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I think I remember one reason (that it was discontinued on most pop cd's) was that the CD public sometimes would absolutely refuse to buy a CD that wasn't DDD.
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After working in the music retail biz for some 18 years I found that the only customers who knew what they were and shopped by them were the classical customers. I never had any other type of customer use them or refuse to buy becasue of the SPARS.
In the case of classical it does help because there are so many recordings that were just churned out to cd. In case anyone doesn't know what they mean here is the layout:
A Analog Recording
A Analog Mixing
D Digital Mastering
A Analog Recording
D Digital Mixing
D Digital Mastering
D Digital Recording
D Digital Mixing
D Digital Mastering
--Ian