| One of the great and sometimes quite subtle aspects of Seinfeld scripting is the use of repetition and parallelism (often unexpected). |
Another example of this:
From "The Maid"
KRUGER: Hey, look at George. He's givin' it to T-bone. He's jumpin' up and down like some kind of monkey. Hey, what was the name of that monkey that could read sign language?
WATKINS: All right, you can have T-bone. Stop crying.
GEORGE (sniffling): I'm not crying. And I shouldn't have said that about your wife. Please accept my apologies.
Watkins and George enter the conference room.
GEORGE: Ok, everybody, uh...I have an announcement to make. From now on, I will be known as-
KRUGER: Koko the monkey.
GEORGE: What?
ALL (chanting): Koko! Koko! Koko! Koko! Koko! Koko! Koko! Koko! Koko! Koko!
And . . .
From "The Dealership"
JERRY: So, Puddy, this is a pretty good move for you, huh? No more "grease monkey".
PUDDY: I don’t care for that term.
JERRY: Oh. Sorry, I didn’t know..
PUDDY: No, I don’t know too many monkeys who could take apart a fuel injector.
JERRY: I saw one once that could do sign language.
PUDDY: Yeah, I saw that one. Uh.. Koko.
JERRY: Yeah, Koko.
PUDDY: Right, Koko. That chimp’s alright. (Holds up his hand) High-five.
| A line my wife and I use all the time / From Putty (sp?): Squinted eyes: "Yeah that's right" |
We use that one too! -- Yeah, that's right.

JKS