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Blu-ray Disc/DVD REVIEW



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Battle of the Bulge


Studio: Warner Brothers
Film Year: 1965
Film Length: 2 hours 49 minutes
Genre: World War II, Action

Aspect Ratio: 2.76:1 Ultra Panavision

BD Resolution: 1080p
BD Video Codec: VC-1 @ under 20MBPS
Colour/B&W: Colour

Audio:
  • English Dolby Digital 5.1 Surround
  • French Dolby Digital 1.0

    Subtitles: English, French, Spanish
    Film Rating: Unrated







Release Date: May 15, 2007

Film Rating: /

Starring: Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews, Pier Angeli, Barbara Werle, George Montgomery, Ty Hardin, Charles Bronson, Hans Christian Blech, Werner Peters, James MacArthur and Telly Savalas

Screenplay by: Philip Yordan, Milton Sperling, John Melson
Directed by: Ken Annakin




Battle of the Bulge is a solid action film, concentrating on the famous large-scale tank assault mounted by the Nazis in the waning days of World War II. Made in 1965 with a star-studded cast and filmed in the super-wide Ultra Panavision format, there is a lot of scale on display here. Full-size tank battles are the order of the day, along with the expected skulduggery on both sides of the war, as the Germans and the Americans try to outflank each other. As an exercise in historical accuracy or deep dramatic filmmaking, the movie doesn’t hold up that well: there are too many war movie clichés, too much license taken with the history. But as a look at an old-fashioned war movie with Henry Fonda and Robert Shaw,
is a lot of fun. It’s big, loud, and long – and you can spend a very pleasant Sunday afternoon sitting back and enjoying the spectacle.

Battle of the Bulge was released in 2005 as a standard definition DVD with the full, uncut movie, its five minute trailer, and a couple of vintage featurettes from 1965. It should be noted that the film runs 2 hours and 49 minutes in its uncut length, but this includes 8 minutes of music – an Overture (2:38), an Intermission (2:15) and following the brief end credits, Exit Music (3:07). So the true length of the film itself is closer to 2 hours and 40 minutes. For the new High Definition releases, Warner Brothers has presented a new 1080p VC-1 transfer and a new commentary by director Ken Annakin and actor James MacArthur, and coupled these with the original standard definition special features to complete the package. The same materials are available on both HD-DVD and Blu-Ray. This review, of course, covers the Blu-Ray release.


VIDEO QUALITY: 4/5

Battle of the Bulge gets a smooth 1080p VC-1 transfer, which accurately shows off all the colors of the spectrum and provides a fair amount of detail in the uniforms and the vehicles on display. You may notice that this is a thinner letterbox image than normal. Do not adjust your television set – this is due to the film being shot in the Ultra Panavision 70mm mode – a modification of the ultra-wide Cinerama process. The special lenses used for this process yield an aspect ratio of 2.76:1 over the usual anamorphic aspect ratio of 2.35:1. Some sequences in the film make specific use of this feature – a first-person drive down a country road at the film’s beginning, and a first-person view of a train’s passage through the hills near the middle of the film. To specifically address the picture quality – it comes out very nicely indeed. This isn’t the mind-blowing level of detail present on releases like DREAMGIRLS, but it is absolutely a step above a standard definition transfer.

AUDIO QUALITY: 4/5

Battle of the Bulge is presented in a 640kbps 5.1 Surround mix in English, along with a mono track in French. This is a solid sound mix, but not one that makes a lot of use of the surround channels. Most of the activity tends to stay in the front speakers, between the dialogue and the battle sounds. There is some use of surrounds for music, but not much other than that. There is a little subwoofer activity, but not as much as you might imagine for a combat film. One interesting sidenote- the tank driving sounds are appropriately prominent in several sequences – to the point that I can’t help noting the similarity between the sound chosen for this film, and the sound used for the tank approach at the climax of Saving Private Ryan. I have a feeling that Spielberg’s sound designer may have been making an affectionate nod toward this earlier film.



SPECIAL FEATURES: 3/5

The Blu-Ray presentation of Battle of the Bulge includes all of the special features to be found on the standard DVD edition, presented in standard definition. The film’s theatrical trailer is presented in anamorphic widescreen, but the two featurettes are full-screen. To these features, the new HD release adds a feature commentary by the film’s director and one of the actors.

  • Audio Commentary with director Ken Annakin and actor James MacArthur – Ken Annakin and James MacArthur provide a scene-specific commentary as they watch the film along with the viewer. This is not a wall-to-wall commentary, as there are some gaps – but they usually pipe back up before too long to offer more tidbits. Part of their discussion centers on the hurried nature of the production – Annakin himself was hired within a month of the start of photography, which began around February 1965 and saw the film released in December of the same year! MacArthur provides several nice reflections, including an ill-advised bit of fun he had on location in the snow. He admits to tossing a snowball at one of the 400 Spanish soldiers working on the movie as extras, and then getting “400 back”. (He presumably learned that the odds are pretty bad for one man against 400...) The most amazing aspect of this commentary is to know that these men are much older now (Annakin is in his 90s), and yet they have a fairly good recall of a film they made 40 years ago.

  • The Filming of Battle of the Bulge (9:34) (480p non-anamorphic) – This is a making-of featurette from 1965, filmed on the set in black and white. The set footage is silent, but is backed by music, sound effects, and narration, some of which is provided by Henry Fonda. A good part of this piece follows the work of former Nazi Major General Meinrad von Lauchert, who was one of the technical advisors on the film. There are some interesting shots of the production crew working around moving tanks in the battle scenes, and some impromptu shots of the crew at work or at lunch.

  • History Recreated (8:03) (480p non-anamorphic) – This is another featurette from 1965, also in black and white. It intercuts the same set footage from the other featurette with a pair of sit-down interviews conducted with writer/producer Milton Sperling and actor Robert Shaw. Sperling’s interview is a bit ironic at this point, as he spends much of his time discussing the accuracy of the film, something which has been pretty thoroughly disputed in the intervening years. He also mentions how rushed the production was, as they were locked into a release date before the start of filming. Shaw’s interview is more interesting. He notes the dialect work he put into the role, and the difficulties of filming in extreme conditions – the tank interiors tended to be freezing cold in the winter, and then boiling hot as they filmed into spring. If you watch Shaw’s interview carefully, you may note a little more going on than the standard star discussion – he’s actually responding a lot more than you might think – but not in the way the interviewer was anticipating.

  • Theatrical Trailer (5:06) (480p anamorphic MPEG2) – The theatrical trailer is presented here in anamorphic 480p, which makes for an interesting contrast with the 1080p transfer of the film itself. The trailer doesn’t come off that badly in comparison, to be honest. It just isn’t as rich in the details or colors – but there you have one big difference between standard definition and high definition.



    IN THE END...

    Battle of the Bulge is a nice, old-fashioned World War II epic. It’s certainly worth your time to see if you’ve never gotten to see one of these, particularly if you’ve never seen one done in Ultra Panavision. Getting it in Blu-Ray format means that you’ll also benefit from a better transfer and you’ll get to hear the director’s comments as well.

    Kevin Koster
    June 7, 2007.