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I could tune them to the 20 Hz mode and measure the same material after recalibrating if there is any interest?
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Something to consider. If you don't have a subsonic filter for the CS+, you may need to keep the PB+ in the 16 Hz subsonic filter mode whether you plug ports or not. This will ensure any room gain that is afforded to the CS+ will be given to the PB2+. Beyond that you could also compare the PB2+ in various states of tune against the CS+ stock tune mode and vice-versa.
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What I would do is calibrate and then measure the scenes and bass disk. I would then slide out the duel and reload the PB2+ into the same corner and recalibrate and measure the same material with the meter in the same fixed position.
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I will be interested to learn if the PB2+ requires any more or less boost to the receivers sub volume level to achieve calibration. This may not be possible if you are unable to put the PB2+'s internal amp volume at unity gain like you can with an outboard amplifier for the CS+. If this is the case and to ensure we keep your review non scientific

you could maybe set the CS+ outboard amp volume to the same clock postion as the PB2+ voulme knob.
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Are there any suggestions to what scenes you would like to see the info on in regards?
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Monsters Inc. Sock explosion.
Monstors Inc. door knock on Toy Story II Disc.
Toy Story II opening logo.
Star Wars Pod Race.
Star Wars Episode II Space ship landing and explosion scene.
THX Intro
FOTR Ring Drop.
Minority Report. There is a scene that has a gun that emits pretty low and loud bass. I think it's in an automobile manufacturing scene. Sorry I can't be more specific.
U-571 Depth charges
Any observations with music you like to listen too.
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Both SVS options are and will be great but I just thought it would be fun to see how they compare as suggested in other Threads.
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Yes, I think it will be fun and informative even if it is unscientific, subjective and unprofessional

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