Magnificent Obsession - Criterion Collection

Douglas Sirk’s Magnificent Obsession, a grand melodramatic Technicolor wallow, comes impressively to life in Criterion’s new DVD transfer. Remaking the original 1935 black and white hit into a lushly colored but somber “women’s picture,” Sirk and producer Ross Hunter have given a sheen and style to the noble emotions of the story that they’d be destined to repeat throughout the rest of the 1950s. This was not the producer and director’s first picture together, but it would be the blueprint for many of the films they’d subsequently make together.

Reckless playboy Bob Merrick’s (Rock Hudson) thoughtless behavior inadvertently causes the death of a famous doctor and the blindness of his wife Helen (Jane Wyman). Learning of the doctor’s noble, self-sacrificing and anonymous good Samaritan life leads Bob toward remaking his own life, going back to medical school, and eventually falling for the doctor’s widow. But Bob is determined to study and work hard so he can find some way to restore Helen’s sight, an obsession which Helen finds unbearable to accept.

The 1935 version of the film (available in this set; see below) was less solemn and dry in its telling of the tale, adapted from the novel by Lloyd C. Douglas; there was more a knowledgeable sense of the absurdity of the extreme emotions in it than in the remake which takes the self-sacrifice and purity of intentions very seriously and with no sense of lightness or humor. When those choirs of angels begin time and again to chant the “Ode to Joy” in the 1954 version, you know that the true spirit of selfless giving is at work and is nothing to be scoffed at. Sirk keeps the somber tone of the piece well contained so that even the ripest lines don’t quite reach the point of ridiculousness, and by spreading the timeline of the story over a period of six years, it seems logical that events could transpire within the frame of years we’re shown (though why Hudson’s hair was grayed quite as severely as it was is open to some question.)

Throughout his life, Rock Hudson always spoke of this film as his breakthrough to the superstardom he would enjoy for the next couple of decades, and he never failed to give credit to co-star Jane Wyman for being so generous to him as an up-and-coming actor. He does earnest work as the playboy redeemed from his irresponsible behavior first by guilt and eventually by love. Jane Wyman, who earned the film’s only Oscar nomination for her performance in the picture, is likewise solid as the newly blinded widow. Her work with Hudson in the follow-up All That Heaven Allows was even stronger with a wider range of emotions available, but here she’s certainly up to the task. Agnes Moorehead is loving, concerned friend Nancy Ashford playing a softer role than she was usually offered, and young ingénue Barbara Rush has some impressive moments of both anger and forgiveness as Helen’s stepdaughter Joyce. Otto Kruger, Paul Cavanaugh, and Judy Nugent all have memorable if smaller supporting roles that they handle very well.

Magnificent Obsession remains one of the most famous of the Sirk-Hunter collaborations. That its sentimental moments don’t have the impact now that they once did doesn’t negate its genuine entertainment value or its impressiveness as a representative of an important film genre of the 1950s.



The film’s originally suggested theatrical aspect ratio of 2.00:1 is replicated faithfully here in this quite beautiful anamorphic transfer. The Technicolor is mostly richly saturated and impressive, only drifting out of registration a couple of times during the film’s running time. Sharpness is usually very good though there is one problematic scene which appears to come from a completely different source than the rest of the film. Film grain is light to moderate, and apart from one noticeable white scratch, the transfer seems free of artifacts. The film is divided into 24 chapters.


The Dolby Digital 1.0 audio track is a solid mono track emblematic of the period of the film’s production. Dialog is clear and Frank Skinner’s music comes through well, never overpowering the words being spoken. There are no examples of hiss, pops, crackle, or flutter to mar the listening experience.




Criterion’s edition of Douglas Sirk’s Magnificent Obsession is a fine package that does the film and its parent movie proud. An excellent video and audio presentation makes this an easy recommend for fans of the stars, the director, or the genre.


Matt Hough
Charlotte, NC