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Sight and Sound (2002) Greatest Films Club - Page 2

post #31 of 3769
Well, I just got done watching Ozu's "An Autumn Afternoon", which ups my number of films seen on this list to 167. I must mention that I think it is one of his best films (and that's saying a lot!), and I recommend that everyone here see it, if you haven't already.
post #32 of 3769
At 118 now after Belle De Jour. Erotic, with the still beautiful Catherine Deneuve giving life to an enigmatic character. This is the female version of a Great Stone Face performance, and it's fascinating to see her becoming a prostitute, probably partially due to fulfilling the male fantasy of seeing a supposedly viturous housewife becoming sexual on my part. The way fantasy and reality are cut together is fluid, suggesting the stronghold that Deneuve's sexual desires have on her life. I love every fantasy sequence of the film--most are deadly funny--but unsure if the flashbacks were necessary; they hint at a tortured childhood, which in my mind, detracts from the mystery surrounding her. Still a very compelling film with surrealist touches that are not only integral to the movie, but make sense without much explanation as well.
post #33 of 3769
okay, I'm in with 165 seen to date.
post #34 of 3769
I know what you mean Dustin. This, plus the 30’s challenge was enough to push me over the edge. Received my first three disks from Netflix yesterday.

Don’t die. I’ll get you some water. Don’t die. Don’t move until we can talk. Don’t die until later.

Although my last film came not from Netflix, but from a recently purchased, but unwatched DVD of

The Good, the Bad and the Ugly,

which I had not seen for many years. The last (and no doubt the best) of the three ‘man with no name’ films, I had actually forgotten what a fine film this is, and how much humor it contains. Very nicely balanced with the greed (and attendant violence) at the core of the film. As is the cinematography nicely balanced between the long shots and extreme close-ups.
post #35 of 3769
This brings me to 62 for the whole list, I decided to add the eight or so films I'd seen about two years ago because I don't really feel urgent to see them again, maybe later on in the challenge. My previous post was counting only the last 18 or so months, so that's why the numbers are different. Luckily I spotted several films they'll be showing at the Norris Theater here at USC on campus in 35mm for classes, for my class we'll be seeing: the Seventh Seal, Contempt, Rashoman amongst others. Salò is the only stretch--I've watched between 1/2 and 2/3 of the film, and have no desire whatsoever to watch it through to its completion.

Ranking system:
- great movie
1/2 - just shy of perfection
- highly recommended
1/2 - recommended with reservations
- solid movie
1/2 - serious flaws
- endurable
1/2 - has one redeeming feature
0 - waste of time, patently offensive

I'll be keeping a master list of my progeress on the list here.

Films I've seen (in the last 24 months) (films in red I've rewatched since starting the challenge):
  1. Citizen Kane -
  2. 2001 -
  3. The Godfather Part II -
  4. Seven Samurai -
  5. Singin' in the Rain -
  6. Lawrence of Arabia -
  7. The Godfather -
  8. Bicycle Thieves -
  9. Touch of Evil - 1/2
  10. Dr. Strangelove -
  11. Psycho -
  12. Sunset Blvd. -
  13. The Godfather and the Godfather Part II -
  14. Some Like it Hot -
  15. City Lights -
  16. Grand Illusion -
  17. The Apartment -
  18. Apocalypse Now - 1/2 (revised to on second viewing)
  19. Taxi Driver -
  20. Casablanca -
  21. The 400 Blows -
  22. M -
  23. Modern Times -
  24. North By Northwest -
  25. L'Âge d'or -
  26. Blade Runner - 1/2
  27. The Gold Rush - (upped to 1/2 for the silent version)
  28. Pulp Fiction - 1/2
  29. Rear Window -
  30. A Clockwork Orange - 1/2
  31. Goodfellas - 1/2
  32. The Man who Shot Liberty Valence -
  33. Ran -
  34. Black Narcissus - 1/2
  35. Double Indemnity - 1/2
  36. Gone with the Wind - 1/2
  37. The Grapes of Wrath -
  38. His Girl Friday -
  39. It's a Wonderful Life -
  40. The Lady Eve -
  41. Stagecoach -
  42. The Treasure of the Sierra Madre -
  43. King Kong -
  44. To Kill a Mockingbird -
  45. Bonnie and Clyde -
  46. Brazil -
  47. Do the Right Thing -
  48. E.T. The Extra Terrestrial -
  49. In the mood for Love -
  50. Jaws -
  51. Paths of Glory -
  52. Salò - [0]
  53. Spartacus - 1/2
  54. Spirited Away -
  55. Star Wars -
  56. The Bridge on the River Kwai -
  57. Unforgiven -
  58. Fargo - 1/2
  59. Great Expectations - 1/2
  60. The Remains of the Day -
  61. Shane - 1/2
  62. The Thief of Baghdad -

