Quote:
| ya just can't beat Connery in a red diaper |
Zardoz (1974, 16x9) is, without a doubt, a very odd movie and not for everyone.
Wasn't sure what to think on my 1st viewing, but something intrigued me.
I particulary enjoyed the flashbacks to the Outlands where we get to the see the evolution of a new social order per the whims of the Vortex masters (so anti-Prime Directive).
But a couple of very cheesy moments threatened to sour the movie (like Zed 'falling' into the mirrored pyramid).
Started the film again with commentary and found Boorman's explanations generally helped the movie.
For example, the use of dated structures and implements (even by today's standards) in the 'advanced' Vortex zones seemed like a cheesy production limitation, but Boorman makes a good case that the past always co-exists with the present.
But really, horse-drawn carts?
It's interesting that many 70's sci-fi movies focused on some element of the human condition, often serving as a cautionary tale.
Logan's Run focused on humanity's tendency towards narcissism and pleasure-seeking.
Planet of the Apes focused on humanity's tendency towards self-destruction.
Zardoz contains elements of both and also warns of the dangers of apathy and stagnation (resulting from immortality).
It would seem that death is a great motivator and purifier (wow, this is getting a bit creepy).
I have to give all these movies props for actually being about *something*, compared to most modern movies with seem to exist merely for stimulation and effects.
Amy, Mike's been scaring us with that photo for many years now.
