Re: Do I need any other versions of Nosferatu?
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Posted by Richard--W: You worry too much.
Most people prefer those scores.
The transfer is superior to the Image DVD and all other versions.
Buy the Kino. |
I shelled out the $14 or so for the Kino Nosferatu. No, I needn't have worried about the music, which is at least as good as the Image version-probably better, as it allows the horror of the images to take precedence. The Image score tries a little too hard to "help" the film.
The picture quality is better, IMO in the Kino version than the stills suggest. Or rather, the Image version is a lot worse. For one thing, the Image version looks to me as if it has been edge-enhanced to death. There is already a halo effect in many scenes of the film due to the lighting. It did not need extra halo-ing from EE. A good scene for comparison IMO is the dinner scene with Hutter and Orlok, where Orlok menacingly pursues Hutter after he cuts himself. Look at the shots with the fireplace as the background to see how much more natural the picture is in the Kno version. Also, the tinting is more atmospheric, and tones down the over-bright quality that is present in the Image disc. The already mentioned shot where Orlok rises from the coffin on the ship cannot be stressed enough. Having that shot with all of Orlok's head in the frame makes a huge difference. And the green tint is more appropriate.
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| Posted by Jeffrey Nelson: What footage does the Kino have that other versions don't? |
I have been slowly making my way through a comparison of the two DVDs in order to see what footage is "new". So far, I have gotten through the scene where Orlok appears in the doorway to Hutter's room. Some of the time differences may be due to slightly different projection speeds, and additional title cards in the Kino version (End of Act One, etc). However, there is some additional footage in the scene in which Hutter says goodbye to Ellen before leaving on his trip.
I will note any more additional footage I discover. I tend to do this near the end of the day, and I tend to get sleepy, because, as Walter Kerr discovered while writing
The Silent Clowns-watching silent films is somewhat tiring. As it is all visual, it requires more energy and attention span than a sound film.