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06-11-2003, 11:39 AM
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#1 of 20
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Member
Join Date: Apr 2002
Local Time: 06:51 PM
Local Date: 11-18-2008
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Has anybody heard a >$5k Pre/pro that can hang with a $1-2K 2 chan pre in 2chan only?
I am just wondering if anybody has actually compared, side to side, one of their mid-priced pre/pros (like the Anthem, Krell, Arcam, Theta, B&K, etc.) with a 2 chan pre in 2 channel music mode only and honestly felt like the pre/pro sounded just as good? In my case, I have never heard a processor that has been able to compete in 2 channel with a 2 chan preamp costing 50-80% less than the pre/pro. I compared my SF Line 1 against an AVM20, and there was no contest. I have heard a Krell Showcase vs. a Musical Fidelity A3.2 CR, and the MF trounced the Krell in terms of soundstage, depth, clarity, etc. It seems like a hefty price to pay in some pre/pros just for the processing capability, when pure 2 channel sound can be had for much less. Just wondering. Any thoughts and/or opinions would be greatly appreciated.
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06-11-2003, 11:45 AM
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#2 of 20
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Member
Join Date: Feb 2002
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I wouldn't call a >$5k prepro mid-priced but I do agree with your sentiment.
The guys talking L7 and Trifield in the SACD/DVD-A thread will argue 2 channel music mode only isn't relevant with their prepros.
\"Are you ready, Jack?\"
\"I was BORN ready!\"
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06-11-2003, 03:39 PM
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#3 of 20
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Join Date: Jun 2001
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I don't know Chung, I guess it depends how you did your evaluations.
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06-11-2003, 06:22 PM
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#4 of 20
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Join Date: May 2003
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LOL@$5000 "mid priced"
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06-11-2003, 11:47 PM
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#6 of 20
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I'm a bad boy and am going to mention something I haven't "heard". But, I have heard that EAD's do a wondrous job with two-channel on more than one occasion.
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06-12-2003, 01:53 AM
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#7 of 20
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Join Date: Jan 2001
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Local Date: 11-18-2008
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I've bought a used Classe SSP-50 on Audiogon, hoping that it will do a credible job of 2-channel, along with its HT duties. Mind you the list when new was above $5K. Have not received it yet, will let you know my assessment.
Upgrading: \'What if this is as good as it gets?\'
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06-12-2003, 07:40 AM
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#8 of 20
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Doug Pippel
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I only have one comparison to judge by Chung, but my experience echos your own. I've pitted a Marantz AV9000, a Rotel RSP-1066, an Outlaw 950, and an Aragon Soundstage against my Rogue Audio 66 Magnum tube pre for 2 channel and it is indeed no contest. The Rogue trounces all of them handily. Soundstage, imaging, depth, liveliness, and musicality are all owned in a big way by the 66. This was a 2 channel only comparison, using no subwoofer and employing the 2 channel direct modes on the processors.
Perhaps spending upwards of $5K would net you a perfect all-in-one processor/preamplifier, but I don't think so. I'm now a firm believer in only using a processor for home theater duties and letting a quality 2 channel tube output stage preamp handle the music.
Careful man! There's a beverage here!
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06-12-2003, 10:51 PM
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#9 of 20
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That's an easy one. The Bryston SP1.7.
It is their BP25 audiophile preamp with a 7.1 processor built around it.
I have heard it and (even though i am a dealer for many other brands - Krell, Theta, ATI, Integra, etc) I'm getting one for my own system.
John Casler
Summit Audio Video
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06-13-2003, 09:40 AM
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#10 of 20
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You might ask Michael Mohrmann (in the Anthem AVM-20 thread)for more details about his comparsion of the Bryston SP1.7 to the AVM-20.
His conclusion was the Anthem AVM-20 sounded more musical as a 2-channel preamp than the SP1.7 did.
Myself, I haven't yet auditioned either.
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06-13-2003, 10:33 PM
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#11 of 20
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Searching through 58 pages of posts is a little tedious.
What speakers is he using for the comparison. I have heard the Anthem but not on my speakers. I wasn't "over" or "under" whelmed.
I have spent signifcant time with the BP25 on VMPS TRT/RM40s and I would suggest that the SP1.7 would be very hard to "beat". (but am open to the possibilities)
John Casler
Summit Audio Video
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06-14-2003, 01:53 AM
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#12 of 20
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