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A Few Words About A few words about...™ Pressure Point -- in Blu-ray (2 Viewers)

Robert Harris

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Pressure Point, is a gorgeously presented black & white production, produced by Stanley Kramer, and directed by Hubert Cornfield.

I've never been a fan of Mr. Cornfield's work, and have only found a single film, his The Night of the Following Day, of interest.

That noted, there are several reasons that make Pressure Point worth your time to purchase and view. The first falls on the shoulders of social message producer and director, Stanley Kramer, and then, its star Sidney Poitier, whom Mr. Kramer had worked previously on The Defiant Ones.

For me, an even greater rationale is two-fold, and comes from the tech dept. The score by Ernest Gold, and the cinematography by Ernest Haller, which grabs the film by its bootstraps and lifts it to a greater height.

For those unaware of Mr. Haller's work, it goes back to 1911, and hits its stride in 1930, with Howard Hawks talkie, the first version of The Dawn Patrol. In the mid to late 1930s, Mr. Haller's work is full steam ahead with Captain Blood, Jezebel, Dark Victory, The Roaring Twenties and Gone with the Wind, and then arrives in the CinemaScope era with Rebel Without a Cause.

As a Blu-ray, Pressure Point is gorgeous, with gritty, rich, thick blacks and starkly contrasted whites.

Image - 4.75

Audio - 5

4k Up-rez - 4.75

Pass / Fail - Pass


RAH
 

Virgoan

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Thanks for mentioning the great Ernest Gold. His score is a major contribution to this film, IMO.
 

haineshisway

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Just read another online review on the other site that trashes Mr. Gold's score so ridiculously that it boggles the mind, calling it "florid" when it is anything BUT florid. And saying it's like recycled Quincy Jones, when Mr. Jones had yet to actually compose a film score in America is, well, it's something. I find it one of Mr. Gold's best scores and yes, it's atypical for him because, wait for it, the film is atypical. Unlike Mr. Harris, I rather like the film's director, too - I really love this film and it's very much a Hubert Cornfield film visually, as opposed to a Stanley Kramer film visually. And I really love the completely wacky Night of the Following Day. But I also love the equally wacky The Third Voice, with Edmund O'Brien. Can't wait for Pressure Point to arrive so I can hear that recycled Quincy Jones music that Quincy hadn't actually composed yet :)
 

Peter Apruzzese

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I've never seen the film but I have enjoyed the score via your CD release, Bruce. Yes I was a bit thrown off the first time I played it as it wasn't what I expected an Ernest Gold score to be, but it grew on me fairly quickly.
 

jmk56

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Once again Mr. Kimmel seems to have a reading comprehension issue, or once again I have a clarity issue. :) Considering the depth of Mr. Kimmel's typical snark, I'll opt for the former. What I stated was "Gold eschews his typical orchestral grandiosity in favor of a jazz inflected score that sounds like recycled Elmer Bernstein or even Quincy Jones, albeit with the unhelpful addition of a theremin." By which I meant recycled Bernstein or what Jones would soon be offering to the film world. I didn't like this particular score. So sue me.
 

Robert Crawford

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Let's play nice now, Bruce and Jeff. I plan on picking up this Blu-ray. I do remember the musical score from past viewings of this film.
 

jmk56

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I'm just here to correct the record (or CD, as the case may be). I think most people who know me (both here and at "my" site), whether or not they agree with my assessments or can tolerate my writing style, would tend to admit that I have an at least above average knowledge of film music, so the suggestion that I would not know Quincy Jones' filmography is a non-starter. Mr. Kimmel himself approached me many years ago with a potential project to transcribe a famous score from a film from the actual soundtrack, because a soundtrack album had never been released, which I think speaks to Mr. Kimmel's own assessment of my musicianship.
 

Robin9

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But I also love the equally wacky The Third Voice, with Edmund O'Brien. :)

I've been trying for the longest time to find a decent DVD of The Third Voice which co-stars Julie London and was photographed by the same Ernest Haller. Does anyone know if there's a good disc available?
 

jmk56

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And in the punchline department, it looks like Quincy actually composed music for a 1961 Swedish film called
Pojken i trädet, so maybe I'm correct no matter how you read it. :) Thanks for indulging me.
 

haineshisway

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And in the punchline department, it looks like Quincy actually composed music for a 1961 Swedish film called
Pojken i trädet, so maybe I'm correct no matter how you read it. :) Thanks for indulging me.

Well, if you actually read my post you'll see I said "in America" - I said that because a) I knew you'd be here in a heartbeat, and b) I knew you'd immediately go to the imdb. :) And you did. And there are at least two ways to read "score that sounds like recycled Elmer Bernstein or even Quincy Jones." Since both names appear in the sentence that includes the word "recycled" it's easy to interpret it the way I think most people would or at least I did. It's all good, really, and I do think a lot of your musicianship. So there. :)
 
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