Looking for a back-catalog title that you can make a lot of money on?
Take another look at ALTERED STATES.
Specifically the director's cut that you previewed. It was just under three hours as I recall, with an abundance of wild and insane footage that made an audience of 900 people howl in their seats. Ken Russell knew how to provoke a reaction, and if his longer version were to be seen today in all its glorious political incorrectness, it would provoke an even bigger reaction.
A documentary might even outshine the film. It's history how, so why not let all the on-set conflicts be discussed openly. Making this film was like fighting a war. Celebrate it. Dig up some of the TV interviews where Paddy Chayefsky had his say. Try to locate some footage of Blair Brown's agent at the preview, looking as if he's about to have a stroke at what he's just seen. Invite the director to entertain us further with a commentary. Encourage the actors to fight it out all over again in a commentary of their own.
Controversy sells DVD's.
Take another look at ALTERED STATES.
Specifically the director's cut that you previewed. It was just under three hours as I recall, with an abundance of wild and insane footage that made an audience of 900 people howl in their seats. Ken Russell knew how to provoke a reaction, and if his longer version were to be seen today in all its glorious political incorrectness, it would provoke an even bigger reaction.
A documentary might even outshine the film. It's history how, so why not let all the on-set conflicts be discussed openly. Making this film was like fighting a war. Celebrate it. Dig up some of the TV interviews where Paddy Chayefsky had his say. Try to locate some footage of Blair Brown's agent at the preview, looking as if he's about to have a stroke at what he's just seen. Invite the director to entertain us further with a commentary. Encourage the actors to fight it out all over again in a commentary of their own.
Controversy sells DVD's.







I'm of the opinion that, whenever possible, an exhibitor should show something else--on film--if their initial choice is unavailable on a presentable 35mm print. Obviously, it's becoming tougher on repertory venues in the current climate, with some studios doing everything in their power to force the change over to digital, but if something is readily available on DVD, i.e. really not very rare at all, it should not be shown publicly if it's going to be in that format; DVD is fine for home consumption, but it's nothing that anyone should be paying $10+ to see in a theater...if that does happen, it should be a very rare occasion and caused by something unforeseen.