post #961 of 1093
5/23/06 at 5:53pm
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Originally Posted by Allen Hirsch
I believe it's what used to be called "featherbedding". The labor unions (sometimes mob-connected) negotiate a certain number of jobs on a job site, in excess of what it really needed by the contractors to accomplish the job. The contractors just price that into the job to keep labor peace (and mob peace), since it's governemnt-funded projects, in many cases.
Those "extra jobs" are "no show" jobs - they get paid for not even showing up. Remember last season, the extra mob guys including Vito who just sat around at the site where Finn was working? I think those guys sitting in lawn chairs effectively had "no show" jobs - b/c they had no work to do. |
| This season started off so strong for the first batch of episodes and then the Vito thing happened and it hasn't recovered in my opinion since better storylines took a back seat to this. |
| i'm glad the vito storyline won't be a major story anymore. it wasn't too interesting, and took too long to pay off so little. |
| This is the kind of comment that I don't get at all. Does anyone pay attention to this show? The Vito storyline hasn't even started paying off yet. His disgrace, his death, the fall-out from that will echo through the rest of the series - but it had to be set up first |
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Originally Posted by Joseph DeMartino
Line of the week:
"I loved him like a brother-in-law" This is the kind of comment that I don't get at all. Does anyone pay attention to this show? The Vito storyline hasn't even started paying off yet. His disgrace, his death, the fall-out from that will echo through the rest of the series - but it had to be set up first. In order to mean anything to the characters, in order to mean anything to us, we had to see it unfold. And sometimes it is about the journey, not the destination. Sometimes I think people would like the see the teaser of a TV show followed immediately by the tag, with none of that time-wasting story in between. Regards, Joe |
| not every story with the main characters goes somewhere, |
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Originally Posted by Joseph DeMartino
This is the kind of comment that I don't get at all. Does anyone pay attention to this show? The Vito storyline hasn't even started paying off yet. His disgrace, his death, the fall-out from that will echo through the rest of the series - but it had to be set up first. In order to mean anything to the characters, in order to mean anything to us, we had to see it unfold. And sometimes it is about the journey, not the destination. Sometimes I think people would like the see the teaser of a TV show followed immediately by the tag, with none of that time-wasting story in between.
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Originally Posted by Dave Scarpa
The Sopranos is so richly layered that it saddens me that it's dismissed as poor story telling because you don't see them give everything a tied up ending. The Russian Mobster in the Pine Barrens is meaningless, it's what ripples in the storylines of the characters occured due to that Mobster.
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| About Vito, at the risk of repeating myself, my problem with his storyline is that the guy is just neither likeable nor (biggest offender!) interesting in the least. |
| Most people hate S4 of The Sopranos. |
| I still think its a possibility for Tony to take a less active role as the series winds down splitting control with Christopher. |
| I believe it's what used to be called "featherbedding". The labor unions (sometimes mob-connected) negotiate a certain number of jobs on a job site, in excess of what it really needed by the contractors to accomplish the job. The contractors just price that into the job to keep labor peace (and mob peace), since it's governemnt-funded projects, in many cases. |
| I think the symbolism of him coming out of the closet was not symbolism meant for Vito, but rather Phil. Chase won't go anywhere with this, but think about it... |
| Could this help Tony bring Phil down without starting a major NY/NJ war? |
| And I find it laughable when people who have clearly never written and produced successful TV shows themselves attack talented men and women as "bad writers" because everything on the screen does not suit their own idiosyncratic tastes |
| I have nothing against the propect of a war, but I am having something of a hard time imagining that with 8 eps left, Chase would want the last stretch to be colored with events in such a conflict with the basic premise of the show. |