Re: "Oklahoma" any plans to correct the Todd-AO disc?
Um, I think that the OKLAHOMA TODD-AO disc has the original sound mix, man, just conformed to 5.1 DD. The same thing has been done with tons of musicals that were in 4 or 6-channel and then transferred to DVD advertising "Digitally Remastered in Dolby Digital 5.1!" WEST SIDE STORY, FUNNY GIRL, SWEET CHARITY, HELLO DOLLY (though heavily filtered) etc. all have the original sound mixes with mono surrounds on DVD - either in 5.1 or 4.0. Until we have 5 channels across the front in our home theater setups, and a sound encoding/decoding method commiserate with that, we won't have the TRUEST representation of these sound mixes.
Oh, and I don't think the TODD-AO anamorphic DVD is as bad as a lot of people complain. I posted some screen captures comparing all three releases (non-anamorphic Todd-AO, anamorphic Todd-AO and CinemaScope) a while back. This talk of it having VHS quality and faded color are just crazy exaggerations. The original transfer used for the Laserdisc and DVD was processed and altered quite a bit in the video realm, looking NOTHING like film (save for the density flashing problems in some damaged scenes). It's funny people hold it up as a reference, sort of like what has happened to THE SEARCHERS with its widescreen Laserdisc, as if the excessive edge enhancement and ringing aren't enough to clue someone in as to how the image has been manipulated.
The first Todd-AO release looks ghastly on my 42" HDTV upscaled through my Sony Blu-Ray player. Not so with the anamorphically enhanced version. Is the anamorphic release amazingly wonderful? No, but to hold the first release up as the standard I feel is also foolish. Find me another film from that era shot on Eastman stock that had such unnatural colors as represented on the first DVD release (or that had the aliasing, jitter, or edginess brought on by that transfer). I don't see how anyone viewing it on a larger HD set could prefer it to the anamorphic reissue.
Why don't more people complain about what was done to the sound on HELLO DOLLY, or any number of other musical releases? NONE of them sound as good as the Laserdiscs, especially the ones encoded as AC-3 Laserdiscs (comparing he AC-3 tracks, of course).