57. Bad Moon (1996)
58. Zombie Island Massacre (1984)
59. Cannibal Campout (1988)
60. Watch the Skies (2005)
61. Unknown, The (1927)
62. Masters of Horror: Pick Me Up (2006)
63. Demons of Lust (1999)
64. Return of Dracula, The (1958)
65. Purei (2005)
66. To Heir is Human (1944)
67. Raven, The (2006)
68. Wolf Man, The (1941)
69. Frankenstein Meets the Wolf Man (1943)
70. Homicidal (1961)
71. Ghosts (1915)
72. Savage Man...Savage Beast (1975)
73. Women's Camp 119 (1977)
74. Strike of the Tortured Angels (1982)
75. MOH: Dreams in the Witch-House (2005)
76. Dr. Jekyll and Mr. Hyde (1912)
77. Dr. Jekyll and Mr. Hyde (1920) Lewis version
78. Dr. Jekyll and Mr. Hyde (1931)
post #468 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

#16: The Leech Woman: Ooops, wrong movie. I confused this with the I now believe to be The Wasp Woman. Leech is a painfully slow uneventful waste of an hour about some lost tribe and their "youth serum"---and not a leech in sight! 0/5

#17: The Black Cat: Poe should sue. With the exception of a black cat that makes a VERY brief appearance or two, it has NOTHING to do with Edgar Allen Poe's story. I wanted to like this, but the story was confusing and pretty darn boring. A few atmospheric moments, but not enough to save the film for me. 1/5

#18: The Mummy's Tomb: If you weren't sure, it IS a sequel to The Mummy's Hand. If you still don't believe me, almost the entire first twelve minutes of this sixty minute movie are scenes recapping the previous story! With only 48 minutes left to fill, you would think that the gaping holes of logic would have been avoided. Why can't ANYONE keep up with a 3,000 year old mummy that drags its bad foot? Why do the townsfolk throw burning torches at the mummy AND his unconscious victim? Why does every stick of furniture and curtain in the Banning home light up like they were soaked in kerosene but the mummy, wrapped in dried out old bandages, walk through fire like he's flame-retardant? Ah, the fun of Universal grade-Z movies! 2/5

#19: The Raven: At least this one had a Poe connection! More of a revenge/"old dark house" thriller than anything else, It's a pleasant enough diversion for 60+ minutes. 2/5
post #469 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

THE TEXAS CHAINSAW MASSACRE
THE BEGINNING


Pointless prequel to the recent remake of one of the touchstones of the horror genre. Tacking on "The Beginning" was really mostly a marketing gimmick, as there's precious little background on the Hewitts and Leatherface aside from the opening credits montage. It ends up being a note-for-note remake of the 2003 film except that you know none of the Hewitt family characters can die because they're all present in that film which takes place 3 years later. And since there were no consequences to the Hewitts from the events of this film in the future film, you know that none of the four kids survive either. So, you're basically in it for the bloody kills. Though I'll admit, it's also a hoot watching R. Lee Ermey chew the scenery.

Extra half-star for the set decoration, cinematography, and sound design (also a highlight of the 2003 film) which work to create a mood/look that I actually find more unsettling than any of Leatherface's handiwork.

THE CARNAGE SO FAR...
post #470 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

(24) Spider - /
One of the better psychological "horrors" from David Cronenberg. Dennis "Spider" Clegg has just been released from a mental hospital, returned to the city of his childhood and is now, seemingly, observing his own youth and the events leading up to his time being locked up. I find it highly likely this was influenced in no small way by Bergman's Persona, with its abstract story and blurred characters
post #471 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Quote:
Originally Posted by EricSchulz
#17: The Black Cat: Poe should sue. With the exception of a black cat that makes a VERY brief appearance or two, it has NOTHING to do with Edgar Allen Poe's story. I wanted to like this, but the story was confusing and pretty darn boring. A few atmospheric moments, but not enough to save the film for me. 1/5

