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HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

post #1 of 81
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James Stewart: The Signature Collection
The FBI Story / The Naked Spur / The Spirit Of St. Louis / The Stratton Story / The Cheyenne Social Club / Firecreek





Studio: Warner Brothers
Year: Various
Rated: Cheyenne Social Club PG - all other films are Not Rated.
Film Length: Various
Aspect Ratio: Various – see Video portion
Audio: DD – see Audio portion
Color/B&W: B&W / Color
Languages: English & French
Subtitles: English, French & Spanish
MSRP: $49.92 or $19.97 individually
Package: 5 disc set in regular Keepcases in cardboard box.





The Feature:
August 15th is a date to remember particularly if you are a fan of classic film. Warner Home Video is about to honor two of America’s most beloved actors and classic Hollywood leading men with the James Stewart: The Signature Collection (the other is Ronald Reagan -- look for the upcoming HTF Review soon). The six Stewart films (all new to DVD) being released in the five-disc Signature Collection include, The FBI Story (1959), The Naked Spur (1953), The Spirit of St. Louis (1957), The Stratton Story (1949) and an oddball release of sorts, a double feature (on a dual sided DVD) that includes two films, The Cheyenne Social Club from (1970) and Firecreek from (1968) – both films include Stewart’s longtime friend Henry Fonda.

As is usually the case with Warner Home Video, they have cleverly gathered a diverse assortment of Stewart films where he appears in a variety of different roles, all of which highlight his versatility as an actor. Jimmy Stewart was nominated for five Best Actor Academy Awards – Mr. Smith Goes to Washington (1939), The Philadelphia Story (1940), It's a Wonderful Life (1946), Harvey (1950) and Anatomy of a Murder (1959) and garnered two wins; Philadelphia Story and another in 1985 winning an Honorary Academy Award. Stewart’s film career spanned five decades, in which he appeared in more than 80 feature films.


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The FBI Story (1959 – Mervyn LeRoy)

In this WB celluloid advertisement for J. Edgar Hoover and the Federal Bureau of Investigation, the colorful career of Agent Chip Hardesty (played by Jimmy Stewart) is highlighted. In a career that spanned four decades, Hardesty was involved with a number of memorable cases including real life scrapes with Baby Face Nelson, Pretty Boy Floyd, Machine Gun Kelly, Ma Barker and John Dillinger. Mass murderers and Klan members were also dealt with by the legendary lawman. His wife Lucy Ann, is played by Vera Miles. The film was based on the writing of Pulitzer Prize winner Don Whitehead and his bestselling novel and was directed by veteran helmsman, Mervyn LeRoy who was responsible for Random Harvest (1942), Quo Vadis (1951) and Mister Roberts (1955) among many others.


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The Naked Spur (1953 – Anthony Mann)

After a chance encounter, three bounty hunters come together and find themselves charged with the task of transporting the smooth-talking murdering-outlaw, Ben Vandergroat (played by Robert Ryan) to face justice in Abilene, Texas. The payoff is a lucrative one; $5000. With an alternate plan in place, the prisoner plays on the psyche of the lawmen and pits them against each other as greed eventually sets in. An MGM film, The Naked Spur is the third of five Anthony Mann directed films which Stewart starred in. Here, he appears as Howard Kemp, the unyielding leader of greedy bounty hunters caught up in a potential trap of the hunted.


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The Spirit Of St. Louis (1957 – Billy Wilder)

On May 21, 1927, “Lucky Lindy” landed outside Paris and the world was forever changed. Suddenly the limitations of travel ceased to exist. The Spirit of St. Louis chronicles the trials and tribulations of Charles A. Lindbergh, the aviation pioneer who changed everything. Real-life Lindbergh fan and fellow pilot, James Stewart sought the role but was initially turned down. The Warner Brothers film was directed by the legendary Billy Wilder whose credits include Double Indemnity (1944), Sunset Blvd. (1950), Ace in the Hole (1951) and The Apartment (1960) among many others.


