Added 2 more:
28 Days Later was a big let down. I should have known not to get to excited about a new horror film, but I couldn't help it. The setup and concept are excellent but the execution is so completely derivative in virtually every way that it never feels fresh or truly engaging.
And it continues my chief complaint with most modern horror/monster movies -- WOULD IT BE TOO MUCH TO ASK TO ACTUALLY SEE AN ATTACK?? The hyper-cutting combined with DV (and often darkened lighting) takes all the visceral pleasure out of the scenes. For a film that is basically a summary of Romero's Dead trilogy, the least Boyle could have done was allow us to see the money shots, something Romero always delivered. It's not as if Boyle's style made the film any scarier. It offered no scares and very little effective tension.
A generous B- based mostly on concept
Lilya 4-Ever is a heartbreaking portait of discarded youth and its exploitation by an insatiable sex industry. And yet the film also offers the most sublime images and spiritual honesty that I've seen in some time. I love the idea of a Heaven where you can play all the basketball you want. I'll put a longer review in the indie/foreign thread as this film merits a much longer examination than I have time for right now. One of my favorites of the year so far. A-
28 Days Later was a big let down. I should have known not to get to excited about a new horror film, but I couldn't help it. The setup and concept are excellent but the execution is so completely derivative in virtually every way that it never feels fresh or truly engaging.
And it continues my chief complaint with most modern horror/monster movies -- WOULD IT BE TOO MUCH TO ASK TO ACTUALLY SEE AN ATTACK?? The hyper-cutting combined with DV (and often darkened lighting) takes all the visceral pleasure out of the scenes. For a film that is basically a summary of Romero's Dead trilogy, the least Boyle could have done was allow us to see the money shots, something Romero always delivered. It's not as if Boyle's style made the film any scarier. It offered no scares and very little effective tension.
A generous B- based mostly on concept
Lilya 4-Ever is a heartbreaking portait of discarded youth and its exploitation by an insatiable sex industry. And yet the film also offers the most sublime images and spiritual honesty that I've seen in some time. I love the idea of a Heaven where you can play all the basketball you want. I'll put a longer review in the indie/foreign thread as this film merits a much longer examination than I have time for right now. One of my favorites of the year so far. A-