    Newly Seen Films
  63. The Red Shoes - - 01/24/2003
  64. The Seventh Seal - - 01/27/2003
  65. Rashomon - - 02/10/2003
  66. Sherlock, Jr. - - 02/18/2003
  67. Le Mépris (Contempt) - - 02/24/2003
  68. Tokyo Story - - 03/09/2003
  69. Discreet Charm of the Bourgeosie - - 03/15/2003
  70. Vertigo - 1/2 - 03/24/2003
  71. Xala -
  72. La Jetee - 1/2 - 03/24/2003
  73. La Regle du Jeu (Rules of the Game} - - 05/11/2003
  74. Alexander Nevsky - - 05/13/2003
  75. Meet me in St. Louis - - 05/19/2003
  76. 8 1/2 - - 05/22/2003
  77. The Searchers - - 05/22/2003
  78. Annie Hall -
  79. Duck Soup -
  80. Chinatown - - 05/28/2003
  81. The Conversation - - 06/06/2003
  82. Sullivan's Travels - 1/2 - 06/08/2004
  83. On the Waterfront - - 06/10/2003
  84. The African Queen - 1/2 - 06/13/2003
  85. All About Eve - - 06/14/2004
  86. Brief Encounter - - 06/15/2004
  87. One Flew Over the Cuckoo's Nest - 1/2 06/15/2003
  88. The Exorcist - - 06/18/2003
  89. Bringing up Baby - - 06/18/2003
  90. Birth of a Nation - ZERO - 07/16/2003
  91. Bride of Frankenstein - 1/2 - 07/23/2003
  92. Notorious - 1/2 - 07/24/2003
  93. Todo Sobre mi Madre - - 08/11/2003
  94. The Shining - 1/2 - 08/24/2003
  95. Raging Bull - - 09/08/2003
  96. L'Atalante - 1/2 - 09/10/2003
  97. Trouble in Paradise - - 09/11/2003
  98. Mean Streets - 1/2 - 09/15/2003 revised to 1/2 on second viewing
  99. The Passion of Joan of Arc - - 11/03/2003
  100. The Lady Vanishes - - 11/13/2003
  101. Network - 1/2 - 01/07/2004
  102. The Maltese Falcon - - 01/17/2004
  103. Playtime - 1/2 - 01/24/2004
  104. The Wild Bunch - 1/2 - 01/29/2004
  105. Cabinent of Dr. Caligari - 1/2 - 02/16/2004
  106. The Third Man - - 02/23/2004
  107. Broken Blossoms - 1/2 - 02/25/2004
  108. Vampyr - 1/2 - 03/14/2004
  109. Earth - 1/2 - 03/14/2004
  110. The Scarlett Empress - - 03/15/2004
  111. Intolerance - - 03/18/2004
  112. Greed - - 03/21/2004
  113. Steamboat Bill Jr. - - 03/21/2004
  114. Battleship Potemkin - - 03/22/2004
  115. Nanook of the North - - 03/23/2004
  116. Sunrise - - 03/25/2004
  117. The Best Years of Our Lives - - 04/13/2004
  118. Napoleon - - 05/19/2004
  119. Nosferatu - - 05/20/2004
  120. La Strada - - 05/22/2004
  121. I Vitelloni - 1/2 - 05/22/2004
  122. Strike! - - 05/30/2004
  123. Metropolis - - 06/04/2004
  124. The Night of the Hunter - - 06/06/2004
  125. The General - - 06/08/2004
  126. The Man with the Movie Camera - 1/2 - 06/13/2004
  127. Day of Wrath - - 06/19/2004
  128. The Life and Death of Colonel Blimp - - 06/24/2004
  129. To Have and Have Not - - 06/27/2004
  130. The Great Dictator - 1/2 - 06/29/2004
  131. Children of Paradise - - 07/01/2004
  132. Open City - - 07/04/2004
  133. La belle et la bête - - 07/07/2004
  134. Ivan the Terrible - Part I - - 07/11/2004
  135. Rosemary's Baby - - 07/23/2004
  136. Monsieur Verdoux - - 07/24/2004
  137. Red River - - 08/01/2004
  138. Orphée - - 08/13/2004
  139. Love me Tonight - - 08/12/2004
  140. Blue Velvet - - 08/15/2004
  141. The Navigator - - 08/26/2004
  142. Un Chien Andalou - - 08/31/2004
  143. Umberto D - 1/2 - 09/06/2004
