Re: 2006 Film List
Letters from Iwo Jima -




Letters from Iwo Jima is Clint Eastwood's telling of the Japanese side of the battle of Iwo Jima. He follows two characters, the majority of the film is concerned with Saigo, played by Kazunari Ninomiya. Saigo was a baker before he was drafted, he left his pregnant wife to join the war. The other character is the General in charge of defense of the island, Kuribayoshi, played by Ken Watanabe. Saigo is a reluctant soldier that has been trampled by the Imperial government and he's trampled by the imperial army too. But he's a survivor, focused on his wife and getting home, in many ways he's the most american character in the entire film (more representative of america than the eyeless, faceless, american soldiers we come across in the movie). Kuribayoshi is also a reluctant soldier, not because he doesn't want to be fighting, but he doesn't want to be fighting Americans. he knows they can't win and he keeps battling to save lives, and being thwarted by his honor-indoctrinated subordinate commanders.
the film is beautifully shot, and technically very well put together. But it is very uneven. There are many moments in the film when it stops treading and really reaches for (and achieves) something more, but then it falters again back into the morose slow death of the Japanese force.
Because we have such a strong attachment to Saigo, it's virtually impossible to the emotionally connect to what the Japanese went through as they hemmoraged lives and lost ground. Saigo cares so little for the goals of the imperial army that mainly I wanted just him to survive and to be captured and or surrender to the americans. The audience stays very distant to the tragic goings on of the film.
There's almost no tension, outside of a handful of scenes.
the flashbacks are some of the strongest material because they tell so much about war's effect on humanity and community with so little--much more so than any of the Iwo Jima material.
I find it hard to believe this is an anti-war film--anti fascist yes, anti outmoded military, yes, anti cultural codes that encourage conformity (sadly thought of as honor) over intelligent assessment, yes. But not really anti war. You see some of the horrors of war, but that's a trope common to the genre, and hardly a message.
There are many powerful moments in the film, many superb moments of meditation on the hopelessness of the island and the conundrum that forced the Japanese defenders into but there is also a lot of ennui breaking up those rhythms and preventing the film from really taking off to the next level. Uneven is the best word to describe the film. Very good but not great.
Kazonari Ninomiya does a superb job carrying 80% of the film, and without him I think the whole thing would falter and collapse in the manner Flags of Our Fathers did with audiences and critics.