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10-02-2003, 09:23 PM
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#1 of 10
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Join Date: Jul 1999
Local Time: 11:34 PM
Local Date: 10-12-2008
Posts: 3,320
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SVS B4+ vs, Velodyne Digital Drive 18?
Both of these subs are top notch. I don't doubt that the SVS can play louder, but the new DD 18 is plenty potent, and it has features that the B4+ lacks such as built in 8 band digital graphic/parametric equalizer with included microphone, full featured remote control, built in 1250 watt amplfier. List is about $5,000. I was quoted a delivered price of less than $3,400 from an authorized Velodyne dealer.
I understand pretty well the advantage (lack of compression & distortion) of higher output as posted many times by Tom Vodhanel.
Both subs are extra large, but the Velodyne is still sigificantly smaller.
What are your thoughts about these two Titans?
Thanks
Artie
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10-03-2003, 02:12 AM
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#3 of 10
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I'd get the SVS (or Everest) over the vel due to the fact that either can easily be mated with an outboard amp, and parametric eq is cheap enough that one would not have to break the bank to own one.
I look at this as 5 years from now which would be the easiest to fix if anything goes wrong with it.
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10-03-2003, 02:53 AM
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#4 of 10
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http://www.velodyne.com/pages/produc...italDrive.html
1 measely 18" driver in a sealed cabinet. There is no possible way it can compete with a properly designed sub like the B4+.
If you look at the graphic of them correcting the peaks/valleys with the builtin eq, they merely add ~5-6db of boost to pull the valley up centered around 55hz. You can't just add some boost and fix the FR curve that way. "Black hole" is a term many use for trying to send more power to a null. Not to mention that 6db of boost turns their awesome 1250 watt amp into a 312watt weakling.
I'm sure it's a decent sub. Is it a good value though? Not compared to what else is available.
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10-03-2003, 10:23 AM
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#5 of 10
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The beauty of the Velo is the turn-key aspect. The built in mic, the auto parametric eq, the video interface, etc. It makes set-up a no-brainer.
And the new DD servo is considerably more advanced than the HGS it replaces, having a higher sampling rate and also an adjustable sampling rate that allows higher (higher being relative here) levels of THD for greater output in HT applications. This is a very sophisticated subwoofer and I have long admired Velo as one of the techno-leaders in the subwoofer industry.
With that said, the SVS B4-Plus, with a Crown K1 and the Rane RE-17 parametric EQ ultimately offers even more EQ flexibility albeit at the expense of requiring significantly more involvement from the user to smooth out the room curve. And there is little doubt the B4-Plus will outgun the Velo in the SPL arena.
The SVS will not be output-limited by any type of servo circuit, and can therefore be ultimately driven to higher levels of THD than the Velo, but the SPL at that point would likely be very extreme. Even at Reference Level, the B4-Plus in a typical room will be considerably less than 10% THD at all frequencies >20-25 Hz. I say this because Tom V has measured ground plane in the 125 dB region at 25 Hz with a strict 10% THD limit with no boundary effect or room gain advantage included. And boundary effects and room gain will add 12-14 dB over ground plane so the B4-Plus should be loafing at Reference Level (120-121 dB peaks) in a typical room and THD I would estimate would fall into the 5% range at that volume.
While low THD is a very laudable goal, THD generally becomes audible in the 8-10% range in the bass region for someone with discriminating ears. Limiting THD to 1-3% with a variable servo circuit is impressive, but 3% as the upper limit might be ultimately viewed as too conservative by some since the 18" driver Velo employs would otherwise be capable of significantly more output if THD was allowed to climb to say 10% max.
But 3% is what Velo feels should be the max, so you are stuck with it if you buy the DD18. One thing is for certain, whatever bass the DD18 does generate will be extremely clean. And at anything less than extreme ear bleeding levels (like 130-135 dB), the same can be said for the B4-Plus.
For the person who wants great, room-optimized bass with a no-fuss no-muss approach, the DD18 will be a great choice. I'm a hands-on guy who likes to fiddle and do my own measurements and tuning, and I like the greater flexibility of the Rane and the greater output potential of the SVS (not to mention its very cool looks), so if given the choice between the two at roughly the same price, personally I would definitely opt for the B4-Plus package.
Regards,
Ed
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10-05-2003, 05:04 PM
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#6 of 10
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Join Date: Jul 1999
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Thanks to all that responded. I really appreciate your thoughtful comments.
Robert Gaither: I guess you mean that with the electronics built into the Velo it may be more of a hassle to get fixed. On the other hand, the 4 plus weighs 190 pounds vs the 120 for the Velo. In either case there is no way I could participate in getting one of these monsters shipped anywhere. At these weights, darn things should come with in-home service.
Thanks
Artie
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10-07-2003, 08:49 AM
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#8 of 10
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Artie,
It's a fairly lightweight article, and it doesn't go into the DD18 (it looks at Velodyne's 1812) but maybe this Soundstage.com article will help your decision a little:
http://www.soundstage.com/surrounded...nded200308.htm
-Robb
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10-07-2003, 10:25 AM
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#9 of 10
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Artie, check out the PB2+. Its smaller than the Velo and the B4 and provides enough pants leg quiver for very big rooms. Its also about the third of the price of the Velo you quoted. If thats not enough the PB2 Ultra should be 2-3 db louder.
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10-08-2003, 07:53 AM
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#10 of 10
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