  144. The Thing From Another World - - 09/19/2004
  145. The Wind - - 09/20/2004
  146. Partie de campaign (A Day in the Country) - - 09/20/2004
  147. October - ½ - 09/22/2004
  148. She Wore a Yellow Ribbon - ½ - 10/02/2004
  149. The Last Laugh - ½ - 10/04/2004
  150. Strangers on a Train - - 10/06/2004
  151. Breathless - ½ - 10/10/2004
  152. Battle for Algiers - - 10/30/2004
  153. Angel - ½ - 11/16/2004
  154. Crime of Monsieur Lange - - 11/18/2004
  155. Story of the Last Chrysanthemum - - 11/20/2004
  156. Pather Panchali - - 12/12/2004
  157. Fanny and Alexander - - 12/15/2004
  158. La Dolce Vita - - 12/16/2004
  159. The Palm Beach Story - - 12/17/2004
  160. Les Vampires - - 12/14-21/2004
  161. The Mirror - - 12/22/2004
  162. To Be or Not to Be - 1/2 - 12/27/2004
  163. Once Upon a Time in the West - - 12/27/2004
  164. Once Upon a Time in America - - 12/30/2004
  165. White Heat - - 01/05/2005
  166. Out of the Past - - 01/06/2005
  167. Letter from an Unknown Woman - - 01/06/2005
  168. Ikiru - - 01/07/2005
  169. Hiroshima mon Amour - - 01/14/2005
  170. Ashes and Diamonds - - 01/18/2005
  171. Lancelot of the Lake - - 01/22/2005
  172. Throne of Blood - - 01/23/2005
  173. Late Spring - - 01/25/2005
  174. High and Low - - 02/01/2005
  175. L'Avventura - ½ - 02/10/2005
  176. Jules and Jim - - 02/18/2005
  177. Shansho the Baliff - - 03/06/3005
  178. Ugetsu - - 03/11/2005
  179. Persona - - 04/11/2005 (monday)
  180. The Magnificent Ambersons - 1/2 - 05/04/2005
  181. Shoah , Tape One - - 06/18/2005
    Tape Two - - 06/19/2005
    Part I -
    Part II -
    Final Tape -
  182. Two or Three Things I know About Her - - 06/30/2005
  183. Ordet - - 07/03/2005
  184. The Conformist - - 07/08/2005
  185. The Earrings of Madame de... - - 07/10/2005
  186. A Matter of Life and Death - - 07/11/2005
  187. Wild Strawberries - - 07/22/2005
  188. A Star is Born - - 08/09/2005
  189. Nashville - - 08/14/2005
  190. Rio Bravo - - 08/14/2005
  191. Amarcord - - 08/16/2005
  192. Last Year at Marienbad - - 08/21/2005
  193. My Neighbor Totoro - - 01/20/2006
  194. Pierrot le fou - - 03/06/2006
  195. All that Heaven Allows - - 07/26/2006
  196. A Canturbury Tale - - 7/28/2006
  197. The Good The Bad And the Ugly - - 9/4/2006
  198. McCabe and Mrs. Miller - - 9/7/2006
  199. The Last Picture Show - 10/29/2006
  200. Aguirre: The Wrath of God - - 01/07/2007
  201. M. Hulot's Holiday - - 2/19/2007
  202. Au Hasard Balthazar - - 3/25/2007
  203. Godfather Part III (completes trilogy) - - 8/07/07 - trilogy -
  204. Pandora's Box - - 9/6/2007
  205. Faster Pussycat! Kill! Kill! - - 01/03/2008
  206. The Tingler - - 01/04/2008
  207. Barry Lyndon - - 2/15/08
  208. The Music Room - - 3/15/08
  209. The Decalogue - - 3/22/08
  210. Cries and Whispers - ½
  211. Crimes and Misdemeanors - ½ 5/4/08
  212. The Exterminating Angel -½ 5/5/08
  213. L'Eclisse - - 5/15/08
  214. Pickpocket - - 7/22/08
  215. Bigger Than Life - - 9/2/08
  216. The Leopard - - 9/8/08
  217. Breaking the Waves - - 9/17/08
post #36 of 3769
Thread Starter 
I've updated everyone's totals.

