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New York cop Daniel Ciello is involved in some questionable police practices. He is approached by internal affairs and in exchange for him potentially being let off the hook he is instructed to begin to expose the inner workings of police corruption. Danny agrees as long as he does not have to turn in his partners but he soon learns that he cannot trust anyone and he must decide whose side he is on and who is on his.Run Time: 167 minutesFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 085393184926 Manufacturer No: 31849
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| Detail | Value |
|---|---|
| Binding | DVD |
| Brand | Warner Brothers |
| EAN | 0085393184926 |
| Weight | 1 pounds |
| Label | Warner Home Video |
| List Price | $19.98 |
| Manufacturer | Warner Home Video |
| MPN | 31849 |
| Product Group | DVD |
| Product Type Name | ABIS_DVD |
| Publisher | Warner Home Video |
| Studio | Warner Home Video |
| Title | Prince of the City (Two-Disc Special Edition) |
| UPC | 085393184926 |
| Number Of Items | 2 |
| Format | NTSC |
| Release Date | 2007-05-22 |
| Languages | Spanish |
| Languages | French |
| Languages | English |
| Actor | Kenny Marino |
| Aspect Ratio | 1.66:1 |
| Audience Rating | R (Restricted) |
| Original Release Date | 1981-08-21 |
| Region Code | 1 |
| Running Time | 167 |
| Theatrical Release Date | 1981-08-21 |
| Director | Sidney Lumet |
| Additional Features | |
| Number Of Discs |
Many products have multiple models (e.g. black edition, white edition, etc.). If you know of any other models of this product with a different MPN/UPC, please add them below.
| Model Name/Type | MPN | EAN/UPC |
|---|
User Reviews: Prince of the City (Two-Disc Special Edition)
Featured Review
July 5, 2009 at 6:26 am
Reviewed by Ken_McAlinden
Prince of the City: Two-Disc Special Edition
Directed By: Sidney Lumet
Starring: Treat Williams, Jerry Orbach, Norman Parker, Bob Balaban, Lindsay Crouse, James Tolkan, Lane Smith, Lance Henricksen
The Film
Sidney Lumet's "Prince of the City" is an adaptation of the Robert Daley book, "Prince of the City: The True Story of a Cop Who Knew too Much". The Daley book told the true story of Robert Leuci, a leader in the New York Police Department's elite Special Investigations Unit in the 1970s who cooperated with government prosecutors as an informant for corruption cases. In the film adaptation, his name has been changed to Robert Ciello and many of the real life players from the actual events (some of whom included Rudy Giuliani and Alan Dershowitz), have had their names changed or been blended into "composite" characters.
As the film opens, we are introduced to Danny Ciello (Williams). He is something of a "golden boy" in the NYPD, leading a unit of the narcotics division's SIU despite being younger than most of his fellow detectives. Danny's unit is given wide latitude to go after the narcotics trade as they see fit, and they are not shy about engaging in illegal acts to keep junkie informants talking, keep rival drug peddlers ratting on each other, and occasionally line their own pockets with drugs and cash. Despite several successful high profile busts, Danny's conscience starts to gnaw at him, and, after a couple of tentative meetings, agrees to work as an informant in a federal corruption probe as long as he is not asked to turn on his partners. Danny inserts himself in various dangerous situations in attempts to gather information on crooked lawyers and mobsters, and compiles an extensive amount of evidence over the next few years until his cover is finally blown. He then becomes more or less a professional witness in several cases against organized crime figures and corrupt officials. His stress level builds as he realizes that the revolving door of federal investigators and attorneys with whom he is working are less interested in his well being than some of the people he is helping them prosecute. Things spiral further out of control when a large drug theft from police evidence prompts a crackdown on past and present SIU officers.
Treat Williams gives a very impressive performance in the role of Danny Ciello. He is at the center of the action for the vast majority of the film's two hour and 47 minute running time, playing a character who is a mass of contradictions and less than admirable in many ways. Despite Williams' innate charisma in the role, the film remains deliberately ambivalent about whether he is a heroic crusader or a backstabbing opportunist. Williams makes the tension between Danny's sometimes conflicting impulses to confess his sins, honor his friendships, and save his own skin palpable, particularly in the film's final acts.
Thematically, Lumet takes his time painting his picture of Danny as he progresses from the camaraderie of his elite SIU squad to his loneliness as an informer who keeps seeing the lawyers around him change and move on after using him for successful prosecutions. The film is a fascinating illustration of how a seemingly noble impulse can lead to destructive consequences and personal tragedy.
The supporting cast is large and well chosen from a group of primarily New York actors, most of who did not have a lot of feature film credits at the time. The lack of matinee idol faces adds to the documentary feel of the film, although some of the cast went on to considerable success afterwards. Jerry Orbach cements here the persona that would evolve into his roles as durable TV detectives. A 15-year-old Cynthia Nixon has a blink and you'll miss it cameo as the girlfriend of a junkie early in the film. Amusingly, seventies hairstyles seem a bit exaggerated, especially during the scenes in the picture's first third that are set about a decade before the movie was made. A few of the characters look like they have what David Letterman would refer to as "the worst toupees in show business".