#18: The Mummy's Tomb: If you weren't sure, it IS a sequel to The Mummy's Hand. If you still don't believe me, almost the entire first twelve minutes of this sixty minute movie are scenes recapping the previous story! With only 48 minutes left to fill, you would think that the gaping holes of logic would have been avoided. Why can't ANYONE keep up with a 3,000 year old mummy that drags its bad foot? Why do the townsfolk throw burning torches at the mummy AND his unconscious victim? Why does every stick of furniture and curtain in the Banning home light up like they were soaked in kerosene but the mummy, wrapped in dried out old bandages, walk through fire like he's flame-retardant? Ah, the fun of Universal grade-Z movies! 2/5

#19: The Raven: At least this one had a Poe connection! More of a revenge/"old dark house" thriller than anything else, It's a pleasant enough diversion for 60+ minutes. 2/5


I'm guessing you were referring to the Universal versions of THE BLACK CAT and THE RAVEN? The reason I ask is because there are more than one version of these films, so a year would help tip us off.

"Grade Z" films? Universal horror films may be "B" pictures at times, but they were never "Z".

Your observations for THE MUMMY'S TOMB are hard to dispute, but these are short B programmers that are just supposed to be fun, not brain surgery or anything. With regard to all the stock footgae of THE MUMMY'S HAND used at the beginning of TOMB, you should bear in mind that in 1942, when the film was made, there was no television and no home video. So the events of a prior film like HAND (which was released a whole 2 years earlier) would not necessarily be as fresh in the viewer's head as it might be today if you went to see something like SAW 4 after having been able to catch 1,2, and 3 at your local video rental store or on television. These days we can buy THE MUMMY LEGACY COLLECTION and screen HAND and TOMB back to back, so of course the first repetitive 12 minutes seem unnecessary. Not so when the movie was made... and the events are needed from HAND to explain TOMB.
post #472 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Quote:
Originally Posted by Michael Elliott
Dr. Jekyll and Mr. Hyde (1931)

I think March is one of the greatest actors in the history of cinema but I'd also say that I think this is the worst performance from him that I've seen. Even though it's his worst performance there's still some greatness that sneaks in at certain spots.

In pretty much all other times March comes off way too over the top, which leads to more laughs than scares. There are several sequences in the film where March's performance makes me laugh at laugh as if I were watching a comedy. This unevenness makes for a rather strange film that never works fully. I think Hopkins is the real standout here as she gives a wonderful performance as the tortured woman who caught Hyde's eye. The transformation sequences still look good but I think they made Jekyll a tad bit too ugly.

Yet, with all your significant objections, I see you've still managed to grant this classic at least a respectable "good" rating at *** . Reading your comments, I was almost sure you might have only given it ** or **1/2 . If it had a terrible reputation, do you think you might have been more inclined to do so?
post #473 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

UPDATE:


SCARY MOVIE CHALLENGE 2007
01) The Phantom of the Opera (1925) ***
02) The Black Cat (1941) **1/2
03) Horror Island (1941) *1/2
04) Man Made Monster (1941) ***
05) Dracula (1931) ***
06) The Monster and the Girl (1941) *
07) The Lodger (1944) ***1/2
08) Hangover Square (1945) ***
09) The Undying Monster (1942) **1/2
10) Cat People (1942) ***
11) Cry of the Werewolf (1944) **
12) Night Monster (1942) **1/2
13) Captive Wild Woman (1943) **1/2
14) The Invisible Man Returns (1940) ***
15) The Invisible Man's Revenge (1944) **1/2
16) The Return of the Vampire (1943) ***
17) The Werewolf (1956) **1/2
18) Creature with the Atom Brain (1955) **1/2
19) The Giant Claw (1957) **
20) The Mummy (1932) **1/2
21) The Mummy's Hand (1940) ***
22) The Mummy's Tomb (1942) **1/2
23) The Mummy's Ghost (1944) ***
24) The Mummy's Curse (1944) **
25) Count Dracula (BBC 1977) ***
26) Frankenstein (1931) ****
27) The Old Dark House (1932) ***1/2
28) Bride of Frankenstein (1935) ****
post #474 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Here's some grade z stuff, right here....