~T
post #37 of 3769
At 121 with The Discreet Charm of the Bourgeoisie and An Autumn Afternoon.

Luis Buñuel was a figure completely foreign to me a few months ago. I don't quite understand Un Chien Andalou, despite its startling and funny moments. But I think Un Chien Andalou gave me a start to Buñuel's later films, which I have seen three so far. The Discreet Charm of the Bourgeoisie features several dream sequences that by now, I am prepared for and need no explanation. Like in Belle De Jour, they reveal certain attitudes about life that are to the point. The hypocracy and manners of these people are shown clearly. "Bourgeoisie" is the funniest so far, from the dream sequences mentioned above to little expressions and absurd reactions. When a character sees his wife in a friend's bedroom, he acts oblivious to the implications. Only later do we see from the friend's point of view that the couple argue on the street. However, I would argue that "Bourgeoisie" suffers slightly from overusing the dream sequences; the first two times were drop dead hilarious, the following ones were not. Also, unlike Belle De Jour or Los Olvidados, the film ultimately does not have a plot to tell. My feeling is that so far I like Los Olvidados the most because Buñuel combines his surrealism with a neorealist social problem story.

I agree with Tim's praise on AN Autumn Afternoon. The biggest surprise watching this film is the way time passes. Because Ozu's cutting is so simple, one expects the film to follow the rhythm of daily life. Here Ozu frequently cuts to a much later date. Also a bit surprising is the humor. Two practical jokes on characters are at first devastating and then funny. The final scene is especially heartbreaking because what was said before finally becomes true, contrary to our wishes.
post #38 of 3769
I just watched De Sica’s The Bicycle Thief thanks to TCM. I’d not seen this film in a long time. Although I still find this a compelling film, I actually like it just a little less than when I first came across films of this type.
post #39 of 3769
Quote:
Also a bit surprising is the humor. Two practical jokes on characters are at first devastating and then funny.
Yeah, I got get a good laugh out of those jokes too. The first one, you knew it was a prank, but the second one I wasn't expecting because a significant amount of time had passed since the first, and it seemed like the characters were being serious. But nope, I was just as suprised as Chishu Ryu's character was! A very sly but smart move on Ozu's part.

Glad you enjoyed the movie Kirk. Did you by any chance see it because of my recommendation?
post #40 of 3769
The Seventh Seal - seeing this film for the first time in a gorgeous 35mm print was an absolute treat. The photography was breathtaking, and the performances all around were absolutely outstanding, I really enjoyed the film quite a lot, though as of now it's not really a personal favorite of mine. I do love the ambiguous crisis of faith and how it is only resolved as the viewer wants to resolve it. It is also to the films benefit that no two characters are of the same mind about life, death, or faith. However it never felt like Bergman was deliberately creating stereotypes or just dropping them in there for a token alternate viewpoint. I get the unique feeling from this film that it has an agenda, but that agenda was more of a personal quest for Bergman in just making the film, and consequently the film never tries to impose its agenda (which I wouldn't know what it is) on you. This is an incredible balance for a film to walk, I've never seen a film deal with religious issues so beautifully, so adroitly, and so realy.