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The Stratton Story (1949 – Sam Wood)

Stewart plays Monty Stratton, a Chicago White Sox pitcher whose whip-like delivery earned him consecutive 15-win seasons. However, Stratton’s greatest “win” doesn’t happen on the mound. Stratton loses a leg suddenly in an accident just as his career starts to blossom. The pitcher’s will and resilience lead him to pitch again. The all-American Stewart signed on for the role knowing the film would be an inspiration to injured War G.I.’s returning from service. The film snagged an Oscar nod for Best Motion Picture, and was directed by Sam Wood – responsible for another period baseball classic, The Pride of the Yankees. This MGM film is supported by a cast that includes June Allyson, Agnes Moorehead and Frank Morgan. The pairing of Allyson and Stewart lead to future projects including The Glenn Miller Story (1954) and Strategic Air Command (1955).


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The Cheyenne Social Club (1970 – Gene Kelly)/Firecreek (1968 – Vincent McEveety)

Tough as nails, Stewart and Fonda team up as saddle weary cowboys, who find themselves proud new owners of The Cheyenne Social Club, which they’ve inherited in Wyoming. After traveling half way across the country, they learn the club is a high class brothel. The pair eventually find themselves the protectors of their new establishment and defend it against a gun-wielding gang. The National General Pictures film was produced and directed by legendary dance-man, Gene Kelly.

Firecreek is located on Side B of the disc. In this Warner Brothers film, Fonda plays a ruthless outlaw preying on small towns and it’s inhabitants. Stewart is the panicked part-time lawman whose job it is to bring him in. The film was directed by Vincent McEveety whose career spanned 5 decades of directing television.

The Cheyenne Social Club and Firecreek are packaged in a “Double Feature” Keepcase much like other WB titles that have been doubled up, this one falling under the “Western” banner.

The Features:
The FBI Story 3.5/5
The Naked Spur 4/5
The Spirit Of St. Louis 4/5
The Stratton Story 4/5
The Cheyenne Social Club/Fire Creek 3/5 and 3/5



Video:
The FBI Story is presented in a 1.78:1 aspect ratio and is enhanced for widescreen. The color looks slightly rich in terms of saturation, but accurate, while the print looks mostly clean. The Naked Spur is presented in a standard aspect ratio of 1.33:1 and while the Technicolor image is satisfactory, the image looks slightly blurred or dupey at times and is the weakest of the lot. Color is not quite vivid and skin tones looked rather pasty. The Spirit of St. Louis is presented in it’s Scope aspect ratio of 2.35:1 and is enhanced for widescreen. One of the better – if not the best looking one of the bunch. The image is sharp and the colors are vivid with perfect saturation levels. The print looks excellent.

The Stratton Story, the fourth title in this collection is the only B&W entry in the collection. Presented in it’s OAR of standard 1.33:1, the transfer is a fine velvety-like image, with minimal but fine film grain. The image is nicely detailed and the print is clean with only minimal marks or blemishes. Grayscale is impressive as are contrast levels. [b]The Cheyenne Social Club[b] and Firecreek are both presented in 2.35:1 enhanced widescreen transfers and both are similarly pleasing. Firecreek is slightly sharper and it’s colors are slightly more vivid, but these are both fine efforts. I noticed a slight amount of edge enhancement with Cheyenne, however, it never became distracting.

Video:
The FBI Story 3.5/5
The Naked Spur 2/5
The Spirit Of St. Louis 4/5
The Stratton Story 4/5
The Cheyenne Social Club/Fire Creek 3.5/5 and 3.5/5



Audio:
Like the video presentation, this is mostly a solid effort where this reviewer found very little to complain about. All of these films are presented in DD Monaural and for the most part are more than capable at doing what needs to be done without much flair or panache. All of the tracks are free of any pops or crackle and hiss is virtually non-existent and the tracks sound uncompressed. Fidelity, overall, is very nice and it would appear everything sounds natural as it should.

Dialogue was always bold and extremely intelligible with no exceptions. While there are jet engines, gunshots and explosions, there’s not much here in terms of heft or punch and the dynamics are limited due to the period, however, no problems exist with anything here. The Spirit of St. Louis is the exception here and has been afforded a new 5.1 DD encoded track which does an excellent job. Other than filler don’t expect much in the rears however, the track is opened and sounds better and wider from an expansive standpoint.