QUEST OF THE PERFECT WOMAN - THE VAMPIRE OF MARRAKESH 1/5 /
MANIAC HOSPITAL 2/5
: These are a pair of shorts that I'm counting as one out of spite. "Vampire" is a trick, they call some topless belly dancer a vampire, but she doesn't do anything. "MANIAC HOSPITAL" starts off as the lamest soft core thing you've ever seen (calling it soft core is a stretch) about a guy having sex with a prostitute. Then it flips to colour and blows your mind. The guy is having sex with the pro again, only they both have sores on their face and he pays her with celery, and her tits are green, then it gets stranger. Doctors pull taffy out of his chest, then it flips to what looks like archival footage of some guy talking about VD. Crazy.

THE WIZARD OF GORE 1.5/5 : A shit magician performs ghastly tricks in front of an audience as visibly bored as I was watching this movie. Not bad gore, but something about this one was just plain retarded.

tally:
http://www.hometheaterforum.com/htf/...70&postcount=7
post #475 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

10/02/07-10/05/07: JEKYLL (TV) (Giorgio Albertazzi, 1969)

Astounding is the word to describe this four-part TV series: it’s the most original treatment of the story along with Jean Renoir’s THE TESTAMENT OF DR. CORDELIER (1959; curiously enough, another made-for-TV version) and Walerian Borowczyk’s DOCTEUR JEKYLL ET LES FEMMES (1981).

While suffering from the occasional longueur (particularly when the youth take center-stage) – being necessarily talky, padded and slow-moving – it’s also utterly riveting, despite the over-familiarity of the narrative, and has several passages that are absolutely brilliant. It’s rather didactic but, nonetheless, makes perceptive comparisons between Hyde’s compulsion for aggressiveness and the rebellious spirit of modern youth – as if the former symbolized a wake-up call to the staid older generation! Incidentally, the Victorian tale adapts surprisingly well to the modern ALPHAVILLE (1965)-esque settings; the script, then, is brimming with philosophical ideas – making it at times closer to sci-fi than horror.

Hyde himself, though simply enough made-up (looking quite a bit like the zombie from DEATHDREAM [1974]!), is perhaps the creepiest ever depicted; interestingly, he’s given a child-like voice – as if he’s still a developing organism. The character’s appearance is, actually, mostly relegated to flashback sequences; the transformation is only seen at the end of the third episode – being the equivalent of a ‘trip’, again, it links his behavior to the liberal attitudes of youth. An inspired touch here shows Hyde starting to take Jekyll over gradually instead of all at once; ultimately, though, something more elaborate than an off-screen demise should perhaps have been concocted (no pun intended)!

This version also jettisons the dual love interest present in most cinematic adaptations, though Hyde is seen being involved in a relationship with a foreign student – the narrative utilizes a university campus backdrop – which ends in tragedy. The latter is a chilling sequence: Hyde orders his girlfriend to drown her pet dog as a display of her love for him, but she kills herself instead – having recognized his evil character!

The cast is headed by Giorgio Albertazzi (what a tour-de-force both as actor and director!) and Massimo Girotti (the story is seen mostly through his eyes, where he fears that Hyde may hurt or even kill Jekyll because of his will – that is, until, Jekyll decides to confide in him). New characters add more dimension and scope to the venerable plot: Mrs. Utterson, Paula Poole (Jekyll’s secretary) and Robert Levy (his young assistant). Though bearing the unattractive signs of early video technology, the stark cinematography by Stelvio Massi (later a director of poliziotteschi!) is notable all the same. Likewise, the versatile score is excellent – part avant-garde (for the horror element), part pastoral/folk (for the college sequences), part exotic (for the brief romantic idyll).

In conclusion, JEKYLL emerges as not only one of the great TV movies but an unsung horror/sci-fi masterpiece. Frankly, it’s criminal that this isn’t more discussed or readily available (I wasn’t even aware of the series’ existence myself prior to its late-night TV screening last year, shown on four successive weeks) and should really be put out on DVD pronto!


10/10/07: DRACULA, PRISONER OF FRANKENSTEIN (Jesus Franco, 1971)

This would-be homage to the classic Universal cycle of horror films of the 1940s could have been interesting, but it’s defeated by listless presentation (marked by Franco’s trademark zoom-happy technique) and inadequate plotting (what there is is extremely lazy and contrived – such as Frankenstein’s idiotic manifesto for world domination and his baffling about-face towards self-destruction at the end).

