post #331 of 397
11/3/07 at 5:53am
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Originally Posted by Travis Brashear
Enough with the pissing contest between the minimalists and maximalists! As a formalist artist, my guess is that Kubrick would have liked the boxed set covers--who knows? I like 'em, but I guess that puts me in the minimalist camp, so who gives a rat's? I just wish those griping about the covers would quit acting like the Warners marketing team was on crack, or utterly lacking in imagination--they chose a perfectly viable, quite creative in its own manner, minimalist approach and it just ain't your thing. Boo-hoo...I hate cluttered floating head movie posters, but they must do the trick for some segment of the audience...build a bridge and get over it.
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Originally Posted by rich_d
And what exactly does your post do but add to the pissing contest?
What we are doing is stating opinions and clearly these covers have struck a nerve with some people here. |
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Originally Posted by rich_d
And what exactly does your post do but add to the pissing contest?
What we are doing is stating opinions and clearly these covers have struck a nerve with some people here. But, please don't serve yourself up as an artist and expect anyone to give a rat's ass about that credential. |
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Originally Posted by Douglas R
So it's all right to state an opinion that you don't like the covers but it's not all right to say you like them?
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| Personally I think they are very stylish. To suggest, for example, that they are childish and that Warner Bros gave little thought to them is just silly. |

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Originally Posted by rich_d
Myself, I don't think that taking some image and putting in some shadowing and softening the edges with some air brushing and putting them on a black background makes it appear as if WHV gave much thought to them.
I guess I'm just being silly. |
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Originally Posted by Travis Brashear
To a degree, yes, you are. I don't mean to question your intelligence, but you are now routinely avoiding the point that we are dealing with artisitic minimalism, not apathetic simplicity or a childish lack of creativity. I don't care that you don't like the covers any more than you care that I do; we're both entitled to our subjective preferences--the more critical point is, if you are not willing to concede that minimalism is a valid form of artisitic expression, and that it is thematically in line with Kubrick's formalist aesthetic, then yes, I'd say "being silly" would be the correct description. Add "prideful" and "obstinate" while you're at it.
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Originally Posted by rich_d
Try actually reading the posts. What I said is that I don't (at all) like someone implying some quasi-expertise when stating their opinion. Like if that makes their opinion somehow better than someone else's.
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Originally Posted by Douglas R
Someone with expertise is usually making an informed opinion which carries more weight than someone who's opinion is based on prejudice and/or ignorance.
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Originally Posted by Craig Beam
Hmmm. Smells like piss in here.
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| I would've loved to have seen the original black & yellow Saul Bass art used for the Shining DVD cover |
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Originally Posted by Keith I
I finally get this today and play Eyes Wide Shut Disc 1 when the animated menu seems different, more upbeat, more jazzy. Then a red airplane swishes across the screen and Ocean's Twelve appears! Huh? Now I have to return the entire box via Media Mail to Amazon's return center from Hawai'i which will take about three weeks, then another 7 to 14 days to process the return.
I wish I could just mail the EWS discs to Warner but I have to attempt to return it to the retailer first. |
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Originally Posted by Anthony Neilson
Jan Harlan discusses the Kubrick set here -
http://blogcritics.org/archives/2007/10/30/073219.php and here: http://uk.dvd.ign.com/articles/833/833528p1.html He's hopeful that LOLITA and BARRY LYNDON will appear soon and confirms the long-awaited Taschen book on NAPOLEON. |
| IGN: Formatting Kubrick's films for video and DVD has always been a subject of debate for his fans. How did you decide for each film (especially Full Metal Jacket, The Shining and Eyes Wide Shut) what would be the format (aspect ratio, etc.) and why? HARLAN: The tendency to wider formats started years ago with multiplex cinemas and wider TV sets. Stanley Kubrick didn't particularly like this trend but had to go along. |
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Originally Posted by Simon Howson
As with the whole anamorphic transfer debate regarding the last set of Kubrick DVDs, again someone associated closely with the Kubrick estate doesn't seem to have a complete knowledge of how Kubrick's films were original presented theatrically, and how best to convert that experience to video.
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Originally Posted by Ken_McAlinden
Folks on either side of the argument now have decent video presentations to choose from on standard DVD for EWS, FMJ, and The Shining, so happiness abounds, right?
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Originally Posted by Ken_McAlinden
Actually, the lack of complete knowledge is more about the history of widescreen cinema than how the films were presented in theaters. He covered the latter by saying Kubrick "had to go along".
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Originally Posted by Simon Howson
Do you think Harlan was trying to say that Kubrick liked the Academy format, but disliked having to compose for matted widescreen in the widescreen era? His connection of the widescreen era and megaplexes is so way off as to be completely confusing.
But I guess I should've been clearer, in my previous post I was referring to the last set of Kubrick DVDs where in a few interviews Leon Vitali didn't seem to understand the difference between a film photographed with anamorphic lenses, and a DVD matted to 1.66:1 and encoded in anamorphic widescreen. |
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Originally Posted by Charles_Y
Warner should have made the buyer aware of this more overtly.
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Originally Posted by TravisR
Should there be a warning? It's just a cover.
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