Audio - Overall Total: 4/5




Special Features:
While the set is not loaded up with special features, each disc has at least one or two supplements. The Signature Collection looks like this:


The FBI Story

  • The only special feature assigned to this title is the Theatrical Trailer which shows up in pretty nice shape. Duration: 3:16 minutes.


    The Naked Spur

  • The first feature on this disc is, Things We Can Do Without which is an MGM Pete Smith B&W short and deals with ones pessimistic look to the future. The short looks to be in pretty fair condition. Duration: 8:49 minutes.

  • Little Johnny Jet is an MGM – Tex Avery animated short and looks pretty good as the print shows very clean. Duration: 7:05 minutes.

  • The Theatrical Trailer which looks slightly blurred, closes off this disc. Duration: 2:44 minutes.


    The Spirit Of St. Louis

  • The Spirit Of St. Louis Premiere includes B&W fullframe footage of the gala Hollywood event. Duration: 3:26 minutes.

  • Next up is, So Your Wife Wants To Work which is a funny Joe McDoakes B&W short and deals with the ‘50’s era male and his “professional” wife. The short looks very good. Duration: 8:59 minutes.

  • Tobasco Road is the 1957 Speedy Gonzales animated short which was directed by Robert McKimson and is introduced in text with the “product of our time” warning. The short looks excellent. Duration: 6:31 minutes.

  • The Theatrical Trailer finishes off the disc and looks reasonably good albeit, slightly faded. Duration: 3:27 minutes.


    The Stratton Story

  • Pest Control is an MGM B&W short in which a gentlemen undergoes a series of annoyance tests. Duration: 8:24 minutes.

  • Batty Baseball is another MGM animated short which a chaotic game plays out on the diamond. The short looks pretty good. Duration: 6:27 minutes.

  • Next up is a 2/13/50 Lux Radio Theater Broadcast which sounds clear enough. Duration: 44:09 minutes.

  • And lastly, the Theatrical Trailer concludes things here and looks very nice. Duration: 2:00 minutes.


    The Cheyenne Social Club/Fire Creek

  • The two special features to accompany these two titles are, Good Time Girls, which appears on the Cheyenne side, is a promo piece that was shot at the time of the production and features Kelly and Stewart who discuss the film and the “need for good time gals” of the day. Behind the scenes footage is included (which was shot on location in Santa Fe, New Mexico). An interesting little piece. Duration: 6:23 minutes.

  • And finally, the Theatrical Trailers appear (on each side of the disc) which run 3:07 and 2:50 minutes respectively.

    Special Features – Overall Total:
    3.5/5

    **Special Features rated for the quality of supplements, not the quantity**



    Final Thoughts:
    Warner has done well to recognize one of their biggest stars – one of Hollywood’s biggest stars ever. The likeable all-American actor, often referred to as the “quintessential everyman”, holds the #3 position on AFI’s list of the 25 Greatest Male Screen Legends. Jimmy Stewart represents decency and wholesomeness that is long past – qualities that the legendary actor displayed and left with us throughout his lengthy film career. The gawky screen legend is well represented here with a collection of highly sought after films and shares screen space with the likes of Henry Fonda, Robert Ryan, Janet Leigh, Vera Miles, June Allyson and Agnes Moorehead among many others.

    Aside from six first-rate Stewart films, Warner has once again treated these titles with the respect they deserve and they’ve trimmed these discs with a decent selection of special features – all of which add up to a very easy recommendation.

    Overall Rating: 4/5 (not an average)


    Recommended…!!



    Release Date: August 15th, 2006

Gear mentioned in this thread:

post #2 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Too bad The Naked Spur doesn't have the greatest picture quality... it's one of the most interesting (to me) movies here. At least The Stratton Story (my favorite) looks good...and has the best extras.

Wish there were more extras in this set... I'll probably get slammed for saying this, but why couldn't these movies get the special treatment on DVD (packed FULL of bonus features, including commentaries and new featurettes) that, for instance, Warner's Tough Guys collection got? I imagine they're especially proud of their gangster/crime films, which Warner's very famous for... but I still wish other films they own would get similar attention. Oh well. I'm looking forward to the next James Stewart box, and hoping it'll include more of his early films.
post #3 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Thanks for the review Herb! Been looking forward to the set ever since it was announced. As Chris said, shame about the PQ for the Naked Spur but am glad to have it finally on DVD.
post #4 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Nice review Herb. This is one my dear Mother would LOVE for Christmas.
post #5 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Yay, can't wait! Especially for The Naked Spur, and The Spirit of St Louis. The others are bonuses that probably won't get released locally.
post #6 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Very nice! I'll get this one for sure.
post #7 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Simon Howson
Yay, can't wait! Especially for The Naked Spur, and The Spirit of St Louis. The others are bonuses that probably won't get released locally.