I saw this for a class I'm taking here at USC since it's a major lecture we're broken into small groups led by TAs. while I think my TA this semester is usually very good, and he loves the film, he thinks its a black comedy, which couldn't be further from my perception of the film. Sometimes films, like The Apartment, or Dinner for Eight deal with such serious issues that they need more levity than a usual drama does and are mistakenly labeled as comedies. This isn't as bad as my TA last semester whose first words to us were--after watching "Treasure of the Sierra Madre", our first movie of the year--"Oh I hate that movie so much, I think its so utterly worthless." since we were all stunned by this he elaborated "The mexican stereotypes in that film are simply apalling and awful, and theres nothing else in the film to redeem those major major flaws."

The Apartment -- I've already seen this, many times, but I saw if for the first time in a nice 35mm print this morning. First Black and White scope film I've seen in the theater. The more I see of black and white films, the more devastated I become that it is no longer used. what was it that happened between 1960 and 1970 that made studios terrified to make black and white films, after all black and white was still popular 20 years after the introduction of color, what made it so unprofitable all a sudden. the lack of black and white is even more unfortunate because so few films really know how to use color effectively, the really good directors and dps know what they're doing, but often it seems as though the color photography is some of the most boring things I've ever seen of your run of the mill studio flick nowadays (true of b&w back in the day as well though I suppose). I guess I"m just dispointed right now in color, because I saw the last showing of "the Red Shoes" in nitrate last weekend at the Egyptian (they announced before the showing that this was the last time the nitrate IB tech print would be projected as it was just beginning to deteriorate). So I just saw the most incredible use of color I've ever seen on the big screen or small, I guess I"m just a little snobbish right now.
Anway onto "the Apartment" which has solidified into definitely one of the best films ever made in my opinion. Seeing it in 35mm was absolutely marvelous, though not as revolutionary as going from pan and scan vhs to the letterboxed dvd was for me. Having the film so wonderfully large and beautiful in front of you, there is so much that I appreciated/noticed for the first time about the film. I'd considered the cinematography pretty good before, but now I think its absolutely fantastic, it's very subtle but very very good. I thoroughly enjoyed, so absolutely perfect in every possible category of evaluating the film that's its simply breathtaking, and almost agonizingly great to me. I can scarcely believe that movies this good exist, but I'm more than happy to continue to experience them and reexperience them.
I can also now scratch another film off my 'list'. ONe of my personal goals is to see a 35mm or better presentation of all the films in my top twenty (see below) and as many other favorite films of mine as I can. I got Apartment off this week, and will be striking off Bridge on the River Kwai this time next week.

Adam

(btw is The Red Shoes on the list? it should be, most definitely should be)
post #41 of 3769
ahh I see that Red Shoes is on the list, but I was absolutely stunned to see it the lowest ranked Powell/Pressburger on the list, I've only seen Black Narcissus, but I found Red Shoes to be superior to it (though I enjoyed it a great deal).

counting Red Shoes and The Seventh Seal brings my total for the list to: 64.

Lew, I saw Bicycle thieves for the second time about two and half weeks ago, I also hadn't seen it in a while, and I also didn't like it nearly so much as I did the first time. Perhaps it is a film that has a very strong and powerful initial impact, but it is an response that does not hold true for all viewings? That would also explain its gradual slide down the list from number one. Italian NeoRealism is an interesting bit of film history, with some utterly incredible films, but it also seems to be a pretty limited form/code to work under (like Dogma 95, which is just ridiculous in my opinion).
post #42 of 3769
Just saw Sansho dayu (SANSHO THE BAILIFF) for the first time. Unfortunately, I don't have time to post my thoughts on the film right now except to say it more than lives up to it's reputation. Absolutely outstanding! I've got to see more Mizoguchi movies... (The only other one I've seen being Ugetsu monogatari, which is also a masterpiece, IMHO.)
post #43 of 3769
Tim, I didn't see An Autumn Afternoon because of you, but I certainly was glad to see others holding it so high. I've just been trying to watch as many Ozu films as possible, but local video stores don't carry many.

I actually got a chance to see Bicycle Thieves again last year, and the impact it had on me was significantly stronger than my first viewing of it. The tragedy of the film haunts me throughout; everything comes together at the end on the first viewing, but I didn't get into the process so much. Now I see the tenderness of father and son along with the brutal circumstances more clearly than before.
post #44 of 3769
This sounds like an excellent idea. Is there any way to make this topic a "sticky" so that it doesn't get lost? Although there may be enough activity in this thread to keep it near the top anyway.