It was a good idea to present the latter (played by Dennis Price) as a deluded megalomaniac, but the dire physical condition of the actor makes this something of a lost cause. Howard Vernon’s Dracula, then, is underused and saddled throughout with a silly fixed expression! Alberto Dalbes plays Dr. Seward – Vampire Hunter(!), Luis Barboo gives a hammy performance as Frankenstein’s mute hunchback assistant, while Fernando Bilbao gets as little screen-time playing the Frankenstein Monster as his counterpart in the latterday Universal monster flicks themselves!!

With respect to the female members of the cast, at least, we get two lovely presences in Josiane Gibert (as a tawdry chanteuse turned into unwitting sacrifice in the re-animation of Dracula – the scene where the bat is bathed in blood is actually nice and grisly) and Britt Nichols (a vampire lady with her own agenda and whose coffin is stupidly never noticed by either Frankenstein or his assistant!). Also on hand are Anne Libert (who’s killed off immediately), Genevieve Deloir (as Vernon’s new bride) and Mary Francis (as a gypsy girl).

The film is capped by what is the most hilarious monster mash I’ve ever seen – with a werewolf who comes out of nowhere, only to get beaten to a pulp by the Frankenstein monster! Just as amusing, though, is the fact that Frankenstein (and his prisoner Dracula) use a hearse as their method of transportation! Incidentally, the way such great locations as Franco had at his disposal are squandered makes this that much more of a missed opportunity – not that the visuals are helped by the dismal print utilized for this transfer (featuring washed-out colors and the wrong aspect ratio to boot)! By the way, a sure sign of the film’s rushed production is its recycled score – comprising the instantly recognizable main theme from MARQUIS DE SADE’S JUSTINE (1968) and, possibly, even cues from COUNT DRACULA (1969)!

In conclusion, this one emerges as easily the least of Franco’s ‘classic monster’ films. For the record, its viewing was promptly followed by THE EROTIC RITES OF FRANKENSTEIN (1972) – by way of the version the director himself preferred. The director’s most respectable efforts in the genre remain COUNT DRACULA (not really connected to the others, as it was a Harry Alan Towers rather than Robert De Nesle production) and DRACULA’S DAUGHTER (1972; a contemporaneous release with, again, much the same cast and crew but which is altogether more satisfying – mainly in view of its novel giallo elements).


10/10/07: THE EROTIC RITES OF FRANKENSTEIN (Jesus Franco, 1972)

This one’s undoubtedly superior to DRACULA, PRISONER OF FRANKENSTEIN (1971) – displaying a fair evidence of style throughout (notably some Bava-esque lighting).

It utilizes a lot of the same cast as that film: Dennis Price, in fact, returns as Frankenstein but gets little to do (this is his least performance in a Franco film – especially embarrassing when his character is regenerated); Howard Vernon now turns up as Cagliostro (I had been underwhelmed by his performance when I watched the Spanish version a few years back, but he’s actually quite commanding); Anne Libert gets her most impressive role as Melissa, the blind and eccentric “Bird Woman” in Cagliostro’s service (though the mysterious zombie-like figures who witness the titular events from behind bars are just as grotesquely made-up); Britt Nichols is underused, but her luscious figure gets exposed this time around (and, in any case, she’s perfectly cast as Cagliostro’s proposed bearer of a new master race); Alberto Dalbes also returns as Dr. Seward where, again, he’s the hero; ditto Fernando Bilbao as Frankenstein’s monster (given a curious silver make-up here); Luis Barboo is on hand as well but, now, he plays Cagliostro’s henchman rather than Frankenstein’s (the latter role is taken all too briefly at the very start by Franco himself); Daniel J. White also gets more screen-time than in the previous film (where he was just an extra) as a Police Inspector.

Missing here – consequently, the film runs for a mere 70 minutes! – is the irrelevant gypsy subplot (featuring Lina Romay) filmed some time later and eventually incorporated into the Spanish variant, dubbed LA MALDICION DE FRANKENSTEIN aka THE CURSE OF FRANKENSTEIN – though the English-language edition I watched also bears this title!! Still, the would-be erotic rites (presented clothed in Spain) are silly rather than titillating: actually, there’s only one (in which the monster is made to whip the naked figures of Barboo and Frankenstein’s daughter in a dungeon with a spiked floor), as the intended procreation scene involving Bilbao and Nichols is ultimately interrupted by the heroes. Cagliostro’s flight at the end, then, suggests that a further instalment may have been intended – but it never transpired.