Thanks for your reviews, Herb!

The FBI Story / The Spirit Of St. Louis / The Stratton Story / The Cheyenne Social Club / Firecreek are all of quite satisfactory quality.

But I was shocked what Warner did with the best movie of the box set, "The Naked Spur": The PQ is absolutely terrible. It obviously derived from an old analog source (just look at the typical NTSC composite artifacts at the titles - probably a master directly ported from the LaserDisc and excessively filtered thereafter) There is NO DETAIL AT ALL. This picture is a totally undefined, muddy mess.


Every TCM and local broadcast of "The Naked Spur" looks better than this "DVD".

Thanks Warner for this great box set at a great value, but WHAT A SHAME how you treated "The Naked Spur". Please let us know, dear George Feltenstein, why such an UGLY analog composite "master" has been used for this DVD "transfer". Why for the best movie of this box set?

...just forgot to say that the trailer looks considerably better than the feature itself.....
post #8 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Johannes S
Thanks for your reviews, Herb!

The FBI Story / The Spirit Of St. Louis / The Stratton Story / The Cheyenne Social Club / Firecreek are all of quite satisfactory quality.

But I was shocked what Warner did with the best movie of the box set, "The Naked Spur": The PQ is absolutely terrible. It obviously derived from an old analog source (just look at the typical NTSC composite artifacts at the titles - probably a master directly ported from the LaserDisc and excessively filtered thereafter) There is NO DETAIL AT ALL. This picture is a totally undefined, muddy mess.


Every TCM and local broadcast of "The Naked Spur" looks better than this "DVD".

Thanks Warner for this great box set at a great value, but WHAT A SHAME how you treated "The Naked Spur". Please let us know, dear George Feltenstein, why such an UGLY analog composite "master" has been used for this DVD "transfer". Why for the best movie of this box set?

...just forgot to say that the trailer looks considerably better than the feature itself.....
Interesting, I'll make sure this is the first title I watch from this boxset to see if I concur with the criticism.
post #9 of 81
Thread Starter 

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

But I was shocked what Warner did with the best movie of the box set, "The Naked Spur": The PQ is absolutely terrible.


Johannes... I would definitely agree that TNS is the weakest presentation among the group. Would be curious to hear RAH's thought's on this one.

H.
post #10 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

I noted the problems with this release.

The master is digital. The problem seems to come from the fact that the film was mastered from an older interpositive element, which simply was not well made.

To make matters worse, this is not now, nor has it ever been a popular title. It has a cult following as a Mann western.

The current DVD is certainly adequate, but not up to the standards which Warner has set for itself. Although I believe that the film needed to be released and available, with so many other quality films in need of restoration, this is not a title for which I would not have suggested creating new film elements.

RAH
post #11 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Damn shame. I'm still waiting for my boxset to arrive in the mail. I almost wish I could cancel it...but...still love Jimmy Stewart. And what are the odds WB will re-do The Naked Spur? But if they do, I'll buy it again, being the sucker I am.

I'm glad to see that once in awhile, even one of the HTF mods can admit Warner Bros ain't always perfect. I know how beloved WB is around here - often feel like I'm being snubbed for daring to say anything against them. But, as much as I love some of the work they've done....I do believe their quality control is slipping lately. Maybe they're getting too cocky from all the consumer adulation. Maybe they're rushing too many releases when they should slow down and take more care.
post #12 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

As with any other studio (or business) investments are not unlimited. I don't believe that Naked Spur is an error. It is simply not a film that begs the investment necessary to make it near perfect. As a late (acetate) three-strip production, it carries specific problems, inclusive of the fact that the film base of the safety negatives can shrink at wildly different rates, potentially making a current re-comp extremely problematic and expensive.
post #13 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Robert Harris
I noted the problems with this release.

