The Video Dead (1987) - a television set from who knows where allows zombies to enter into the real world. A brother and sister are readying their new house while the parents are on a trip. The former discovers the set in the attic and mayhem ensues. For some reason, this has garnered a cult following over the years. There are scenes that try for stupid humor but fall flat, while other scenes are unintentionally stupid. For example, the cowboy sets up a plan to have the brother hang helplessly as bait while he hides in a shed and picks off the zombies. So, what does he do as soon as he's in the shed? He sits down and goes to sleep. Brilliant move. Speaking of the brother, his acting is atrocious. Just watch the scene where he's talking to the guy on the TV and try not to laugh. None of the acting is good here, but wow. That whole scene is really bad though. Another poor scene is when a maid is killed. It's done in a ridiculous manner and seems to go on forever. The effects are okay for the most part, though one sequence with a severed zombie hand is pretty bad. I did like the way the sister deals with the zombies in the climax. That made for some hearty amusement. The ending was good too, but as a whole, there's nothing I can see here to warrant such popularity. The charm of something like Night of the Comet just isn't there.
The Redeemer (1978) - this interesting little curiosity from the 70's happens to be one of my absolute favorite slasher films. Released mere months before Carpenter's Halloween would kick-start the genre, it's also an extremely eerie picture. There's a sense of the foreboding here that is more prevalent than in most horror films I've seen, let alone slashers. For the uninitiated, it's about a mysterious morality killer who tricks a group of "undesirables" into attending a fake high school reunion, only to pick them off once they get there. If you think this sounds a bit like Slaughter High, you'd be right, though this came first and is the far better film. It's religous subtext alone makes it more intriguing. Once the 80's slasher boom arrived, it was retitled Class Reunion Massacre to help it better cash in on the craze via home video.
The six so-called degenerates include a lawyer, a gay actor, a lesbian, a rich snob, a cute girl who takes pride in her appearance, and a cocky former football jock with a tendency to pig out every time he gets the opportunity. Despite negative comments about the acting at IMDB and in a horror reference guide of mine, I found nothing to complain about. The six main characters are perfectly believable in their roles, and all but the glutton wind up being quite likable. The Redeemer himself comes off as a little over the top at times (the scene in the auditorium for instance), but this actually works in the character's favor, as it really makes him seem like an absolute lunatic.
Indeed, the Redeemer is a very creepy individual. Throughout the film, he dons many different costumes (as Terror Train's killer did a few years later), each one representing an aspect of each victim's life. These costumes are quite creepy, and really add to the film's effectiveness. Perhaps the creepiest scene in the entire movie is when the lesbian is yelling for a man to let them out of the school, and that man turns out to be the Redeemer dressed up as the Grim Reaper. He proceeds to pound on the bars with his scythe, toying with her, and it always sends a chill up my spine.
This film also has a weird surreal feeling to it that I love. The above mentioned sequence is all the creepier because it comes off as rather dreamy in a way. The film's opening and closing sequences, as well as the moody score, reinforce this feeling tenfold. This film also has an unnerving atmosphere, and I wouldn't hesitate to call it one of the most atmospheric slashers in existence. The eerie school, the rural area surrounding it and the surreal feeling all add up to one unique experience.
The Redeemer is a bleak slasher that never has been regarded all that highly. Personally, I think it's easily one of the best films of it's kind, second only to the original Black Christmas. There really isn't very much gore in this movie, but it more than makes up for that with an interesting premise, a surreal tone, a very creepy killer, likable characters and a unique utilization of religous themes. This one is well worth rediscovering. Hopefully one day, someone like Blue Undergound or Synapse will get ahold of this one