http://www.hometheaterforum.com/htfo...88#post2468188
Fall release killed this movie, smaller box office, traditional downturn of moviegoing population during the fall, etc... Of course the studio won't see it that way; they never do.
Serenity was excellent, very very good movie, and an even better SF movie. Joss' strengths are characterization and keeping a plot moving without becoming dull or expositionary. The comic beats were perfectly timed, and even during the dramatic last stand they still managed to entertain without sapping away the sense of dramatic tension. Well done indeed.
Only major problem I noticed plot or character wise was, for movie-only audience members, I don't remember any mention or development of Zoe and Wash's marriage. I knew it, as did the other fans, but mundanes might have been a little confused by a little of the dialog (calling each other baby at a few points, and also Zoe's very intense reaction to Wash's death).
Wash's death was a huge surprise, as it was supposed to be. Very sad, because he was a very talented pilot but otherwise basically an innocent babe in the woods. However, as a matter of movie-craft, the death was necessary and even brilliant.
Following his death, the audience feels a very real and sharply defined sense peril on behalf of the characters. As someone said earlier, without Wash's death, when Simon (particularly) gets shot and goes down, it would feel more like a typical TV circumstance (where you know the principles live because they'll be there next week, etc...) Off Wash, and suddenly that scene has the impact it should even despite a jaded modern audience's sensibilities.
Regarding the ad campaign, definitely agree with the comments here. The campaign seemed determined to sell to the core audience; no no no no no! I accuse studios of hordes of evil and idiotic things with great regularity, but I've never accused them of marketing stupidity. Here though, vast marketing stupidity.
Why spend money selling the already sold? Spend money to get people like my parents, or my idiot coworkers, interested in the movie. For the fans, you can easily and cheaply keep our interest piqued and our mouths and fingers spreading the word; just release a clip or two and a trailer here and there to the net, and that's all it takes. Mundane audience members require trailers and commercials that explain things.
Ultimately, this is a real shame; Universal probably won't learn the proper lessons. Serenity clearly proves a Direct Release business model can work for entertainment. Someone said the pilot cost US$20mil; I'm assuming that included a lot of budget for set construction. Since they have sets now (at least some of them still exist, surely) .... all they have to do is pay for cast and crew, materials, and some standard costume / prop stuff, plus a few effects here and there. Surely they could do Direct-to-DVD material that was 2-3 hours long once or twice a year, and make a healthy profit? If there are enough core audience members to make US$10mil on a single release weekend (paying an average of ??? US$9 per ticket), surely that translates to enough core folks to cause a DTD capable of turning revenue in excess of US$15mil or more?
Spend US$5-7mil making that 2 or 3 hours of DTD movie, and that seems to be an easy way to both double your money and give you a vehicle to directly market to those fans other DTD or genre releases (like TV on DVD sets, etc...)