Re: *** Official UNITED 93 Discussion Thread (PLEASE READ POST #29!)
Fantastic, devastating film. The intensity is reminiscent of Gibson's Passion. The writing is just great, and the real-time approach works beautifully. I especially liked the level of detail with which we see the events in the traffic control centers. Great stuff. Using nonactors and no-names was a masterstroke. Greengrass's camerawork too drove me crazy, however; I did have to look away for several moments. Bourne II simply gave me a bad headache; this made me worry about if I would vomit or not (I didn't come close, thankfully). The content and remainder of the film is so overwhelming though, so excellently conceived, that I can't really fault his choice of camerawork. Clearly handheld is the way to go, and I prefer the scope ratio- it allows for stronger compositions, and the inherent contradictions of handheld scope are always exciting to me, but I do feel he goes overboard with shaking the camera, particularly towards the end. Remeber Soderbergh's Traffic, which is also entirely handheld (except 3 shots), and he was able to convey versimilitude without making us throw up. Bloody Sunday (an equally devastating film, one of those movies that can really make you angry), which follows an identical format and approach as United 93, is digestible on the small screen as far as camerawork is concerned. I think U93 will be, for all intents and purposes, a perfect film on dvd.
Regards,
Nathan