**SPOILERS**
The horror genre continues to be hijacked by the torture/snuff aficionados who seem to mistake art with "reality." More than once I’ve heard movies like Saw, Hostel, and Henry defended by fans saying, "these films have real people as monsters, and that’s more scary than -," and then go on to name Freddy or Dracula etc. The plot identical to the first film with the genders switched and a less interesting supporting cast (one of the first's few virtues.) So while watching Hostel 2 we are only left to ponder how each victim will die and just how far director Eli Roth will go in portraying their deaths. Pretty far if one were to go by the first death (not counting the opening Friday the 13th riff,) where Roth has poor Heather Mattarazzo hung upside down completely naked while being slowly sliced to death by an array of scythes! Watching it I was reminded of Roger Ebert's criticism of Lynch's Blue Velvet, wherein Ebert wished Isabella Rossellini was given a movie to fit the power of her performance. We then get filmed castrations, child murder, and complete moral ineptitude, is this the new summer movie? While I might prefer the monsters in Candyman or a Val Lewton film, in this instance I have to admit that the monsters in Hostel 2 are scarier than those more traditional baddies...its just that since they seem to be behind the camera one shouldn’t count them as film monsters.
The horror genre continues to be hijacked by the torture/snuff aficionados who seem to mistake art with "reality." More than once I’ve heard movies like Saw, Hostel, and Henry defended by fans saying, "these films have real people as monsters, and that’s more scary than -," and then go on to name Freddy or Dracula etc. The plot identical to the first film with the genders switched and a less interesting supporting cast (one of the first's few virtues.) So while watching Hostel 2 we are only left to ponder how each victim will die and just how far director Eli Roth will go in portraying their deaths. Pretty far if one were to go by the first death (not counting the opening Friday the 13th riff,) where Roth has poor Heather Mattarazzo hung upside down completely naked while being slowly sliced to death by an array of scythes! Watching it I was reminded of Roger Ebert's criticism of Lynch's Blue Velvet, wherein Ebert wished Isabella Rossellini was given a movie to fit the power of her performance. We then get filmed castrations, child murder, and complete moral ineptitude, is this the new summer movie? While I might prefer the monsters in Candyman or a Val Lewton film, in this instance I have to admit that the monsters in Hostel 2 are scarier than those more traditional baddies...its just that since they seem to be behind the camera one shouldn’t count them as film monsters.




