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Re: Artistic integrity - music clearance etc
The original poster makes some valid points, IMO.
Due to the never ending power struggle of "possession," this argument will continue to go on and on until someone with common sense steps in and makes a definitive decision as to who owns the product.
The whole issue of residuals is ridiculous to me. I have long been of the mind that once a studio has a program "in the can," it is the sole possession of the studio that produced it. That means NO residuals for actors (do you get paid over and over for a job you've only done once?), and no more compensation for music used in the show aside from the original payment for it. Of course, none of the principals involved in the work would ever agree with me because they want money, money, money.
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