post #31 of 3173
5/19/06 at 12:44pm
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| I think most people are in agreement that a proper restoration of the original films is possible. The question then becomes, is it really that riddiculous for Lucasfilm not to want to invest the time and money necessary to do that proper restoration? Considering that they're viewing the original films as essentially extras on the fall re-release such costs and investments would probably be unprecedented for such an "extra." Especially for versions of the films that Lucasfilm has made clear they will not be supporting going forward into the future. |
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Originally Posted by Robert Harris
One fact which I don't believe has yet been discussed is that release dates, packaging and content can change.
There is no reason why this release cannot hit the streets 60 - 90 days later, and become a very important, and well-received Christmas item. With quality intact, this could be the home video Christmas gift of 2006. And THAT can be accomplished. Its simply a matter of doing it. RAH |
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Originally Posted by Robert Harris
One fact which I don't believe has yet been discussed is that release dates, packaging and content can change.
There is no reason why this release cannot hit the streets 60 - 90 days later, and become a very important, and well-received Christmas item. With quality intact, this could be the home video Christmas gift of 2006. And THAT can be accomplished. Its simply a matter of doing it. |
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Originally Posted by Tom Brennan
Mr. Harris, if Lucas has separation masters from 1977 for Star Wars would it be possible to do an "Ultra Resolution" style transfer?
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| I won't be purchasing any widescreen material that isn't enhanced for widescreen TVs. |
| These films are extremely important both cinematically and as cultural icons, and deserve to be seen in the finest quality possible. |
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Originally Posted by Joel Henderson
I thought Ultra Resolution only worked with 3-strip?
He does allegedly have die-transfer elements of all three films. |
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Originally Posted by Tom Brennan
I was under the impression that the separation elements are three strip Technicolor. If that is the case, imagine how wonderful this could look! If not, I apologize.
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Originally Posted by Paul_Scott
Just how much time and expense would be required to digitally cut out SE material, insert the upscaled non SE material, and then resynch a 2 channel sountrack?
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Originally Posted by Paul_Scott
so what would be the most appropriate way to draft an e-mail to LFL?
Should I write a seven paragraph biography of my life and relationship to this franchise? or just a pithy one paragraph voicing my displeasure and intent? does anyone actually read these in full? |
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Originally Posted by Robert Harris
I have received a personal message from someone on HTF querying what the cost of a reconstruction / restoration would be.
The simple fact is that in terms of the income to be derived, a pittance and hardly anything that matters. |
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Originally Posted by Robert Harris
Separation masters are derived as Yellow, Cyan and Magenta filtered units on 35mm fine grain separation stock, from Eastman Color negatives.
Three-strip Technicolor exposed three 35mm black and white negatives through beam splitters and filters, effectively splitting the color spectrum into thirds. One can recomposite separations masters in the same way that three-strip Technicolor negatives or masters are handled. It is the technologies that are different. One is original, while the other is derived. |
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Originally Posted by Chris_T
The way I'm going to voice my displeasure is by not buying these dvds when they are released. As others have stated, I have purchased countless versions of these films. Even though I may initially miss out on the OOT dvds, something tells me they will pop up on the 30th Anniversary Editions. They are going to milk this cash cow for all it is worth. GL owes me nothing. If this is how he chooses to release his movies, that is his right. I guess I'll just have to be more selective in my upgrade of the SW dvds. |