Opinions about this particular version seem to go from one extreme to the other: it’s neither one of Franco’s top efforts nor among his worst, hence the middle-of-the-road rating I gave it. On the other hand, everybody seems to agree that the alternate Spanish release is a lesser achievement – even so, it’s not that the loss of the tacked-on footage (or, for that matter, the benefit of nudity) dramatically alters the quality of the finished product!


10/25/07: HAMMER HOUSE OF HORROR: CARPATHIAN EAGLE (Francis Megahy, 1980) (TV)

This is one of the more original and intriguing entries (with a serial killer following the modus operandi of notorious, albeit fictitious, past criminals) – despite a bland title and some definite camp elements (silly Hungarian accent, transvestite cabaret act, outrageous production design). Actually, it would probably have worked even better stretched out to feature-length – as a lot of time is taken up here by the police procedural and the romantic complications at the expense of the central character’s psychology. Still, I feel it was pointless to introduce a red herring after having already revealed the killer’s identity! Besides, the series in general shows rather a lack of variety with its propensity for downbeat endings. There’s a good performance by the attractive, statuesque leading lady – while “guest star” Sian Philips appears as the ageing last descendant of the Hungarian killer to which the title refers; future James Bond, Pierce Brosnan, also features in a smallish role as one of the lustful victims! Unfortunately, I experienced a few audio/video problems during playback of this particular episode – where the audio was slightly – if continually – out-of-synch and the image even skipped at one point; bafflingly, then, no glitches came up when I tried the disc on my another DVD player model!
post #476 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Quote:
Originally Posted by Michael Elliott
Dr. Jekyll and Mr. Hyde (1931)

Fredric March won an Oscar for his performance in this talkie version of the classic story. I'll say this at the start but I think March is one of the greatest actors in the history of cinema but I'd also say that I think this is the worst performance from him that I've seen. Even though it's his worst performance there's still some greatness that sneaks in at certain spots. I think March is very good coming off as a very threatening character when he is mentally abusing the Miriam Hopkins character. In pretty much all other times March comes off way too over the top, which leads to more laughs than scares. There are several sequences in the film where March's performance makes me laugh at laugh as if I were watching a comedy. This unevenness makes for a rather strange film that never works fully. I think Hopkins is the real standout here as she gives a wonderful performance as the tortured woman who caught Hyde's eye. The transformation sequences still look good but I think they made Jekyll a tad bit too ugly. Even with all the faults this remains an interesting film but I still prefer the 1913 and 1920 Barrymore versions.

This is one film Mike and I will never see eye to eye on...but I forgive him. But had anyone else dared to say the same things about it, I'll have had his guts for breakfast!!

In my view, the Rouben Mamoulian/Fredric March version is not only one of the Top 5 Horror films of the 1930s - the other 4 are very obvious - but also one of the greatest films ever made, period. Fredric March was stylistically a theatrical actor so his performances were fairly ripe as a rule - witness his marvelously moving turn in INHERIT THE WIND (1960). Mamoulian, then, is a neglected master stylist of a film-maker who, unfortunately, did not work often enough; even so, he not only never made a bad film, but made 4 acknowledged classics into the bargain and was a technical innovator to boot.

P.S. It's ironic that I have just posted my own review of the 1969 Italian TV version of JEKYLL which, surprisingly enough, I was pretty floored by; besides, I'm still waiting for Mike's views on Jean Renoir's LE TESTAMENT DU DOCTEUR CORDELIER (1959)...
post #477 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Battleground (2006)
Brian Henson

These next three are all from the Nightmares & Dreamscapes series. Battleground tells the tale of a hitman who had the unfortunate task of whacking a toy maker. Of course, toys come to life and kick ass. Nothing really new here, but it was kinda neat to see an episode with absolutely no spoken dialogue (grunts and such don't count).