Overall, Lumet delivers another excellent entry in his cycle of legal and police-themed films. This film has always seemed to be somewhat disrespected, from its relative lack of Academy recognition (only one Oscar nomination) to its late-in-the-game introduction on DVD. Perhaps audiences and critics thought Lumet was just trying to make a "Serpico" clone after the back to back change of pace disasters of "The Wiz" and "Just Tell Me What You Want". Maybe they just thought it was too long and sprawling compared to the typically compact and efficient traditional noirs with similar themes. In actuality, it is a perfect companion piece to "Serpico". Rather than focusing on a cop who steadfastly refused to take part in rampant corruption, "Prince of the City" tells the story of one who has sold his soul many times over and miscalculates the price, and even the possibility, of buying it back.
The Video
The video presentation expands the theatrical aspect ratio slightly to fill the entire 16:9 enhanced frame. The transfer has a somewhat dated, grainy appearance which betrays its "70s have just become the 80s" origin. Shadow detail is acceptable, but not as deep as can be achieved with modern low contrast film stocks. Certain shots look significantly softer than others, suggesting either focus problems or "dupe" sections of film. The grainy, occasionally inconsistent appearance does evoke a certain documentary feel that was likely intentional. Mild edge-ringing was noticeable during certain exterior shots.
The Audio
The Dolby Digital 1.0 soundtrack does a good job conveying the film's jazz-noir score and sound effects, but the dialog frequently sounds over compressed and is occasionally harsh to the point of distortion. An alternate mono track dubbed in French is also available.
The Extras
The only extra available on the first disc is the film's fairly dull theatrical trailer. It runs one minute and 42 seconds and is presented in 16:9 enhanced video with DD 2.0 mono audio.
The second disc contains the only other extra, but it is a pretty good one. "'Prince of the City': The Real Story", is a 28 and a half minute featurette directed by Laurent Bouzereau. Like most of Bouzereau's DVD featurettes, it consists of newly shot interview footage intercut with clips and montages from the film. For this one, he has an impressive line-up of on-camera participants including Robert Leuci, Robert Daley, screenwriter-producer Jay Presson Allen, Sidney Lumet, Treat Williams, Bob Balaban, production designer Tony Walton, producer Burtt Harris, and Lance Henrickson. Topics covered include the casting of the film, rehearsals, the cinematography and production design strategies, Lumet's fast shooting methods, and the film's mixed critical and popular reception.
Packaging
The discs come in a standard Amaray-style case with a hinged tray allowing it to hold a second disc. The film is split between the two discs. Disc One is a dual-layered DVD-9 that holds the first hour and 50 minutes of the film. Disc two is a single-layered DVD-5 that holds the final 57 minutes.
Summary
Warner Home Video has finally treated us to Sidney Lumet's underrated epic-neo-noir in convenient five-inch disc form. The DVD provides a decent audio-video presentation of a somewhat difficult, dated looking film element. Aside from the film's theatrical trailer, the only extra is a documentary featurette, but it is an insightful and informative one that is worth watching more than once.
Directed By: Sidney Lumet
Starring: Treat Williams, Jerry Orbach, Norman Parker, Bob Balaban, Lindsay Crouse, James Tolkan, Lane Smith, Lance Henricksen
| Studio: Warner Brothers Year: 1981 Rated: R Film Length: 167 minutes Aspect Ratio: 1.78:1 Subtitles: English, French, Spanish Release Date: May 22, 2007 |
The Film
Sidney Lumet's "Prince of the City" is an adaptation of the Robert Daley book, "Prince of the City: The True Story of a Cop Who Knew too Much". The Daley book told the true story of Robert Leuci, a leader in the New York Police Department's elite Special Investigations Unit in the 1970s who cooperated with government prosecutors as an informant for corruption cases. In the film adaptation, his name has been changed to Robert Ciello and many of the real life players from the actual events (some of whom included Rudy Giuliani and Alan Dershowitz), have had their names changed or been blended into "composite" characters.
As the film opens, we are introduced to Danny Ciello (Williams). He is something of a "golden boy" in the NYPD, leading a unit of the narcotics division's SIU despite being younger than most of his fellow detectives. Danny's unit is given wide latitude to go after the narcotics trade as they see fit, and they are not shy about engaging in illegal acts to keep junkie informants talking, keep rival drug peddlers ratting on each other, and occasionally line their own pockets with drugs and cash. Despite several successful high profile busts, Danny's conscience starts to gnaw at him, and, after a couple of tentative meetings, agrees to work as an informant in a federal corruption probe as long as he is not asked to turn on his partners. Danny inserts himself in various dangerous situations in attempts to gather information on crooked lawyers and mobsters, and compiles an extensive amount of evidence over the next few years until his cover is finally blown. He then becomes more or less a professional witness in several cases against organized crime figures and corrupt officials. His stress level builds as he realizes that the revolving door of federal investigators and attorneys with whom he is working are less interested in his well being than some of the people he is helping them prosecute. Things spiral further out of control when a large drug theft from police evidence prompts a crackdown on past and present SIU officers.
