[NERD ALERT]Gotham by Gaslight! I bought that the day it was released (same day as Arkham Asylum, fwiw). Mike Mignola art and a turn of the century Batman. Great story as well, and stunning, stunning art.
But it's a "alternate" look, so that's probably why folks leave it off.
One of the things Miller mentions in the interview linked above is something that really defines the popularity of Batman. Of all the superheroes, he is BY FAR the most malleable. He can be drawn and interpreted so many different ways that he can be applicable to numerous stories and themes. Even just the standard "bog" Batman has been drawn or realized in so many different fashions, it's fun to just explore those. Before you even get into "alternates" (Or Elseworlds, as DC calls them...Gotham by Gaslight being the first of many). In short, I think that flexibility in interpretation is one of the keys for Batman. Superman, Spider-Man, and all the rest have varying amounts of wiggle room for costumes or interpretations. But none come close to the Batman.[/NERD ALERT!]
Back to the film and the score, I listen to the score more often than I expected. It's very moody and subtle (unless it's an action cue). Definitely has grown on me quite a bit.
And finally, the box office has borne out the WOM possibilities we debated after the soft first weekend. Most importantly, it does point towards a BIG HIT on DVD, a tidy profit margin, and most importantly, an affirmation of the approach. So the sequel is officially safe (I was a little worried for a while).
Good news,
Chuck