Crouch End (2006)
Mark Haber

Perhaps I just wasn't in the mood for this type of story, but I found this to be completely and utterly boring. The music just scraped at my brain, and it was really all I could do to make it through it. The ironic part is that I really enjoyed the story on which it is based. But this tensionless, moodless piece gets my wonderful "crap on a stick" rating.


Umney's Last Case (2006)
Rob Bowman

Maybe my problem with Crouch End was that I knew this episode was next. Umney was probably my favorite story from the book, and it stars William H. Macy. I should have skipped to it first, I guess. For what it is, I guess it isn't all that bad. It just doesn't seem to have the same tone as the story, and unless my memory fails me (it has been a long time since I read the book) there was a bunch of story towards the end that was added for the movie that is not only unnecessary, but counter-productive.


Hostel II (2007)
Eli Roth

I needed a break from the Nightmares, so I went to this. I'm a fan and not a fan of the original. Call it torture porn if you want, the first 2/3 of the first one was perhaps one of the most chilling/disturbing things I've ever seen. It was then very effectively ruined with a wildly ridiculous ending. The good news: the ending of this Hostel is much more believable and satisfying in a bad way.



Running Tally

1. Freeze Frame
2. The Lost Boys
3. Bubba Ho-Tep
4. The Messengers this film is a turd
5. Cannibal Holocaust
6. When a Stranger Calls (2006)
7. The Covenant
8. Bug **Best New Discovery**
9. Tokyo Zombie
10. Black Sheep
11. Vacancy
12. Hot Wax Zombies on Wheels
13. Night of the Comet
14. Return to Halloweentown
15. Chaos
16. Mustang Sally's Horror House
17. The Hills Have Eyes II
18. The Thing From Another World
19. Behind the Mask: The Rise of Leslie Vernon
20. Dead and Breakfast
21. Planet Terror
22. Slither
23. Family
24. Pelts
25. Nailed
26. The Number 23
27. Turistas
28. Battleground
29. Crouch End
30. Umney's Last Case
31. Hostel II
post #478 of 639
Thread Starter 

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Joe and Mario:

I've never seen DR. JEKYLL AND MR. HYDE get a four star review from any critic, newspaper, magazine, book or anything else so I'm not sure how strong its reputation really is. In fact, I can't recall a single version of Jekyll and Hyde to get great reviews and I'm going to guess this is why there isn't one definitive version of the story. Some prefer Barrymore, some March, some Tracy, some Palance and so on. Since none of these versions are considered four-star great movies and since none of them really stand a huge difference apart from one another, I don't see my thoughts overly bashing or overly praising.

There are moments of greatness but as I write that I can't help but laugh my ass off during certain moments due to March going way out of control. It could be theatrical acting or a silent like film acting but one scene is when Hyde first meets the blonde in the nightclub. March tripping the waiter and then going after the owner with the bottle doesn't show him acting as a madman. It shows him acting like a gorilla, which might be the point since he certainly looks like one. With his looks, this too is over done IMO and causes me to have second thoughts that Hyde could go around as easy as he does. An ugly lunatic would cause a lynch mob just as much as Frankenstein's monster.

As for my rating with all these negative thoughts on the film: Well, that's pretty simple since I also gave PLAN 9 FROM OUTER SPACE four-stars while calling it one of the worst films ever made. If I was going to be Mr. Movie Critic then I'd probably give this film two and a half stars. On a camp/being able to laugh at level then I'd bump it up to a three. I don't see this as a strong, three-star classic film but a highly flawed film that causes me to laugh. Instead of taking the grade down for laughing I actually gave it an extra half star for being able to keep me entertained by laughing.

It's funny but outside the Tracy version, I've given every version I've seen a three star rating but I feel the story has never been perfected on the screen. Can it? I guess it could but I don't see it happening anytime soon.
post #479 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

Quote:
Originally Posted by Michael Elliott
Joe and Mario:

I've never seen DR. JEKYLL AND MR. HYDE get a four star review from any critic, newspaper, magazine, book or anything else so I'm not sure how strong its reputation really is. In fact, I can't recall a single version of Jekyll and Hyde to get great reviews and I'm going to guess this is why there isn't one definitive version of the story. Some prefer Barrymore, some March, some Tracy, some Palance and so on. Since none of these versions are considered four-star great movies and since none of them really stand a huge difference apart from one another, I don't see my thoughts overly bashing or overly praising.

