NOTE: GEOFF LEONARD IS CONSIDERED THE WORLD' LEADING EXPERT ON JOHN BARRY'S MUSIC. HE IS THE AUTHOR OF THE BIOGRAPHY: JOHN BARRY A LIFE IN MUSIC. HE IS THE LINER NOTE AUTHOR OF A GREAT MANY BARRY CD RELEASES. GEOFF WAS PRESENT IN THE COURT ROOM DURING THE ENTIRE TRIAL SITTING NEXT TO LAURIE BARRY HOLDING HER HAND. HE WRITES:IMDB
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| The trial has been misrepresented as being about authorship of the Bond Theme. It was not. That was peripheral. Yes, that too came up and was discussed at length. But, the winning of the lawsuit on Norman's part had only to do with the fact the jury believed the London Times had given him short-shrift in labeling him as a man of mean accomplishments. |
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| Incorrect. The Times' allegation that Norman did not compose the James Bond Theme was the centerpiece issue of the lawsuit. A quick Google of this will confirm this. |
That's correct - it was a libel suit brought by Norman on the basis that
they wrote that he didn't compose the Bond theme *&* he wasn't much of a
composer.
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| Monty Norman handed Barry a brief sketch of a mere fragment of an idea for a song Norman had been developing of a musical (Norman referred to the song snippet as "Good Sign, Bad Sign"). |
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| You make these 'statements' as if they were facts. They are not. They are nothing more than hearsay. |
Well, it's what Barry said. It's as much hearsay as what Norman
maintains!!
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| The most Norman had provided was the "dum ditty dum dum" rhythmic idea to which Barry added everything else even selecting the guitar as the instrument to play the theme. |
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| Again, hearsay. We were not there. |
But it's what Vic Flick says, too - he *was* there!!
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| Many people even think of the James Bond Theme as this rising and falling three notes as soon as they hear it.Norman gave next to nothing and Barry did everything else. But, do to contractual reasons, Barry sold this composition outright to the producers. He had to trade his residual benefits (nobody dreamed there would BE any!) for a chance at future assignments. |
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| First of all, Barry didn't sell anything as he never owned it. Now, the 'giving up my rights' for future work' story never made any sense to me. The producers will hire the best person available for the next gig ... period, and any other logic is nonsensical. |
When he says he "sold" it he means that in return for the 200 pounds (or
whatever he got) he accepted that he would get no composing royalties,
merely this fee for arranging and orchestrating it. No one has been
able to produce the contract he signed at the time.
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| Barry has been a gentleman about this for decades publicly; but, privately he is steamed.He has often said: "If I didn't write the theme, why was it ME hired to do the other subsequent Bond films while Norman went into almost total eclipse?" |
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| That Norman could not handle a full score would be one possibility. If John Barry is steamed he can sue Norman and get it over with. He hasn't. Maybe that should tell us something. |
He doesn't want to sue - he was a reluctant witness in the Sunday Times
case. What he doesn't like is Norman's constant references to *his*
theme. He should have sat back and taken the money and kept quiet. I
suspect this will all blow up again next month when Norman releases his
new CD.
Bugger off, Monty!!
geoff@imdb.com