I don't have time right now to go through the list in detail, so I'll send a private message later with my count of films I've seen.

Excellent idea!

Steve K.
post #45 of 3769
Quote:
Absolutely outstanding! I've got to see more Mizoguchi movies... (The only other one I've seen being Ugetsu monogatari, which is also a masterpiece, IMHO.)

Yup! Kenji Mizoguchi's 1950s films are especially steller. Around 1954, he already knew that his health was failing, and he tried to complete as many films as he could. To a minor artist, that would have resulted in a complete mess, but in Mizoguchi's case, it became an increasingly formidable list of masterpieces: Crucified Lovers, Empress Yang Kwei Fei, Street of Shame. Definitely try to catch Life of Oharu if you get the chance; it's my favorite film. Here is my Melbourne Cinematheque annotation for the film.

Umm, did I mention that Kenji Mizoguchi is my favorite filmmaker (along with Yasujiro Ozu, Carl Theodor Dreyer and Robert Bresson)?
post #46 of 3769
Quote:
ahh I see that Red Shoes is on the list, but I was absolutely stunned to see it the lowest ranked Powell/Pressburger on the list,

Adam, IIRC, Mike Powell wrote in his autobiography that his favorite was Black Narcissus.

I prefer ‘Red Shoes’, but I find the subject matter so appealing (and it is done so well and with such love), that my judgment might not be solely about the merits of either movie. At least I don’t have to choose and can watch either whenever I feel the need.

I’m been thinking about my slight shift in view on The Bicycle Thief, and after reading your comments and Kirk’s think (at least today) that my initial reaction to this film was so high, because I saw it for the first time, when I was also becoming familiar with the French ‘New Wave’, seeing such films as The 400 Blows, Shoot the Piano Player and Breathless for the very first time. So I was introduced to Italian Neorealism at the same time as the New Wave (very early 60s for me) hit.

And hit hard, after watching the Hollywood fare of the 40s and 50s.

I am still moved, as Kirk writes, by the interaction between father and son and the husband and wife and … . But you are probably correct in that the movement was limited. For example, Two Women seem to have dropped from sight altogether, even though it stars Sophia Loren in an award winning performance.
post #47 of 3769
Bicycle Thieves has increased in it's power and effect on me as I've seen it more, as a father I always think about my own children and what I would do in the same situation, but as far as De Sica goes, I prefer The Children Are Watching Us and Umberto D. I've also found, based on what I've seen so far, that I prefer the films of Rosselini and Visconti.

I don't find that the power of neorealism has diminished at all, just as the new wave films remain energetic and vibrant. But then I also think Dogme is one of the most interesting things going on in film today.

I desperately wish more Ozu and Mizoguchi were available. The video stores around me had nothing but Ugetsu, which has become one of my favorites. I'm finally going to rent The 47 Ronin from Netflix, but other than that, I'll have to wait for the new Ozu releases, hopefully this Fall.

I added a bunch of these films to my Netflix list, but haven't adjusted the order, so it will still be a few weeks before I make an entry. I'm concentrating on watching 2002 films and Criterions right now. I think Wages of Fear will be my first.
post #48 of 3769
Pascal: no video store in my city (that I know of) has a copy of LIFE OF OHARU or THE CRUCIFIED LOVERS, much to my dismay. But I do have access to Mizoguchi's SISTERS OF THE GION, THE STORY OF THE LATE CHRYSTANTHEMUMS, EMPRESS (or is it Princess?) YANG KWEI FEI, THE 47 RONIN and STREET OF SHAME (maybe one or two others I'm forgetting also), so I will be sure to see all of those when I get a chance.