The master is digital. The problem seems to come from the fact that the film was mastered from an older interpositive element, which simply was not well made.

To make matters worse, this is not now, nor has it ever been a popular title. It has a cult following as a Mann western.

The current DVD is certainly adequate, but not up to the standards which Warner has set for itself. Although I believe that the film needed to be released and available, with so many other quality films in need of restoration, this is not a title for which I would not have suggested creating new film elements.

RAH


Here are some screenshots from the DVD and from a recent BBC TV recording from a low-bitrate satellite MPEG2 broadcast.

Please note the "grid" artifacts at the titles, typical of an analog composite-video source.


http://www.onlinepictures.de/2/?img=...2efebfejpg.jpg

http://www.onlinepictures.de/2/?img=...09ca0e9jpg.jpg

http://www.onlinepictures.de/2/?img=...6d0efc7jpg.jpg

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http://www.onlinepictures.de/2/?img=...622ab8fjpg.jpg





http://www.onlinepictures.de/2/?img=...88c0accjpg.jpg

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post #14 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

What's the Canadian word on this box set?


Do we have our own special Warner Bros Canada street date and is it safe as far as content (i.e. ALL films & extras included?)

What about bilingual art?


I'm still waiting impatiently for my Noir Classics 3, Tough Guys Collection and Bogie & Bacall Signature sets up here...
post #15 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

One thing I noticed with The Naked Spur DVD is there seemed to be compression artifacts when there were trees with leaves blowing in the wind. Or is this just problem caused by the restricted resolution of standard DVD?

I'm quite happy with the disc, it was the first time I had seen the film and I liked it. Sure I would love Warner to release all 3 strip films in ultra resolution, but that is obviously very costly.
post #16 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Any idea on CAN. release info for this?
post #17 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

I'm with Marco, sill impatiently waiting north of the border. Any word on variations in content would be appreciated.
post #18 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Robert Harris
As with any other studio (or business) investments are not unlimited. I don't believe that Naked Spur is an error. It is simply not a film that begs the investment necessary to make it near perfect.

Not an error? Fine, so maybe Warner doesn't think this movie is worthy of a restoration...despite the fact that many people on this thread and elsewhere seem to find it the most interesting, anticipated movie in the boxset. But, fine, let's say you're right and Warner considers The Naked Spur just a "minor" western with only a few "cult" Anthony Mann fans.

Even supposing that's true... if Warner ALREADY owns a superior looking print, which they've shown on TCM, and even theatrically, and the DVD looks vastly inferior... wouldn't you call that an error on their part? And wouldn't that be another example of the kind of carelessness I've been seeing on Warner's part lately?

Someone else who's making the "it looked better on TV" claim:

http://www.dvdbeaver.com/film/DVDRev...dvd_review.htm

I understand the HTF mods want to maintain a friendly relationship with WB so they'll keep coming back to do chats, and hopefully be more likely to listen to our requests... But fans/customers do have a right to complain if they're unsatisfied with a product. Warner should be able to take the criticism with the praise. We shouldn't be afraid to say Warner made a mistake!

So, y'know, some may make excuses for the studio and say this DVD is "adequate"... but I'm siding with those who say it's "terrible".
post #19 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

A theatrical screening at the Cinematheque has nothing in common with the film element used for the transfer.
post #20 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Very disappointing. The inclusion of The Naked Spur was one of the reasons I ordered this set.


Cees
post #21 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Cees Alons
Very disappointing. The inclusion of The Naked Spur was one of the reasons I ordered this set.


Cees
Cees,
My boxset arrived today and I watched this dvd using the HD-XA1 player that upconverted it to my new 65" HD display and though the picture was soft in some instances with some artifacting, it is far from absolutely terrible. I compared this dvd with my DVD-R recording of it from TCM and IMO, this dvd has a superior video presentation, particularly in regard to facial features being much more detailed. Warner could of done a better job with the video presentation, but as RAH alluded to, it would've taken a greater financial investment. All studios including Warner have a thin line to walk in regard to ROI issues as they pertain to hundreds of titles they may have in their film library.




