Re: New to classical...HELP!!
"I listened to The Planets and fell in love with it. It reminds me more of a modern score you might find in an action/sci-fi film. I was unable to find the Dutoit/Montreal recording so I settled for the Telarc/Previn version. It sounds terrific to my ear."
Don't worry about the Previn on Telarc whatsoever. I own both and, although the Dutoit with the Montreal is acclaimed by many to be the standard, I actually enjoy the Previn more. Here's why. Set your system with the volume pretty dang high (not so high as to damage your speakers of course). Now, play the first movement: Mars. Get ready for a sonic tidal wave. So, even though I own and play a ton of classical, this one, for me, is a visceral knockout punch to the gut. By the way, make sure your sub is on.
As far as what you should do, take time to familiarize yourself with different periods of classical. If you find a certain style or composer you really want to latch onto, explore that composer's music in more depth. Soon, you'll probably expand that search greatly. I was mostly stuck in the Romantic era (although it could and has been argued that Beethoven is in the Classic period - I'll say he begins there and reaches outward toward the Romantic with works such as his ninth symphony), but then grew to love other periods just as much.
When the addiction becomes hopeless is the time when you feel the need to own multiple interpretations of many of your favorite works - which any classical afficionado will understand what I mean - and that for me is one of the joys of exploration. For instance, as I type, I'm listening to a new complete set of Shostakovich symphonies-with Kondrashin conducting, even though I have at least two other versions of each work. But, to avoid being overly foolish, try to seek out opinions of others prior to buying. You might want to go to one of the classical music forums to make inquiries or refer to places like ClassicsToday.com, although I frequently completely disagree with some of their assessments.
The joy of finding the gems from hundreds of years of composition is well worth the wonderful journey.
By the way, the Kondrashin Shosty 9 is SICK great!!!!
By the way, I'll try to find time to post some of my bestest, favoritest, meanest, baddest recordings when I get time.
Two more points, the first being that you have to, in the end, let your own ears and tastes be the judge. For instance, I love Mahler. Some don't understand what we Mahlerites find so involving about his music. Still deeper, there are certain Mahler recordings that are lauded by some, but which I just don't enjoy such as Bernstein's No. 9 with the Berlin. Way too overemotional for me. Give me Chailley's more recent recording any day, which still has emotional impact, without, for me at least, coming out of the experience emotional drenched. Similarly, I didn't enjoy his No.7 until I got the version by Gielen.
My second point is that you shouldn't give up on a work if you, at first, don't "get it". I couldn't really get Bach until, one day, when I was really stressed out, I put on some of his music and came out of it stress free. Since then, I understand there are days when his fine craftsmanship and balance do me like no other music does.
In a way, some of what I've said sound like contradictions -for instance saying to wait until the right moment for certain music to reach out and grab you, while just previously stating that I'd given up on Bernstein's Mahler No. 9, but this is music, so I don't have to make complete sense.