War of the Worlds
9 of 10 (no spoilers)
For the first 2/3 of the film I found myself watching one of Spielberg's most powerful films ever. The power and emotion of human loss attempting to rival even Schindler's List at times, nevermind "death for fun" action films like ID4. Instead I felt hand-wringing terror as Cruise and family endlessly attempted to escape an alien force of pure terror.
Along the way the film makes it clear that the alien invasion is really just a metaphor for any crisis that strains the relationship between a bad father and his two kids, that brings out the weakness of this man and reinforces what his children badly need from him.
It is truly Cruise's journey of character as he learns to be responsible and learns the importance of having something to live for. And as a backdrop we are invited to watch the real nature of man facing destruction, both the good and the bad.
But then the film hits some snags. Where the scenes had been flowing well they suddenly become forced. The metaphors, while not subtle, were solid. Yet as the film looks to wrap up the story and the character arcs it begins to rely on rather forced scenes to make its points. Even early on it has a couple of places where exposition scenes are forced in when they aren't really needed.
And the finale, while consistant, is depicted in a sickeningly Spielberg happy-ending manner that undermines much of the real horror seen before that point.
However, let me again stress that for much of the film before that point, before a rather cliched "escape" near the end, the film HAD been rather horrific and violent, with lots of blood and cruelty implied or just off camera. For a guy that took guns out of FBI hands for the ET update, Spielberg here pulls few punches. I'm not entirely sure this would be a comfortable viewing for younger children.
With this one he came out strong and lean and for the first half or so I definitely felt a "Jaws" or "CE3K" vibe, it seemed that good. Too bad he couldn't maintain that level. Still, very strong work and a great version of the story.
My problem with the ending for those who have seen it
Warning: Spoiler! (Click to show)I hated that conveniently his in-laws area of Boston is left almost pristine while the rest of the countryside was being smashed to bits. Also, the fact that while no one else was seen moving, looking out of windows, or whatever, his wife and in-laws and even the son all just happen to be hanging out at home waiting. He turned the reunion into a Rockwell portrait, and after the rest of the film this was just wrong and unnecessary. A few torn clothes on Otto doesn't match the horrors that everyone else has been through. How about a dead in-law, a bashed in house, people still struggling with the terror they've been through?