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What kind of asinine company switches to P&S-only titles when more and more people are getting widescreen TV sets?!?!?!
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A company that's owned by Sony and is stockpiling catalog titles for the Blu-Ray launch in 59 weeks!! |
Much as I keep reading about the impending launch of Blu-Ray, I fail to see where holding back the vast majority of the titles that have turned up in that bin would be of much use. Odds are, even when Blu-Ray does debut, it'll be a long while before second-string "bin" titles like those mentioned throughout this thread would turn up. Plus they'll probably be more expensive and, being lesser films, probably won't sell that well and will ultimately end up right back in the Wal-Mart dump bin in 2006 or 2007.
I'm not saying that the films in the bin are
bad in any way; just that a substantial number of them were underperforming catalogue titles when they first hit DVD (as opposed to once-new releases that debuted on DVD
in the era of DVD). As such, for collectors, they represented a cheap way to fill in a few holes in a collection without blowing $20-25 on a disc, and for non-collectors they represent a cheap impulse buy for around the cost of a rental.
But if you look at the list of Columbia releases in AnthonyP's post #397, you'll see A LOT of movies that were financial toilets during their original theatrical runs (bad pun, I know), regardless of their quality or sentimental value to many of us. In fact, the more I look at the list, there's virtually
nothing there that I can remember being a runaway theatrical financial smash. I suppose AMERICA'S SWEETHEARTS comes close, but has still fallen off the radar in recent years.
Few of these titles were worth buying at full price on regular DVD, which is precisely why Colombia Tri-Star has allowed them to trickle down to the bargain bins of so many stores: they just weren't selling anymore, if they ever did at all at their original high price points (I remember seeing Best Buy selling THE DEEP for $19.99 US. Puh-leeeze). The added quality of Blu-Ray on the cinematic ouevre of Jean-Claude Van-Damme circa 1996-2000 won't make much difference to a lot of people.