There are moments of greatness but as I write that I can't help but laugh my ass off during certain moments due to March going way out of control. It could be theatrical acting or a silent like film acting but one scene is when Hyde first meets the blonde in the nightclub. March tripping the waiter and then going after the owner with the bottle doesn't show him acting as a madman. It shows him acting like a gorilla, which might be the point since he certainly looks like one. With his looks, this too is over done IMO and causes me to have second thoughts that Hyde could go around as easy as he does. An ugly lunatic would cause a lynch mob just as much as Frankenstein's monster.

As for my rating with all these negative thoughts on the film: Well, that's pretty simple since I also gave PLAN 9 FROM OUTER SPACE four-stars while calling it one of the worst films ever made. If I was going to be Mr. Movie Critic then I'd probably give this film two and a half stars. On a camp/being able to laugh at level then I'd bump it up to a three. I don't see this as a strong, three-star classic film but a highly flawed film that causes me to laugh. Instead of taking the grade down for laughing I actually gave it an extra half star for being able to keep me entertained by laughing.

It's funny but outside the Tracy version, I've given every version I've seen a three star rating but I feel the story has never been perfected on the screen. Can it? I guess it could but I don't see it happening anytime soon.

Well, the late British film critic Leslie Halliwell - who was famous enough already back in 1965 for Alfred Hitchcock to write an introduction to his then innovative film guide - does give the 1931 version of DR. JEKYLL AND MR. HYDE the full rating. In fact, it was so instilled in me that this was the definitive film version that, several years later, I was literally stunned to see Leonard Maltin give the John Barrymore, Fredric March and Spencer Tracy editions the very same rating for all three!

I'm not sure what rating you'd give to the Victor Fleming/Spencer Tracy 1941 remake but, it's safe to say that it's nobody's favorite...least of all, Tracy's! As for Barrymore's, it's too bad that the Kino DVD is missing some footage which has kept me from adding it to my collection so far.

With regards to there not being a definitive film version of the story, I'd suggest you learn Italian and I'll send you a copy of the 1969 Giorgio Albertazzi TV version I've just watched! And pop in Lionsgate's disc of Renoir's THE DOCTOR'S HORRIBLE EXPERIMENT (1959) in the interim...!


P.S. I've just re-read Mike's reply and realized that he made a small mistake - Walerian Borowczyk's DOCTEUR JEKYLL ET LES FEMMES (1981) only got a (highly undeserving, if you ask me) rating from him! Besides, I'm curious to know how he'd rate the Hammer version - Terence Fisher's THE TWO FACES OF DR. JEKYLL (1960) - which I was very disappointed by myself.

Also, as for Hyde having a simian look - while I agree that they did go overboard in the make-up department, one must remember that Jekyll's potion turned him into a primitive man (or at least freed his primitive instincts) and not into a madman, serial-killer, or what have you...
post #480 of 639

Re: ***Official 8th Annual HTF October Scary Movie Challenge***

As always, I'm not a critic- I just know what I like but I'm not very good at articulating it.

10/26/07
92. Saw (Unrated)
Since I didn't get to see this until it video, it was overhyped and I was let down. And that's still the way I feel about it.

93. Saw II (Extended Version)
I enjoy the whole jigsaw puzzle house aspect in this movie. I find this to be better than the original. Tobin Bell is in a lot more of the movie and it boosts the movie considerably in my mind. If you're into really violent gore, this is your movie.

94. Saw III (Director's Cut)
This is my first viewing of the director's cut and my favorite of the three movies. The director's cut adds 8 minutes in but I'm not familiar enough with the movie to what those additions are. One thing I like about the sequels is that they seem to fit in well with the original. They all feel like they're part of the same world and that's usually something that sequels do not have. Extremely violent especially the brain surgery scene which actually makes me cringe (and that's a rare accomplishment for a movie).

Overall, these movies aren't as bad as their critics make them out to be and they're not as good as their fans make them out to be.

I'll be seeing Saw IV tomorrow morning.

My full list is in post #389.
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