Crawdaddy
post #22 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

In regard to Naked Spur, it has been confirmed that the cable broadcasts and DVD are derived from precisely the same master, with the broadcast being more heavily compressed.

It was important to make Naked Spur available to those who desire it. This is part of Warner's customer ethic. Also, it must be understood that we are not speaking in terms of tens of thousands seeking this film. A full and proper restoration could easily run into six figures, necessitating a higher than rational selling price.

I'm quite happy with what we have.

RAH
post #23 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Robert Harris
In regard to Naked Spur, it has been confirmed that the cable broadcasts and DVD are derived from precisely the same master, with the broadcast being more heavily compressed.

It was important to make Naked Spur available to those who desire it. This is part of Warner's customer ethic. Also, it must be understood that we are not speaking in terms of tens of thousands seeking this film. A full and proper restoration could easily run into six figures, necessitating a higher than rational selling price.

I'm quite happy with what we have.

RAH
I can confirm that too because there is a scene in which Stewart falls off his horse after being shot and there is a green spot defect for several seconds as the camara pans the blue sky. It's present on both, the new dvd and my DVD-R recording of the TCM showing.

Furthermore, as many of us know there are more lines of resolution on this new dvd and with greater detail than possible with the DVD-R. Both discs were played on the same HD-XA1 player.
post #24 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

I have no opinion yet on the quality of The Naked Spur DVD, as I have not yet received my copy of the Stewart boxset. However, I am in profound disagreement with Mr Harris's sentiments concerning the underlying merits of the The Naked Spur as a film (Am I correct in assuming he echoes the studio's opinion?). The Naked Spur is not just some unpopular "cult" film as his comments would suggest. In addition, The Naked Spur is not unworthy of a restoration, as Mr. Harris' comments also suggest. The Naked Spur is one of the great American westerns. I don't think there is a competent western film critic in the country who thinks that The Naked Spur is anything other than an outstanding film.

But I don't ask you to just take my word that the Naked Spur is a outstanding and special film. Brian Garfield is his excellent book on western films listed The Naked Spur as one of the 26 superior western films which in his opinion stood the test of time and repitition. Phil Hardy who authored the influential Wesern film enclopedia called The Naked Spur an extraordinary western. Even general film critics are in agreement with the western specialists on this film. Leonard Maltin calls The Naked Spur, "One of the best westerns ever made". The Time Out Film guide describes The Naked Spur in part as follows: "Through strong clear story telling and tremendous use of landscape, Mann infuses the familar scenario with a remarkable psychological complexity", and Time Out also describes The Naked Spur as the most effective of the colloborations between Jimmy Stewart and Anthony Mann, and lest we forget those collorborations include such classics as Winchester 73, The Man From Laramie, Bend of the River, The Far Country, etc.

Brian Douglas Eames who wrote the official MGM studio history described The Naked Spur as a strong thriller which made a juicy profit for MGM. This would seem to belie Mr. Harris' suggestions that The Naked Spur was not a popular, money making, film with the general public. In fact, even the U.S. government is in agreement with both the critics and public on this one, as The Naked Spur is one of only 425 films which have been deemed worthy of being preserved as part of the National Registry of Films. How many films did Warners release so far this year (that had been previously unreleased on DVD), that have been deemed worthy of inclusion in the National Film Registry? Apart from the John Ford/John Wayne colloborations, I can't think of any new to DVD film issued by Warners this summer more worthy of a red carpet type restoration than The Naked Spur. Although I really like the film, The Stratton Story, I agree with many others on this forum that The Naked Spur is the best film in the set, and should have been considered the crown jewel of this particular Jimmy Stewart collection.

It is my personal opinion that the reason the westerns are not held in greater regard from a business standpoint by the major studios is that often times the studios will choose to pass over the superior western films in their library and instead choose an inferior western to release, or when they do choose to release a superior western they will release it with hardly any fanfare and/or in a substandard presentation. Because they don't put their best foot forward the public doesn't buy as many as hoped for, and those that do buy sometimes get a wrong impression of the potential quality of western films and are turned off for future Western purhases A great example of the first instance is what happened last year with Sony. They decided to at long last release a group of Randolph Scott westerns. In deciding which westerns to release they passed over some of the all time great western films such as Budd Boetticher's The Tall T, Ride Lonesome, Commanche Station, Buchanan Rides Alone, Decision at Sundown, and other oustanding westerns such as Coroner Creek, and instead choose for release some the most mediocre westerns that Scott made in his career (i.e. Ten Wanted Men, etc,). If Sony had chosen the right westerns for release, and ballyhooed it as an important event (i.e the release of Boetticher's western masterpieces), I believe that they would have had strong sales and the would have turned on the customers to want even more westerns. Instead, we haven't seen a western release out of them since then.

