Quote:
| What I don't understand about number 2 was why it deviated so much from the book. Crichton obviously wrote the sequel to become a movie, |
I thought he wrote it at the same time they were writing #2 or something like that.
I was just reading the Spielberg edition of the "Interviews" collection by U of Miss, and he is discussing JP2 and its creation, both in interviews before it and after.
Discussing the sequel project Peter Biskind (who wrote the article) says "The project got a much needed boost when Michael Crichton came on board to write a sequel to the best-seller on which JP was based."
Which implies clearly that the project was already in motion to some degree before the sequel. Writer Koepp shared credit on the original, but was credited as the sole writer of the sequel.
Later from Biskind - "
While Chrichton was writing his Lost World novel, Spielberg and Koepp kept bouncing ideas back and forth."
And finally - "Much of the Crichton novel was eventually tossed. 'I couldn't find a lot of story narrative in the middle part,' explains Spielberg. 'But the setup was excellent and he certainly put us on the right road." Spielberg also retained a big set piece in the middle of the book, in which the laboratory trailer - really two trailers connected by a rubberized umbilical cord - are pushed over a cliff by the angry rexes."
Sounds very much like a dual writing along the lines of 2001 than a process of book property purchased with the intent of making it into a film. The sequel was likely to happen regardless of Chrichton's choice to write one himself.
Also SS discusses the "why" behind doing the sequel - he felt he owed it to people/kids that he said no to with doing an E.T. sequel.
From Kathleen Kennedy on how the sequels to Jaws helped inspire SS to be involved and even direct The Lost World - "(They were) inferior frankly, and many people think he still had something to do with them. So there's a proprietary creative interest to protect and ensure the quality."
But SS contradicts this a little in terms of JP vs an ET sequel - "I never felt the same way about JP. I didn't think it was a perfect film, and it wasn't so close to my heart that I needed to protect the integrity of a follow-up by preventing anybody else from doing one, which I certainly had the right to do. Among the films that I really think are good movies that I've directed, it's not even in the top five."
Then he goes on to mention how because of this less personal feeling about it he felt bad saying no to the kids asking for a sequel to a film that wasn't so personal to him.