Quote:
| My source is renowned Bond author John Cork, who was told this information first hand. |
Well we all know how credible a film producer's word is ... right?

Wikipedia has this to say on the subject:
"In 1975, Harry Salzman sold UA his 50% stake in Danjaq, L.L.C., the holding-company for the Bond films. UA was to remain a silent partner, putting up money, while Albert Broccoli took producer credit. John Cork, producer of dozens of documentaries for the Bond films on DVD, claims that UA sold this 50% stake back to Broccoli in the mid-1980s. Despite that, the copyright for the movie-related Bond trademarks and properties continues to be "Danjaq LLC and United Artists Corporation" to this day."
So it doesn't appear that Mr. Cork's claim has been substantiated.
You would think it would be as in the U.S., sales of assets in publicly traded company (unless at that point in time, MGM was not publicly traded) would have to be publicly disclosed. Further, you would think the legal eagles at Danjaq would not be misrepresenting copyright ownership. So why is United Artists listed as copyright owners?
Even to your own point, you mention that Sony seems to have some control over Eon's decision (at least to some point).
So if they don't own the production company (EON) and (allegedly) don't own shares in Danjaq what is this control exactly? Fairie Dust? After all, distributors are important as is their advice and cooperation ... but you state that it went further than that.
Something is not adding up.
Perhaps Mr. Cork (or anothe poster) would like to share more light on the subject.
On the subject of the press briefing ...
Listening to Michael Wilson at the news briefing is not one of major credibility either. He refutes allegations that other actors were offered the part of Bond before Craig by saying none were.
Of course none would be offered the part only to turn down the part ... that's not how it works. If someone is to be hired, the producer calls the agent up and says something like 'if he is going to say yes, we take it to the next level. Ask him.'
Thus the producer can say that he never offered the part and be technically correct while worming away from the real issue ... that they wanted someone that didn't want them. This tactic is used all the time for big roles with huge public interest.
That way the series doesn't look like it got egg on its face. Meanwhile, at some point, the agent leaks the news that his client wasn't interest in being Bond (thus getting a ton of free publicity for his client). And life goes on.
So, what we really learn from Wilson's refute is a big fat nothing.