Production and marketing costs of The Real Cancun: $9.5 million
Domestic Box Office Earnings: $3.8 million
Production and marketing costs of From Justin to Kelly: $20 million
Projected Box Office Earnings: $9 - 11 million
The Joy of Watching Each Crash & Burn: Priceless
(Numbers courtesy of www.boxofficemojo.com)
Further comparisons:
The Real Cancun had an opening weekend of $2.1 million in 2,261 theaters (with an R rating). It opened on April 25th against Identity, Confidence and It Runs in the Family and came in at 10th place overall. The DVD arrives two months later on July 1st.
From Justin to Kelly had an opening weekend of $2.9 million in 2,001 theaters (with a PG rating). It opened on June 20th against Hulk and Alex and Emma and came in at 11th place overall. The DVD (tentatively) arrives three months later on September 16th.
Perhaps New Line and Fox would be better served by following the lead of Disney and Artisan; they wisely unleash this sort of flotsam direct-to-video. (The Olsen twins are billionaires thanks to the DTV market.)
Hopefully these two experiments (the movies, not the Olsen twins) will be seen for the clear failures they are and we'll all be spared further theatrical releases of such obviously turgid filmmaking.
Domestic Box Office Earnings: $3.8 million
Production and marketing costs of From Justin to Kelly: $20 million
Projected Box Office Earnings: $9 - 11 million
The Joy of Watching Each Crash & Burn: Priceless
(Numbers courtesy of www.boxofficemojo.com)
Further comparisons:
The Real Cancun had an opening weekend of $2.1 million in 2,261 theaters (with an R rating). It opened on April 25th against Identity, Confidence and It Runs in the Family and came in at 10th place overall. The DVD arrives two months later on July 1st.
From Justin to Kelly had an opening weekend of $2.9 million in 2,001 theaters (with a PG rating). It opened on June 20th against Hulk and Alex and Emma and came in at 11th place overall. The DVD (tentatively) arrives three months later on September 16th.
Perhaps New Line and Fox would be better served by following the lead of Disney and Artisan; they wisely unleash this sort of flotsam direct-to-video. (The Olsen twins are billionaires thanks to the DTV market.)
Hopefully these two experiments (the movies, not the Olsen twins) will be seen for the clear failures they are and we'll all be spared further theatrical releases of such obviously turgid filmmaking.




