Re: New to classical...HELP!!
After having the weekend to listen to quite a bit, I thought I'd post a few of my thoughts here. Thanks again to everyone who provided info for me here.
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Probably the 2 most popular classical works:
Gustav Holst - The Planets (with Matthews composed 'Pluto' optional)
Carl Orff - Carmina Burana (aka. the movie trailer album) |
I listened to The Planets and fell in love with it. It reminds me more of a modern score you might find in an action/sci-fi film. I was unable to find the Dutoit/Montreal recording so I settled for the Telarc/Previn version. It sounds terrific to my ear.
So far, I like the Romantic and Classical eras the best, although I have enoyed a bit of Baroque and 20th Century as well. I'm not real keen on the piano concertos (at least yet), but I was suprised how much I enjoyed Bizet's Carmen. I honestly didn't think I would ever enjoy opera.
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| A prize example is Handel's Messiah. People hearing it in modern performances are used to fairly sedate speeds, and massive choirs (a chorus of 500+ is not unknown). In Handel's day, the piece was played much faster and with a total number of musicians (i.e. orchestra *and* choir) of 35. Whether you want the piece performed using period or modern instruments is a matter of personal taste - don't let anyone sell you the argument that one way of doing it is right, because it isn't. However, I would urge anyone new to the field to try both approaches. |
That's interesting, although I'm not sure how I'd know what was done with period intstrumets and what wasn't. I haven't seen mention of it in any of the reviews I've read.
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I'll disagree with Andrew on another matter. It's handy to have a souce of reviews even though you have to take them with a grain of salt. The one real sourcebook you should consider purchasing is the Penguin Guide to Compact Discs. http://www.amazon.com/Penguin-Guide-.../dp/0141022620 This book does have it's drawbacks, but for $19 it may help familiarize you with what's available, especially on budget discs. |
I picked this book up over the weekend. I also picked up NPR's guide for collecting classical music.
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| Once you listen to a lot more music you will realize that a "best" version of a work is about as much a moving target as what the "best" team is to sports fans. For an analogy in rock music, which is the "best" version of Woodstock? Crosby Stills and Nash? Joni Mitchell? They are very different but it's hard to say which is "best". |
While you're right as there is never a unanimous verdict, most of the works I've researched seem to have about 4-5 versions that are in dispute as to which one is "best". Obviously, it's a subjective opinion. Take
Holst:The Planets for example. I read for about 2 hours on all the different versions, but the bottom line is pretty much the Dutoit conducted with the Montreal Symphony, although there are also defenders of the Telarc/Previn version and some fans of the new Rattle version that was recently released. Once I have it narrowed down to 3 or 4 versions, I'd like to listen to each myself and form my own opinion.
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| I may make a heretical view here and say at this time you should go for quantity rather than quality. You should load up on cheap CDs and use them as a learning experience. Once you find out what pieces you truly love you can then spend time searching for versions that you prefer. |
The problem with that is, I haven't really found anything all that cheap that's not a compilation like "Beethoven's Greatest Hits" or "The Best Of Ravel". I would have been interested in purchasing some of the Naxos versions, but I can't find them for the prices that people have claimed they sell for. Most of the Naxos stuff I saw at Borders was about $8-10. For that price, I would rather spend an extra 3-5 and get a top quality recording. Much of the DG and EMI classics list for $11.98.
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| Enjoy yourself, it can be quite daunting considering how many pieces there are out there, plus how many different recordings of those same pieces there are. Sample the periods, sample the styles, find what you like, and work from there. good luck- |
Thanks, Matt. I certainly plan on sampling as much as possible as time allows.