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| Let Donner go in and restore all of his scenes, then go into Lester's material and recut that footage to the best of his ability in order to fill any gaps. Basically, give Donner the same power over Lester's footage that Lester had over Donner's footage back in 1981. Seems only fair. |
That doesn't give Donner the same power Lester had. Lester had one key advantage: the ability to shoot new footage. Donner would be forced to use certain things whether he wanted to or not, I don't think he'd think that was very fair.
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| As for the Donner re-cut, as I mentioned in one of the other threads, after the release of the first film, Donner suspected that the Salkinds were going to release Superman II with just the footage he had already shot. So some kind of re-cut just using that footage would certainly be possible. |
Donner was *afraid* that they would do that, that doesn't mean he'd want to go back, after that didn't happen, and do it on his own. If he had thought it was possible to cut his version together out of what was shot, why would he have even needed to come back and do any more work on it at the point when they fired him?
Also, I think that the main reason Donner thought they'd do that was that he had initially been contracted to shoot them both together at the same time (so that the second could be released within a year after the first). At a certain point during the joint production of the two movies, Donner realized that it would be impossible for him to get the first one done in time if he had to worry about shooting the second as well, so he pushed back all shooting for the second that required additional sets, etc. Anything that was shot in the same place as parts of #1 (Fortress stuff, Daily Planet stuff, etc) he did, but he didn't shoot the other stuff. The highest estimate I've ever seen was that he shot 75% of what he wanted, and I think he himself cites a lower number than that.
Plus, a lot of stuff he had intended for 'Superman II' wound up in 'Superman I' *anyway*, and he was never given the chance to re-imagine 'Superman II' fully at the time.
Look, I'd love to see it, but I can't see what Donner would have to gain by doing it; it seems like the best he could do would be release a weird amalgam which resembles what he wanted, but still resembles the Lester version in just as many ways, and I can't see why he'd take the time to do that. Without him, they can't do the Donner cut, because there's nothing from the time to refer to (it's not like 'Alien 3', where workprints and such were still around showing what Fincher had wanted).
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| can someone who knows more then I fill in the story of what happened here? |
A lot, and none of it is on the record. There are a few websites devoted to it. Here's one I just found:
http://superman.rossiters.com/s2_main.html
There's a better one out there, I'll try to find it, but the last time I looked, it had been shut down.
UPDATE: I found it, and it's gone now. Shame, that site had it explained very well. A lot of the ones that are left only have half-information, like a quote from Margot Kidder about how Donner's cut exists in a vault somewhere (something Donner himself has denied).