The saddest thing is that there are no Mizoguchi films on DVD in Region 1 yet except for 47 Ronin, correct? Is the quality of that disc any good? Where's Criterion when you need them?!
post #49 of 3769
Quote:
as a father I always think about my own children and what I would do in the same situation,
As we all do, Brook. The whole thing with the father so desperately desiring his son’s approval (especially after his wife makes it plain that she thinks he does not stand up for himself enough) is just so painful. To then end with the attempted theft and shared understanding is both heart-wrenching and thought provoking.
post #50 of 3769
With the help of my terrific local library system, I'd like to participate...Disregarding Godfather/Three Colours repitition, I'm at 46

...but I've got 3 Truffaut films on the way from said library

Quote:
Yi Yi...But I also found the business relationship in the film to be aggravatingly cliche and naive
assuming you're talking about the Japanese business contract, and perhaps the Buddhist 'charity' situation...these sitatuations are there just for that purpose, to show the inhumanity of things that take place in life, side by side with the profound and extraodinary--even if it's just a boy who swims with all his clothes on. along with the personal choices and poetic moments in life, there comes the seemingly predestined, the bland, the "cliched"
post #51 of 3769
122

All About Eve was an awesome movie. This is the kind of movie that would work superbly as a soundtrack, and only better paired with the visuals. Considering that there are six major characters--as opposed to, say, two in His Girl Friday or The Lady Eve--it's incrediable to watch them all deliver lines with bite and move the story foward. The central figures of Margo and Eve start and end up completely different from where they started. Mankiewicz's opening scene is brilliant, setting up the story sophisticatedly with a voiceover that pairs up with the expressions of the actors. The finale is somewhat predictable, but it shows us what we have seen before in Eve without knowing it. I was especially impressed with Davis and George Sanders, who just opens his mouth and chews up Eve in a thrilling confrontation scene.
post #52 of 3769
Huh? Bunch of artsy fartsy movies that Ive never seen, besides Seventh Seal, Seven Samuri, etc. Ehh....whatever. Any list that doesn have Star Wars on it aint good in my book.
post #53 of 3769
Uh, Star Wars is on the list at 157.
post #54 of 3769
Oh...my bad....well...it should be way higher, like top 10 high.
post #55 of 3769
Friday was a beautiful day here, so I spent my lunch break walking down to the city library, where I rented a few of the S&S films that aren't yet available on DVD. Unfortunately, two were P&S, but I don't really have any other options.

- Bunuel's Un Chien Andalou
- Rivette's Celine and Julie Go Boating
- Mikhalkov's Burnt by the Sun

My response to Un Chien Andalou can be found on my film diary, and I plan to add the others later today.

http://www.longpauses.com/film_diary_2003.htm
post #56 of 3769
You must promise me never to use those bad words again.

I promise—unless I get mad at somebody



The Magnificent Ambersons was just on TCM and, as always when watching this movie, one is left with the question in evaluating the movie, ‘Can the ending be ignored?’

I choose to ignore the final reel and choose to focus on the remainder of the film, where Wells draws an even shaper portrait of a complete man, than he does in Citizen Kane. Plus the presentation of what was even then, a bygone era is so clear and so believable, that we almost believe that we are there.

One can only wonder what Wells might have produced, had he been given a freer hand in post-production.
post #57 of 3769
I saw a 35mm print of Zemilya (Earth) on the weekend, which I found extraordinary. Not only did the picture have the good ol' Soviet silent pace, but it had an absurd sense of humour and a great mise en scene--in contrast to Eisenstein's stoicism and unnerving composition . Though I'm wondering if it is fair to compare the two, especially since Zemilya was one of my favourite cinema experiences in a long time with an awesome--improvised--live accompaniment (I've only seen Eisenstein's pictures on video). Either way, I think--having also seen Zvenigora & Arsenal (w/ live music as well), Dovzhenko is certainly up there with my favourite of silent filmmakers.
post #58 of 3769
I’ve seen Battleship Potemkin on a big screen with a full symphony orchestra. One of my favoriate cinema-going experiences.

I have not seen anything by Dovzhenko; however and really look forward to this.

Is this print making the ‘art house’ circuit or did you just luck out? I ask, as if it’s making the rounds, I’ll postpone renting or buying the DVD until it shows up in Dallas.
post #59 of 3769
I'm getting jealous at all the movies you all are seeing that I have no access to. Wages of Fear and the Sirk movies should be my first entries. One or two should show up by this weekend since I just mailed two Netflix back today.
post #60 of 3769
My advice, Brook: ‘don’t bother to clip your fingernails now'. By the time Wages of Fear is over, you’ll have them down to the quick.
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