The new version is a good movie, but nowhere near as good as Sinatra's version. For some reason the makers of the new film decided to change around a few things just to surprise those who had seen the first film. Unfortunately, instead of surprising anyone they just opened up gaping plot holes. e.g.
Warning: Spoiler! (Click to show)In the original film, Raymond Shaw is programmed to be the perfect untraceable assassin. As a socially affluent member of a prestigious political family he is almost above suspicion, and his programming allows him to kill without remembering the act. No guilt, no remorse. Nothing to give him away. In the new version Marco is instead used as the assassin, but his programming is totally wasted. The untraceable remorseless killer is ordered to commit suicide. Worse yet, all that expensive top-secret hardware in his brain is going to wind up on some autopsy slab, further complicating the aftermath. It's also worth considering the iinconsistentgenius/stupidity of Eleanor Shaw. The same woman who is smart enough to bully her son's way onto the ticket is stupid enough to send him out like a cheap assassin. What sort of idiot would risk their puppet-president to do a job that any crony could do? Heck, why not just call up Marco?
In other aspects the new version is merely different than the old version. I expect those who haven't seen the old version won't have a hugely negative reaction to these items, but having seen the old version they just seemed wrong.
Warning: Spoiler! (Click to show)One example is Marco's girlfriend. In Sinatra's version, Janet Leigh inexplicably approaches Sinatra when he's obviously seriously messed up and engages in one of cinema's all-time oddest conversations. This conversation has led many to speculate that Leigh was actually Marco's operator in the 1962 version. However, at best her role is puzzling and ambiguous. In the new version Rosie is an FBI agent assigned to investigate Marco, ostensibly by seducing him. (I'm sure the FBI has an entire seduction branch!) I suppose that, despite the preposterous premise, it does tie things up a bit neater. Still, it just seems wrong.
I think the biggest downfall of the new version is it's failure to develop any of the characters. Despite running 4 minutes longer than the 1962 version, all of the small-talk of the original is completely missing. We never get any personal details about Marco beyond the fact that he eats a lot of noodles and where he gets his cheques from. Shaw is even worse.
Warning: Spoiler! (Click to show)The entire romance between Shaw and Jocelyn, the one thing that humanized Shaw in the original, is boiled down to a 30 second conversation. The powerful shock and horror that results from Shaw killing the Jordan's in the original version is largely lost because of this.
While I was watching the film I wasn't terribly impressed with Denzel Washington's performance at first. It seemed to be just an echo of Sinatra's. I was shocked that I actually thought Sinatra handled this role better than Denzel Washington! Then I realized that Washinton was actually nailing Sinatra's speech patterns, inflections, nervous ticks, etc. bang on. In this flick Washington plays Sinatra! I must admit, that realization impressed me. Liev Schreiber's Raymond Shaw was pretty good, although not nearly so tortured as Laurence Harvey's shaw. Then again, that might just be the script giving me that impression. Still, it was an excellent performance. Meryl Streep was also quite good, although I would tend to prefer Lansbury's performance by a slim margin. (She did get a lot more screen-time in the original than Streep did in the remake...) The atmosphere and cinematography of the new version is just what you would expect from a 2004 flick. No more, no less. Demme does a good job, but nothing like his Oscar winning work in "Silence of the Lambs".
Overall I'd say that "The Manchurian Candidate" (2004) is a decent attempt to remake a classic that utterly fails to live up to the original. However, when considered alone it's pretty good, although riddled with plot holes. The original is a film that will stick in your head for a long time, but this new version is merely good entertainment that you'll likely forget within a week or two.



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