Treat Williams gives a very impressive performance in the role of Danny Ciello. He is at the center of the action for the vast majority of the film's two hour and 47 minute running time, playing a character who is a mass of contradictions and less than admirable in many ways. Despite Williams' innate charisma in the role, the film remains deliberately ambivalent about whether he is a heroic crusader or a backstabbing opportunist. Williams makes the tension between Danny's sometimes conflicting impulses to confess his sins, honor his friendships, and save his own skin palpable, particularly in the film's final acts.
Thematically, Lumet takes his time painting his picture of Danny as he progresses from the camaraderie of his elite SIU squad to his loneliness as an informer who keeps seeing the lawyers around him change and move on after using him for successful prosecutions. The film is a fascinating illustration of how a seemingly noble impulse can lead to destructive consequences and personal tragedy.
The supporting cast is large and well chosen from a group of primarily New York actors, most of who did not have a lot of feature film credits at the time. The lack of matinee idol faces adds to the documentary feel of the film, although some of the cast went on to considerable success afterwards. Jerry Orbach cements here the persona that would evolve into his roles as durable TV detectives. A 15-year-old Cynthia Nixon has a blink and you'll miss it cameo as the girlfriend of a junkie early in the film. Amusingly, seventies hairstyles seem a bit exaggerated, especially during the scenes in the picture's first third that are set about a decade before the movie was made. A few of the characters look like they have what David Letterman would refer to as "the worst toupees in show business".
Overall, Lumet delivers another excellent entry in his cycle of legal and police-themed films. This film has always seemed to be somewhat disrespected, from its relative lack of Academy recognition (only one Oscar nomination) to its late-in-the-game introduction on DVD. Perhaps audiences and critics thought Lumet was just trying to make a "Serpico" clone after the back to back change of pace disasters of "The Wiz" and "Just Tell Me What You Want". Maybe they just thought it was too long and sprawling compared to the typically compact and efficient traditional noirs with similar themes. In actuality, it is a perfect companion piece to "Serpico". Rather than focusing on a cop who steadfastly refused to take part in rampant corruption, "Prince of the City" tells the story of one who has sold his soul many times over and miscalculates the price, and even the possibility, of buying it back.
The Video
The video presentation expands the theatrical aspect ratio slightly to fill the entire 16:9 enhanced frame. The transfer has a somewhat dated, grainy appearance which betrays its "70s have just become the 80s" origin. Shadow detail is acceptable, but not as deep as can be achieved with modern low contrast film stocks. Certain shots look significantly softer than others, suggesting either focus problems or "dupe" sections of film. The grainy, occasionally inconsistent appearance does evoke a certain documentary feel that was likely intentional. Mild edge-ringing was noticeable during certain exterior shots.
The Audio
The Dolby Digital 1.0 soundtrack does a good job conveying the film's jazz-noir score and sound effects, but the dialog frequently sounds over compressed and is occasionally harsh to the point of distortion. An alternate mono track dubbed in French is also available.
The Extras
The only extra available on the first disc is the film's fairly dull theatrical trailer. It runs one minute and 42 seconds and is presented in 16:9 enhanced video with DD 2.0 mono audio.
The second disc contains the only other extra, but it is a pretty good one. "'Prince of the City': The Real Story", is a 28 and a half minute featurette directed by Laurent Bouzereau. Like most of Bouzereau's DVD featurettes, it consists of newly shot interview footage intercut with clips and montages from the film. For this one, he has an impressive line-up of on-camera participants including Robert Leuci, Robert Daley, screenwriter-producer Jay Presson Allen, Sidney Lumet, Treat Williams, Bob Balaban, production designer Tony Walton, producer Burtt Harris, and Lance Henrickson. Topics covered include the casting of the film, rehearsals, the cinematography and production design strategies, Lumet's fast shooting methods, and the film's mixed critical and popular reception.
Packaging
The discs come in a standard Amaray-style case with a hinged tray allowing it to hold a second disc. The film is split between the two discs. Disc One is a dual-layered DVD-9 that holds the first hour and 50 minutes of the film. Disc two is a single-layered DVD-5 that holds the final 57 minutes.
Summary
Warner Home Video has finally treated us to Sidney Lumet's underrated epic-neo-noir in convenient five-inch disc form. The DVD provides a decent audio-video presentation of a somewhat difficult, dated looking film element. Aside from the film's theatrical trailer, the only extra is a documentary featurette, but it is an insightful and informative one that is worth watching more than once.
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Article: Prince of the City (Two-Disc Special Edition)
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Home Theater Forum › HT Gear & Movies › DVD & Blu-ray › DVDs › Drama DVDs › Prince of the City (Two-Disc Special Edition)
