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"The Producers" To Return To The Screen - Page 2  

post #31 of 38
To each his own, but I think a film adaptation of the musical adaptation of the original film isn't needed. What's next, a film version of the musical version of Saturday Night Fever?

I'm not against remakes in general, but in our climate of countless (uninspired) sequels, film adaptations of television shows, film adaptations of comic books, film adaptations of pedestrian fiction, etc and so on, I'd rather see resources devoted to and committments made to developing original content for films.

Admittedly, I say this from the advantaged perspective of having seen the stage production of The Producers (no pun intended). The idea of bringing it to people outside of Manhattan is great, but that's what touring productions are for (yeah, I know, no Broderick and Lane).

Stepping off soapbox.
post #32 of 38
Quote:
But after this number ["Betrayed"] it goes back to how the film plays out.

You mean with Leo and Max going to prison? I must have seen a different version of the stage show.

Seth, it's pretty obvious that you and I have radically different notions of what constitutes "new" material and whether a difference is major or minor. Let's leave it at that. The success of the stage show speaks for itself. The new movie will stand or fall on its own merits.

M.
post #33 of 38
I bought the soundtrack today, and was listening to it today. Can I just say that Warning: Spoiler! (Click to show)
Who'd think an accountant would turn out to be my Judas!
is the single funniest line ever spoken. Ever. By anyone. In any context. I was literally laughing for a minute (I had to pause the CD).

(The funny thing was, my non-Christian co-worker got the joke immediately, while a Christian thought it was a joke about creative accounting and corruption).

Anyway, reading the liner notes, I would tend to the view that there are fairly radical changes to the story that would make it much more than just a shot-by-shot remake.

Among the changes:
Warning: Spoiler! (Click to show)
* The whole opening, with Max's failed musical adaptation of Hamlet (and I loved that title) - hell, we're four tracks into the CD before Leo appears.
* The "I Wanna Be A Producer" number, which is set in the accounting firm where Leo works - I really like this number.
* Ulla is now not just a secretary, she's actually a cast member - and incidentally, seeing how expanded her role is, I can understand a bit more why Nicole Kidman decided to go for the part.
* The love story between Leo and Ulla really surprised me.
* No LSD - Franz Liebkin takes the role of Hitler (after auditioning with a complete rendintion of Haben Sie Gehurt Das Deutsche Bank - wonderful), and after he breaks his leg Roger takes the role.
* A very nice expansion of the Opening Night sequence - the Good Luck song in particular is classic.
* Leo leaves for Bali with Ulla, before returning for his courtroom scene.
* Judging by the liner notes, there is neither a scene where Franz tries to kill them, or a scene where they try to blow up the cinema.
* The success of Prisoners Of Love causes them to be pardoned.


Plus, nowhere in the original film is Hitler's middle name revealed. That in itself justifies a film of the musical.

I've always loved Hold Me Touch Me, and I was delighted to learn that she has two even more disturbingly named associates... Warning: Spoiler! (Click to show)
Lick Me Bite Me aand Kiss Me Feel Me.
Fortunately, HMTM still seems the main one.

I think there are enough changes in the story to avoid the film feeling like a mere rehash of the film. There will be sequences that will be similar, but it'll be different and fresh and new. I'm looking forward to the film.

I really liked the fact that Mel set the show in 1959. My only problem with the original film is that it is really dated by characters like LSD - I love the character, especially Love Power, but he makes it too obvious that its a 60s film. The new date hopefully makes the show more timeless.

The other thing I realised listening to the show is that it offered Mel a chance to look at the film, take everything in it that could be offensive, and do big song-and-dance numbers that amplify the offensive elements by a hundred. Wonderful. (Keep It Gay is a wonderful number, and surely If You Got It, Flaunt It offended a few people).

I really am looking forward to seeing this show now.
post #34 of 38
By the way, I just went back over this thread, and realised I had somehow previously missed the link to the article about the musical of Young Frankenstein. Good news. Looking forward to that one also.
post #35 of 38
I just ordered my tickets for the London version

It starts in November at the Theater Royal , Drury Lane and stars Richard Dreyfuss and Lee Evans.........not quite Lane and Brodderick but I am hopeful just as good !
post #36 of 38
I was just thinking about this, about how they would promote it. I would love it if, for a teaser poster, they just had the Nazi swastika flag, with a tagline "It's Springtime".

It would never happen, (never nmind the complaints, cinemas would never put the poster up), but that would be funny.
post #37 of 38
http://www.dvdactive.com/news/releas....html#postform

This is the first announcement of The Producers musical on dvd, set for late April, YES!!!!!!!! I can't wait, and I've heard they restored the filmed song King of Broadway , a most important song to know who Max really is and how he became so dishonest.
post #38 of 38
Closed, since there is a much more recent discussion thread:

http://www.hometheaterforum.com/htfo...hreadid=202521

Please note: DVD discussion and announcements belong in HT Software.

M.
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