As a western film fan I wish that Warners would more often give the care and attention to the western film that it gives to other genres such as Film noir and gangster. In my opinion Warners has so many strong western titles in its library, that if they took the same firist class approach with the classic adult western film of Hollywood's golden age that they take with film noir, they would likely have the same or greater success. The classic adult western films of Hollywood's golden age (1929-1962, and especially the post war years) overlaps the same era as film noir. The directors of some of these westerns, and of some of the films noirs and crime dramas, are often the same (i.e. Mann, Ray, Hathaway, Wise, De Toth, Daves, Walsh, etc., and the better made westers of this era are just as strong as the best of film noir, plus there are more of them. As we are anticipating set number 4 of Warners Film noir series, shouldn't we be awaiting sets number 1 and 2, etc, in Warners Classic Western series. I'm sure many of us will buy a restored The Naked Spur again if included in such a series. c Jim Bur
post #25 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

I agree that The Naked Spur, along with The Searchers is one of those Westerns that has become canonised by the film brats, those Hollywood writers and directors who studied film at University. Paul Schrader talks about it as the great James Stewart performance (ranking it ahead of Vertigo I guess), and there is an excerpt of the end in Scorsese's American cinema documentary.

The DVD version looks a lot better than the transfer used for that excerpt, so it is an improvement. But my guess is that Warner will only justify the cost of an ultra resolution restoration for films that warrant a 2 disc set. I personally would've prefered a 2 disc set of The Naked Spur, rather than Stage Coach, but that is because I find 1950s Westerns a lot more interesting than the more 'Classical' Westerns of the 30s and 40s.

What we really need is an in depth documentary on Anthony Mann presented on DVD, he is a supremely under rated film maker - Man of the West is possibly my favourite Western, but I'm yet to see a Mann western that I didn't think was first rate.

But this makes me wonder, how do the costs break down. How much does it cost to do a new transfer of a Technicolor film from an existing interpositive? How much extra does it cost to make a new interpositive? Does ultra resolution effectively triple the transfer cost, becuase it is like doing a transfer for 3 individual films, but only for the release of a single movie?
post #26 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Jim,
I'll let RAH address your comments in regard to his earlier comments. However, I have to agree with him that "The Naked Spur" is not a type "A" film in which you invest a great deal of money in restoring like "The Wizard of Oz", "The Adventures of Robin Hood" or "Singin in the Rain". It's a good western, but it's not "The Wild Bunch" nor "She Wore a Yellow Ribbon" and I think other Stewart/Mann collaborations such as "Winchester 73" and "The Man from Laramie" were superior films. I don't expect you to agree with me, which is fine and dandy because we generally have a difference of opinion as to how good and popular "The Naked Spur" is today and whether Warner should make the necessary investment in improving the video presentation. IMO, I think it's the second best film in this boxset behind "The Spirit of St. Louis", but what do I know except my own taste in film.

By the way, I think Robert Ryan's performance makes "The Naked Spur" such a good film. He was generally one of the least appreciated actors from yesteryear.





Crawdaddy
post #27 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

It goes without saying that most of us wish there was an unlimited budget in which all films could be released to the best home video format available without regard to cost which means complete restorations of film elements. However, the real world is what we live in and compromises and financial decisions have to be made. Such decisions are not always right nor acceptable to film buffs such as ourselves so we should continue to make our opinions known in such a way that studios will take notice and just maybe, make some correct decisions that many of us can agree with.





