post #181 of 207
12/19/08 at 10:06am
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Originally Posted by Joe Caps
Simon, Classic flix listing is lifted from the list of Fox Studio Classics . the specs they published TODAY for the Robe show a single disc with a few features.
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Originally Posted by Joe Caps
Okay - blue ray players are getting cheaper, - Why don't I just buy one?
Simple - I would also need a hi def monitor and I just can't afford it. |
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Originally Posted by Joe Caps
So - the regular SD has NO cinemascope story, sucks
No flat version - I am really getting angry No intros from various stars on the Blue Ray (Susan Hayward,etc) I have seen these before and they are really nice. Okay - blue ray players are getting cheaper, - Why don't I just buy one? Simple - I would also need a hi def monitor and I just can't afford it. Fox alaso haas a South Pacifc BD which has an exclusive Making of Doc. I am getting more and more angry. |
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Originally Posted by Robert Crawford
Maybe, I'm reading the following specs. wrong, but I only see the cinemascope version available on both, the SD DVD and Blu-ray. There is a comparison segment on the BRD, but it says nothing about two different versions being on the BRD.
DVD Times - The Robe SE (R1/US BD) in March |
| BONUSVIEW picture-in-picture mode: * The Robe Times Two: A Comparison of Widescreen and Standard Versions |
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Originally Posted by Simon Howson
It does say this:
Hopefully it is just preliminary specs, considering the release is 3.5 months away. Also, Jack Theakston is confident the academy version will be included, and it is still mentioned on the Foxclassics coming soon page. The producer Frank Ross made a fortune on The Robe, so who knows, maybe his estate still earns huge royalties whenever Fox re-issue it? Maybe they wanted double the royalties for a release that included both versions. |
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Originally Posted by Jack Theakston
When I was interviewed for some of the special features a couple of months back, I was told that the standard ratio version would be included as well. That much I can tell you.
Whether or not Fox has changed their minds remains to be seen, but I'm willing to give them the benefit of the doubt until the specs are set in stone. Regardless of whether or not the alternate version is included, this BD is a no-brainer, if not for the restored film but for the slew of special features Fox is bringing us. |
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Originally Posted by Robert Crawford
Jack,
Why would anybody want to watch the alternate version over the cinemascope version? I'm not particularly interested in doing so, not the entire movie. |
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Originally Posted by Robert Crawford
Jack,
Why would anybody want to watch the alternate version over the cinemascope version? I'm not particularly interested in doing so, not the entire movie. |
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Originally Posted by Mark-P
So even though I'd probably never watch the Academy frame version of "The Robe" in its entirety, I'd still like to have the whole movie as an extra.
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Originally Posted by Simon Howson
...Possibly they didn't want to spend money restoring it, and didn't feel they could include an average transfer of it in a Special Edition set.
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Originally Posted by Mark-P
They didn't have any problem including a sub-par transfer of the Todd-AO version on the "Oklahoma!" DVD
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Originally Posted by Jack Theakston
As stated above, it's totally a completest thing. However, unlike some films where alternate versions were shot-- DOCTOR X comes to mind, where people were making a hoopla about including the black and white version that differs for about a total of three minutes at most-- THE ROBE is a significantly different film in its flat and 'scope presentations, at least from what I remember comparing the two.
For what its worth, the flat version of THE ROBE has been preserved by Fox. Whether or not they put money into restoring it, I don't know. There was an NTSC transfer done in the mid-90s for AMC, and I believe that was the first time most anyone saw that version (it certainly wasn't released in the US that way). |
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Originally Posted by Joe Caps
Fox found trouble shooting early scope in true technicolor. But the name meant a great deal to the public. so Fox struck a deal with Technicolor, The first early scope films would be shot in Eastman Color but all would printed in Dye transfer technicolor so Fox could legally put Technicolor in the credits and on the posters, It's not true - ALL of the early Fox scope are actually shot in Eastman color, That includes The Robe, How to marry a Millionaire, etc.
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