Crawdaddy
post #28 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Crawdaddy;

I find myself in agreement with some of the points you make in your post. When it comes to whether or not a film is a Class A type film, I guess it just depends on how big you decide to make your Class. If you limit class A films to just the 100 best Amercian films of the golden age, the The Naked Spur likely doesn't make it. If you, expand your Class A to include the best 200 or 250 films of the golden age, The Naked Spur really should be included. I think all 5 of the Anthony Mann/Jimmy Stewart western colloborations were great films. If I was forced to personally choose between these 5 westerns, my preference would actually be the same as yours (the critic I quoted thought the Naked Spur the strongest of the collaborations). I also strongly agree with you that Robert Ryan is one of the most underappreciated actors. Robert Ryan is magnificant in the Naked Spur, though I do think that all 5 members of the cast were outstanding. I think Robert Ryan's performance in The Naked Spur is one of his best, to go along with his terrific performances in On Dangerous Ground, The Set Up, The Proud Ones, Day of the Outlaw, The Tall Men, The Wild Bunch, Inferno (which I just recently had a chance to see on FMC), to name just a few. Obviously, the studio has to make its own cost benefit analysis, and I respect their business acumen. My main point was that The Naked Spur is a much better film than Mr. Harris suggested, and if that also reflects the studio's opinion, perhaps they might want to reconsider that opinion in making future decisions. The Naked Spur (restored), Blood On the Moon, Station West, Pandhandle, Colorado Territory, The Lusty Men, Fort Dobbs, The Hanging Tree (restored), Wagon Master, and The Sheepman. Let me suggest those 10 titles for Volumes 1 and 2 of a Warners Classic Westerns set, and you could start off Volume 3 with Devil's Doorway, Escape From Fort Bravo, etc. I think those titles would be just as strong, and perhaps even stronger, than their first two film noir sets. Respectfully. c Jim Bur
post #29 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Robert Crawford
Cees,
.....and though the picture was soft in some instances with some artifacting, it is far from absolutely terrible. I compared this dvd with my DVD-R recording of it from TCM and IMO, this dvd has a superior video presentation, particularly in regard to facial features being much more detailed.
Crawdaddy


Robert, did you compare the screenshots of the DVD vs. the DVD-R TV recording? In regard to overall detail and facial detail in particular, I think the TV recording has a lot more detail and less filtering. I couldn't see any film grain at all on the Warner DVD, so I guess all higher frequencies were completely filtered out.

I was very disappointed about Warner's DVD when comparing to my TV recording. And I remember an ever better broadcast of "The Naked Spur" on german TV station ZDF, based on a "restored" print by Juergen Labenski and the former Kirch group. (btw, they also "restored" a VistaVision print for TV screening of "To Catch a Thief" and IMO it looks a lot better than Paramount's current DVD)

So there already are superior masters in existence.


Warner DVD (NTSC resolution)

http://www.onlinepictures.de/2/?img=...c693cf3jpg.jpg


TV recording (PAL resolution)

http://www.onlinepictures.de/2/?img=...a148e16jpg.jpg
post #30 of 81

Re: HTF REVIEW: James Stewart: The Signature Collection (RECOMMENDED).

Quote:
Originally Posted by Johannes S
Robert, did you compare the screenshots of the DVD vs. the DVD-R TV recording? In regard to overall detail and facial detail in particular, I think the TV recording has a lot more detail and less filtering. I couldn't see any film grain at all on the Warner DVD, so I guess all higher frequencies were completely filtered out.

I was very disappointed about Warner's DVD when comparing to my TV recording. And I remember an ever better broadcast of "The Naked Spur" on german TV station ZDF, based on a "restored" print by Juergen Labenski and the former Kirch group. (btw, they also "restored" a VistaVision print for TV screening of "To Catch a Thief" and IMO it looks a lot better than Paramount's current DVD)

So there already are superior masters in existence.


Warner DVD (NTSC resolution)

http://www.onlinepictures.de/2/?img=...c693cf3jpg.jpg


TV recording (PAL resolution)

http://www.onlinepictures.de/2/?img=...a148e16jpg.jpg
Using screenshots is not the final confirmation for me because I watch movies/dvds in real time. I've made comparisons between the two discs in several different 4-5 minute segments and without question, the SD-DVD has more detail and is more vibrant in color than the DVD-R disc. Furthermore, in your NTSC screenshot the lines on both Ryan's and Leigh's foreheads are hardly noticable, but watching that scene in real time, they're noticable on my display.




Crawdaddy
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